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2016-02-09 SLAC PacketCity of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork M E M O R A N D U M February 4, 2016 TO: Southlake Arts Council FROM: Cassie Tucker, Assistant to the Director of Community Services SUBJECT: Agenda Item Comments for the Southlake Arts Council meeting – Tuesday, February 9, 2016 The meeting will be held in Town Hall, 4th Floor, Room 4A at 6:00 p.m. If you are not able to attend this meeting, please notify staff at 817.748.8184 or lcarpenter@ci.southlake.tx.us. 1. Agenda Item No. 2A. Consent: Approval of the minutes from the Southlake Arts Council meeting held January 8, 2016. Please make any corrections to the minutes part of the motion for consideration. 2. Agenda Item No. 3A. Consider: Recommendation on Public Art Matching Funds Policy – The proposed Public Art Matching Funds Policy will provide a process for considering requests by petitioning individuals, organizations and businesses for Public Art Matching Funds projects. Eligible projects include public art at private developments and public art to be installed on public property. This process will encourage and promote opportunities for public art by means of matching funds and resources. The proposed Public Art Matching Funds Policy has been developed for your consideration and recommendation to City Council. A copy of the proposed policy is included with your packet memo. 3. Agenda Item No. 3B. Consider: Recommendation on finalists from Call to Artists for public art to be installed at Frank Edgar Cornish, IV Park – The purpose of this item is for the Southlake Arts Council to make a recommendation on finalists from the Call to Artists for public art to be installed at Frank Edgar Cornish, IV Park. The City of Southlake released a national Call to Artists for the project in December 2015 and a total of 16 responses were received. Funding in the amount of $75,000 for the design and installation of artwork is approved in FY 2016 Public Art budget for Phase I of the Public Sculpture Program. Artists chosen as the finalists will be granted a $500 stipend to complete a 3D mockette/model of their final concept. Copies of the artists’ submittals are included in your packet for review and recommendation. 4. Agenda Item No. 4A. Discussion: Strokes of Art in the Square Reception and Exhibit – Southlake Arts Council may discuss assignments and finalize plans for the Southlake Arts Council Meeting Date – February 9, 2016 Page 2 of 2 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork reception to be held February 21, 2016 and the exhibi t February 19 – April 22, 2016. There are no packet documents for this item. 5. Agenda Item No. 4B. Discussion: Debut… Art at The Marq Wrap Up – The purpose of this item is to allow the Arts Council to recap the event held January 23, 2016 at The Marq Southlake. There are no packet documents for this item. 6. Agenda Item No. 4C. Discussion: Apex Film Day – Plans for the Apex Film Day to be held May 7, 2016 may be discussed at this time. There are no packet documents for this item. 7. Agenda Item No. 4D. Discussion: Southlake Constellation Dedication / Unveiling – Staff update regarding plans for dedication / unveiling of Kathleen Caricoff’s piece, Southlake Constellation. 8. Agenda Item N. 4E. Discussion: March 22, 2016 Meeting Location Change – Discuss the possibility of moving the March meeting to The Marq Southlake. 9. Agenda Item No. 5. Public Forum This is the public's opportunity to address the Arts Council about non-agenda items. During Public Forum, the Arts Council will not discuss or take action on any item brought up at this time. 10. For Your Information – Attendance Report – A copy of the Southlake Arts Council attendance log is included in your packet. We appreciate your commitment and service to the City. CHT STAFF CONTACT INFORMATION: Telephone – (817) 748-8019 Facsimile – (817) 748-8027 1400 Main Street, Ste. 210, Southlake, Texas 76092 Chris Tribble, Director of Community Services (817) 748-8021; ctribble@ci.southlake.tx.us Candice Edmondson, Deputy Director of Community Services, (817) 748-8311; cedmondson@ci.southlake.tx.us Cassie Tucker, Assistant to Director of Community Services, (817) 748-8036; ctucker@ci.southlake.tx.us Linda Carpenter-Elgin, Administrative Secretary, (817) 748-8184; lcarpenter@ci.southlake.tx.us City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork SOUTHLAKE ARTS COUNCIL Tuesday, February 9, 2016 Location: Southlake Town Hall 1400 Main Street – 4th Floor (4A) Southlake, Texas Time: 6:00 p.m. Agenda: 1. Call to Order 2. Consent A. Approval of the minutes from the January 8, 2016 regular Southlake Arts Council meeting 3. Consider A. Recommendation on Public Art Matching Funds Policy B. Recommendation on finalists from Call to Artists for public art to be installed at Frank Edgar Cornish, IV Park 4. Discussion A. Strokes of Art in the Square Reception and Exhibit (Reception – February 21, 2016 and Exhibit – February 19—April 22, 2016) B. Debut…Art at The Marq Wrap Up C. Apex Film Day (May 7, 2016) D. Southlake Constellation Dedication / Unveiling E. March 22, 2016 Meeting Location Change (The Marq) 5. Public Forum (This is the Public’s opportunity to address Southlake Arts Council about non-agenda items. During Public Forum, Southlake Arts Council will not discuss, consider or take action on any items presented. Southlake Arts Council respectfully asks anyone speaking during Public Forum to limit remarks to three minutes or less.) 6. Adjournment A quorum of the City Council may be present at this meeting. Southlake Arts Council Meeting Date – February 9, 2016 Page 2 of 2 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork CERTIFICATE I hereby certify that the above agenda was posted on the official bulletin boards at Town Ha ll, 1400 Main Street, Southlake, Texas, on February 5, 2016 by 11:00 a.m. pursuant to Chapter 551 of the Texas Government Code. Lori Payne, TRMC City Secretary If you plan to attend this public meeting and have a disability that requires special ne eds, please advise the City Secretary 48 hours in advance at 817.748.8016 reasonable accommodations will be made to assist City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork SOUTHLAKE ARTS COUNCIL MEETING, JANUARY 9, 2016 LOCATION: The Marq Southlake – Legends Hall Southlake, Texas TIME: 11:00 a.m. SOUTHLAKE ARTS COUNCIL PRESENT: Chair Leslie Bartlett, Vice Chair Miriam Murray, Secretary Jesika Cook and Southlake Arts Council members Terri Messing, Tamara McMillan and Kelly Trager (Alternate 1) SOUTHLAKE ARTS COUNCIL ABSENT: Devika Seth and Merlene Ingraham STAFF PRESENT: Assistant to the Director Cassie Tucker, Sales Specialist Danielle Nelson, and Banquet Specialist Crystal Maddalena WORK SESSION 1. CALL TO ORDER The Work Session was called to order by Arts Council Chairman Bartlett at 11:06 a.m. 2. DEBUT ART AT THE MARQ EVENT LOGISTICS 3. ART IN THE SQUARE RECEPTION Work Session was adjourned. REGULAR SESSION 1. CALL TO ORDER Chairman Bartlett called the meeting of the Southlake Arts Council to order at 11:48 a.m. 2. CONSENT AGENDA Consent Agenda items are considered to be routine by the Southlake Arts Council and are enacted with one motion. 2A. APPROVAL OF THE MINUTES FROM THE DECEMBER 8, 2015 SOUTHLAKE ARTS COUNCIL MEETING There were no corrections to the minutes. 2A - 1 Minutes of the January 8, 2016 Southlake Arts Council Meeting Page 2 of 2 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork APPROVED A motion was made to approve the minutes of December 8, 2015 meeting as presented. Motion: Trager Second: Murray Ayes: Bartlett, Cook, Messing, McMillan, Murray, Trager Nays: None Abstain: None Vote: 6-0 Motion Carried 3. PUBLIC FORUM Apex Board member Denis Harper was present during Public Forum. 4. ADJOURNMENT APPROVED A motion was made to adjourn the meeting at 11:50 a.m. Motion: Cook Second: Murray & McMillan Ayes: Bartlett, Cook, McMillan, Messing, Murray, Trager Nays: None Abstain: None Vote: 6-0 Attest: Leslie Bartlett, Chair Cassie Tucker, Assistant to Director Community Services Department A digital audio recording of this meeting is available in the Office of the City Secretary. 2A - 2 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork M E M O R A N D U M February 4, 2016 TO: Southlake Arts Council FROM: Cassie Tucker, Assistant to the Director of Community Services SUBJECT: Recommendation on Public Art Matching Funds Policy Action Requested: Southlake Arts Council recommendation on a proposed Public Art Matching Funds Policy. Background Information: The proposed Public Art Matching Funds Policy will provide a process for considering requests by petitioning individuals, organizations and businesses for Public Art Matching Funds projects. Eligible projects include public art at private developments and public art to be installed on public property. This process will encourage and promote opportunities for public art by means of matching funds and resources. The proposed Public Art Matching Funds Policy has been developed for your consideration and recommendation to City Council. On March 20, 2012, the City Council approved the Southlake Parks Development Corporation Matching Funds Policy. The policy has cultivated partnerships between the City, nonprofits, private funders, and community groups. It has aided in the advancement of the 2030 Master Plan and has brought many unique projects to the City of Southlake. The proposed Public Art Matching Funds Policy is anticipated to do the same. Project requirements and project management for eligible projects requesting art to be installed on public property parallels the SPDC matching funds program. Project requirements and management practices for eligible projects to include public art at private developments were established through recommendations by both the City’s Art Consultant, John Kinkade, of the National Sculptures Guild and the City’s attorney. Highlights of the proposed policy include: 3A - 1 Southlake Arts Council Meeting Date – February 9, 2016 Page 2 of 2 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork  Statement of Purpose  Project Application Procedures  Project Requirements  Project Evaluation Criteria  Project Approval Process  Funding  Ownership and Maintenance  Recognition of Matching Funds Projects  Definitions City Council will consider approval of the Public Art Matching Funds Policy at their meeting on April 19th, 2016. Financial Considerations: None Strategic Link: The proposed policy is linked to the City’s Strategy Map related to the Focus Areas of Quality Development and Partnerships and Volunteerism, and meets the Corporate Objectives to Invest to Provide and Maintain High Quality Public Assets; Provide Attractive and Unique Spaces for the Enjoyment of Personal Interests; and to Promote Opportunities for Partnerships and Volunteer Involvement. Citizen Input/ Board Review: Southlake Arts Council recommendation February 9, 2016 City Council consideration April 19, 2016 Legal Review: The City Attorney has reviewed the proposed policy. Alternatives: Alternatives include:  Recommendation to approve policy with modifications  Recommendation not to approve policy Supporting Documents:  Public Art Matching Funds Policy Staff Recommendation: Southlake Arts Council recommendation to approve the proposed Public Art Matching Funds Policy 3A - 2 City of Southlake Policies and Procedures Policy: Public Art Matching Funds Policy Source: City Council/ Southlake Arts Council Category: Public Art I. Statement of Purpose The Public Art Matching Funds Policy enables the City to leverage its public art funding to assist with the ongoing advancement of the Public Art Program by implementing recommendations of the Public Art Master Plan. The purpose of this policy is to provide a process for considering requests by petitioning individuals, organizations, or private developments for Public Art Matching Funds projects. Eligible projects include public art at private developments and public art to be installed on public property. The following policy will become effective immediately upon approval of City Council. Proposed Public Art Matching Funds projects will be considered on a project by project basis. The City will determine the percentage match up to 100%. A. Strategic Alignment – This policy is linked to the City’s Strategy Map related to the Focus Areas of Quality Development and Partnerships and Volunteerism, and meets the Corporate Objectives to Invest to Provide and Maintain High Quality Public Assets; Provide Attractive and Unique Spaces for the Enjoyment of Personal Interests; and to Promote Opportunities for Partnerships and Volunteer Involvement. II. Project Application Procedures A. Anyone proposing a Public Art Matching Funds project should submit a proposal in writing to the Public Art Program Manager by March 1st for consideration for the following fiscal year (October 1 – September 30). Other projects may be considered after March 1st as funding is available. A form for this purpose will be available through the Department of Community Services. B. The proposal should include a complete and detailed description of the project and, to the extent applicable, pictures and/or detailed drawings, estimated budgets, location of the project, mechanism of funding the project, maintenance plan, any stipulations that might go along with the project, and a justification for the project. C. The City Council, at its discretion, may grant variances to this policy. III. Project Requirements A. Artwork must be created by an artist. B. Artwork should be visible to the public, considering urban design context and surrounding sightlines. 3A - 3 Public Art Matching Funds Policy Page 2 of 6 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork 2 C. Projects should be in locations where there is a high degree of public visibility, accessibility and use. D. Artwork should respond to recommendations in the Southlake Public Art Master Plan. E. Artwork can be integrated into architecture, landscape or streetscape. F. Artwork cannot be commercial expression. G. Indoor artwork does not qualify, unless installed in a public building. H. If artwork is one of a limited edition set, no other copy may be installed within a 50 mile geographical boundary of the proposed artwork site. IV. Project Evaluation Criteria Proposed projects will be considered on a project by project basis on the following criteria: A. Is the project consistent with the overall intent of the Public Art Master Plan? B. Is the project linked to the City’s Strategy Map? C. Is the project linked to the Focus Areas and Objectives of the City’s Strategy Map? D. Does the project benefit Southlake residents? E. Does the project have a useful life of at least (5) years? F. Does the project accelerate the completion of an identified Public Art Master Plan project? The City of Southlake reserves the right to accept or reject any project submitted for approval. The petitioner will receive the City’s decision in writing after the decision is made. V. Project Approval Process A. The Public Art Program Manager will review the proposed project for its consistency with the evaluation criteria listed in Section IV. B. If the Public Art Program Manager determines that the project is consistent with the evaluation criteria, he/she will place the proposal on an agenda for the Southlake Arts Council to consider recommending to the City Council. C. If the Public Art Program Manager determines that the project is not consistent with the evaluation criteria, he/she will inform the petitioning individual or organization in 3A - 4 Public Art Matching Funds Policy Page 3 of 6 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork 3 writing of the decision and the reasons for the finding. The petitioning individual or organization may appeal the Manager’s decision not to consider the project to the Southlake Arts Council. The Southlake Arts Council will make a recommendation as to whether the project should be considered. D. The Southlake Arts Council will consider the proposed project and make its recommendation to the City Council. The Southlake Arts Council consideration of the proposed project will be based on the extent to which the project is consistent with the evaluation criteria, the overall benefit of the project to Southlake residents, and the funding available for the project. E. Following the Southlake Arts Council’s consideration of the proposed project, the Public Art Program Manager will place the proposed project and the corresponding matching funds request on an agenda for the City Council for final consideration. The decision of the City Council to approve the project and allocate matching funds will be made at its sole discretion and any decision will be final. F. The petitioner (individual or organization) reserves the right to withdraw the proposed project at any time during the approval process. VI. Funding A. Private Developments: If approved, public funds will be allocated to the individual or organization upon completion of the project. Prior to payment, the individual or organization must complete required payment paperwork made available by the Finance Department. B. Public Property: The petitioner must complete any fundraising requirements, if necessary, and deliver their portion of the matching funds to the City before the City will purchase or install the project. The petitioner must deliver their portion of the matching funds to the City within six (6) months of the final approval date unless additional time is granted at the time of approval. If the petitioner fails to meet this requirement, the petitioner will be required to reapply for matching funds. All approved projects will be managed by the City, will become the property of the City once completed or received, and will be used at the sole discretion of the City. VII. Ownership and Maintenance A. Ownership of all artworks incorporated into private developments shall be vested in the property owner who shall retain title of said artwork. As a condition of payment from the City, the property owner must agree by contract to maintain the artwork and prevent its removal from the property. The contract will be considered concurrently with the City Council’s approval of the artwork project and allocation of matching funds. The contract will be recorded in the real property records of Tarrant County and shall be deemed a covenant that runs with the land and will be binding on all heirs, successors, assigns, grantees, vendors, trustees, representatives of the property owner and all others holding any interest in the future. After the artwork has been completed and the property is subsequently to be sold, the seller or buyer of the property, in lieu of honoring the obligations in the contract, may either: (1) 3A - 5 Public Art Matching Funds Policy Page 4 of 6 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork 4 transfer ownership of the artwork by donation to the City of Southlake to be maintained as a public artwork on public property; or (2) remove the artwork and reimburse the City for the matching funds value amount, not to exceed the current appraised value of the artwork. The artwork cannot be altered, modified, relocated or removed other than as provided herein without the prior recommendation of the Southlake Arts Council and approval of the Southlake City Council. B. All contracts described in this policy must be reviewed and approved by the City’s legal counsel. C. In addition to any contractual obligations, property owners will be required to maintain the artwork in good condition in the approved location, as required by law or other applicable guidelines including but not limited to normal code enforcement rules, to ensure that proper maintenance is provided. D. The owner may request that the artwork be removed from the site due to hardship with the recommendation of the Southlake Arts Council and approval of the Southlake City Council. In addition, in the event there is a condition that occurs outside the reasonable control of the owner, such as an Act of God, then this provision may be implemented with the recommendation of the Southlake Arts Council and approval of the Southlake City Council. VIII. Recognition of Matching Funds Projects A. A permanent plaque or equivalent must be designated in recognition of the project to include the name of the project, its contributor(s), date of the project, and reference that the project was completed with funding through the Public Art Matching Funds Program. IX. Definitions ARTIST: A practitioner in the visual arts generally recognized by critics and peers as a professional of serious intent and recognized ability who produces artworks. The members of the architectural, engineering, design, or landscaping firms retained for the design and construction of a development project covered by this definition shall not be considered Artists for the purposes of this definition. ARTWORK: A work of visual art created by or under the direction of one or more artists including a painting, drawing, print, sculpture, photographic image, or multimedia work whether two- or three- dimensional existing in a single copy or in a limited edition of 50 or fewer copies that are consecutively numbered by the artists and bear the signature or other identifying mark of the artist. GOOD CONDITION: Clean and free from damage. PUBLIC ART: Works of art in any media that have been planned and executed with the specific intention of being sited or staged in the public domain. 3A - 6 Public Art Matching Funds Policy Page 5 of 6 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork 5 PUBLIC ART MASTER PLAN: The public art planning document endorsed by the Southlake Arts Council and adopted by the City Council as part of the City’s comprehensive planning process. PUBLIC ART POLICY: The public art policy as adopted by the City Council including any future additions, deletions, or revisions thereto. PUBLIC ART PROGRAM MANAGER: A City of Southlake staff member designated as the lead staff to implement the public art initiative, with a range of responsibilities in project planning, outreach and project management. PUBLIC ART PROJECT: A commission, acquisition, loan or donation of artwork to the City pursuant to this policy including the process by which such event is initiated, developed, evaluated, conducted, and completed. QUALIFIED APPRAISER – A Qualified Appraiser is an individual who has earned an appraisal designation from a recognized professional appraiser organization or has otherwise met minimum educational and experience requirements set forth in regulations prescribed by the IRS. The minimum education and requirements are met if the appraiser has successfully completed college or professional level course work that is relevant to the property being valued; obtained at least two years of experience in the trade or business of buying, selling or valuing the type of property being valued; regularly performs appraisals for which the individual receives compensation; and meets such other requirements as may be prescribed by the IRS in regulations or other guidance. SOUTHLAKE ARTS COUNCIL: An advisory board appointed by the City Council to make recommendations to the City Council concerning matters pertaining to public art and art activities including but not limited to visual arts, performing art programs, and art facilities. 3A - 7 Public Art Matching Funds Policy Page 6 of 6 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork 6 PUBLIC ART MATCHING FUNDS PROJECT APPLICATION Project Name: Project Location: Contact Person: Organization: Mailing Address: City: State: ZIP: Phone: Cell: Email:___ Additional Contact Person: Phone:_________________ Project Description: Project Justification: Proposed Start Date: Proposed Completion Date: Projected Cost: Funds Requested: Check One: Standard Match OR In-Kind Match %Match Proposed: 3A - 8 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork M E M O R A N D U M February 4, 2016 To: Southlake Arts Council From: Cassie Tucker, Assistant to the Director of Community Services Subject: Recommendation on finalists from the Call to Artists for public art to be installed at Frank Edgar Cornish, IV Park Action Requested: Southlake Arts Council recommendation on finalists from the Call to Artists for public art to be installed at Frank Edgar Cornish, IV Park Background Information: Since 2009, the City has successfully commissioned several public art projects as part of its Public Art Program, including pieces installed at:  DPS Headquarters  Five Roundabout Intersections (four currently installed, one scheduled to be installed in 2016)  North Park Bas Relief  Family Park – Brian Stebbins Memorial  The Marq Southlake Sculpture (scheduled to be installed in 2016) The 2030 Public Art Master Plan recommends commissioning and installing public art pieces throughout Town Square as a walkable public sculpture art exhibit through some of the square’s most vibrant retail and dining areas. Frank Edgar Cornish, IV Park has been identified as the ideal location for the first installment of the Public Sculpture Program. A Call to Artists was released in December 2015 to local, regional and national artists requesting proposals for public art for the Frank Edgar Cornish, IV Park in Town Square. The City received 16 responses from the call. Copies of the proposals are attached for your review and recommendation. The anticipated timeline for commissioning the project is as follows: Call to Artists Issued December, 2015 Application Deadline January 31, 2016 3B - 1 Southlake Arts Council Meeting Date – February 9, 2016 Page 2 of 3 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork Arts Council Review/Selection February, 2016 Notification to Finalists February, 2016 Presentation of Finalists March, 2016 Notification of Selected Artist March, 2016 Recommendation to City Council April, 2016 Execution of Contract April, 2016 The next step in the process will be for Arts Council to review the finalists’ final concepts at the March meeting and to make a recommendation for City Council consideration April 19, 2016. Financial Considerations: Funding in the amount of $75,000 for the design and installation of artwork is approved in FY 2016 Public Art budget for Phase 1 of the Public Sculpture Program. Artists chosen as the finalists will be granted a $500 stipend to complete a 3D mockette/model of their final concept. The Call to Artists identifies the maximum project budget as $70,000. $5,000 has been set aside for expenses incurred by the City for installation. Strategic Link: Selection of finalists from the Call to Artists is linked to the City’s Strategy Map related to the focus area of Quality Development and meets the corporate objective to provide attractive and unique spaces for the enjoyment of personal interests. It also addresses Critical Business Outcome CB01, to implement Southlake 2030 Plan by focusing on short-term initiatives. Citizen Input/ Board Review: Selection of finalists from the Call to Artists complies with provisions of the Southlake 2030 Public Art Master Plan. Southlake Arts Council will review proposed submittals and make a recommendation on final candidates to the City Council. Legal Review: Not Applicable Alternatives: Not Applicable Supporting Documents: Call to Artists submittals 3B - 2 Southlake Arts Council Meeting Date – February 9, 2016 Page 3 of 3 City of Southlake Values: Integrity ♦ Innovation ♦ Accountability ♦ Commitment to Excellence ♦ Teamwork Recommendation: Southlake Arts Council recommendation on finalists from the Call to Artists for public art to be installed at Frank Edgar Cornish, IV Park 3B - 3 LETTER OF INTEREST CARICOFsculpture KATHLEEN CARICOF “I design for a purpose, combining emotion and intention to grow ideas; translating these concepts into vision, and vision into reality.” Much of my past work incorporates the theme of community through abstract form. I place a great deal of importance in ‘the gathering’ for mutual support and as a collective celebration of life. Public art is exciting to me because of its shared impact through a convergence of diverse people where new ideas take place. Sites that incorporate public artwork are spirited and iconic places, which is a quality I instill in my artwork. A background as a commercial designer turned sculptor shows in my approach to each project. I begin with the question, “What is the best solution for this space?” Whether that is a stand-alone sculpture, wall relief or suspended work, I ensure the artwork fits its space – fueling community involvement and enriching their environment. My interest in sculpture developed from a design background, having earned a bachelor’s degree in Industrial Design from the Art Center College of Design in Pasadena, CA. Professional projects include working with Buckminster Fuller in product design and with PPG Glass in developing a new generation of products. Currently, my sculptural work is directed toward mixed media applications. As an artist, I thrive on experimentation, seeking out new directions, techniques and materials for continued growth. My work is designed to be relevant, welcoming and approachable for a broad audience as well as be interactive whenever possible. The primary objective for all of my work is to successfully create engaging and thoughtful placements. Artwork concepts for Frank Edgar Cornish, IV Park should convey vitality and interest while maintaining sophistication through stylish line and bold form, complementing the area and its architecture. All proposed artwork will be unique, providing a site-specific installation for the Park and the City of Southlake. I look forward to exploring many possibilities with your art committee to meet site and community needs. Past placements have ranged from $30,000 to $625,000. My most significant placement to date is ‘Stars and Stripes’ a 36ft x 40ft stainless steel intertwining sculpture for the Veteran’s Memorial at War Memorial Stadium, Little Rock, AR. Other public placements are with the cities of Burbank, CA; Cerritos, CA; Long Beach, CA; City of Paramount, CA; Broomfield, CO; and Greeley, CO; and multiple sites on the campus of the University of Denver [partially carved on-site], and achieved in coordination with an architectural design team. Recently I installed “Standing Tall”, a tribute to the police, firefighters and emergency personnel who lost their lives on 9/11. The installation also included a steel I-beam from the Ground Zero site, which was placed horizontally, as if lying in state. Since 1996, I have placed a majority of my public artwork in partnership with the National Sculptors’ Guild. I approach each project development as a design team with myself as lead designer/artist. The Guild assists me with administrative needs for all of my large-scale projects. Over the past 20+ years, they have successfully installed over 400 significant public placements across the country. As a Fellow member of the Guild, I have access to the expertise of nationally recognized professionals including structural engineers, architects, lighting designers, landscape architects and subcontractors for each project that I’m involved in. I have worked on a wide range of public art projects, creating work for cities, corporations and private institutions. Thank you for your time and consideration. I hope to enrich Frank Edgar Cornish, IV Park and the greater Southlake community through my art and design. Kathleen Caricof www.caricofsculpture.com • KATHLEEN CARICOF • CARICOFsculpture • 2683 N T AFT A VENUE, L OVELAND, CO 80538 • 970.667.2015 • • WWW.CARICOFSCULPTURE.COM • KATHI@ NATIONALSCULPTORSGUILD.COM • 3B - 4 CARICOFsculpture KATHLEEN CARICOF / NATIONAL SCULPTORS’ GUILD EDUCATION & PERSONAL: Since 1990 Self Employed Sculptor, Designer & Instructor Newport Beach, CA 1990-95 Marble – Marble, Summer Sessions Marble, CO 1993 Nathaniel Kaz, Sculptor, Workshop New York, NY 1984-89 Tony Amato, Master Carver, Internship Vista, CA 1978-81 B.S. in Industrial Design, Art Center College of Design Pasadena, CA SELECT PUBLIC ART COMMISSIONS: Fire Station #1 – 9/11 Memorial [Standing Tall] San Luis Obispo, CA Coronado Yacht Club – Multi-faceted Installation [Regatta] Coronado, CA City of Loveland Library, Integrated Sculpture/Paintings w/Alyson Kinkade [Source] 2012 Loveland, CO Statehouse Convention Center at Peabody Hotel [Re-Convene] 2011 Little Rock, AR Riverfront Park, signature sculpture for the Vogel/Schwartz Sculpture Garden [Infinity] 2011 Little Rock, AR Mesa State College, Saunders Facility [On the Move] 2011 Grand Junction, CO City of Paramount, High School Library Courtyard [Poetry in Motion] 2010 Paramount, CA City of Greeley, Colorado – City Worker’s Memorial [Open Hearted] 2008 Greeley, CO City of Little Rock, Arkansas-War Memorial Stadium [Stars and Stripes] 2007-08 Little Rock, AR City of Long Beach, California- [Synergy – Orange Twist] 2007-08 Long Beach, CA City of Burbank, California-Burbank Water & Power Fountain [Community] 2006 Burbank, CA City of Cerritos, California – [Cerritos Air Disaster Memorial] 2005 Cerritos, CA City of Cerritos – [Balance] 2005 Cerritos, CA Paul Derda Recreation Center Relief- [Colorado Landscapes] 2004 Broomfield, CO Pine Lane Primary School Relief, Douglas County Schools 2004 Denver, CO Benson Park Sculpture Garden placement [Loving the Moment], 2004 Loveland, CO Denver University Campus, collab. w/Madeline Wiener: Major-Scale Bas Reliefs 1998-2004 Denver, CO Ritchie Center [Portrait of Marion Goddesfield] Lamont School of Music [The Spirit of Music] Newman Center for Performing Arts [Renaissance Chair] Chambers Center-Women’s College of Denver [Open Arms] Beta West of US West Communications, Nine Sculptures Denver, CO City of Golden, Major-Scale Limestone Relief for Courthouse Golden, CO Central Missouri State University, Life-Size Sculpture Springfield, MO Emerald Pictures, [Torso] Yule-Marble Sculpture Burbank, CA Pfieffer and Hamilton Publishers, [Dancers] Life-Size Marble Sculpture Duluth, MN PROFESSIONAL MEMBERSHIPS: Since 1996 National Sculptors’ Guild Loveland, CO SELECT DESIGN TEAM PARTICIPANTS PAST & PRESENT: Alyson Kinkade, JK Designs, Inc. Project Management, Graphics, Budget, Installation Loveland, CO Greg Hebert Landscape Architect, Landscape/Site Design San Diego, CA Gregory P. Luth & Associates, Structural Engineering Denver, CO & Santa Clara, CA HONORS AND AWARDS: 2005-12 Selected to Design and Create awards for Graduate School of International Studies Denver, CO Honoring: Madeline Korbel Albright, Gen. George W. Casey Jr., Robert & Judi Newman, Jane & Fred Hamilton Patricia & Johnston Livingston, Christina A. Gold, Condeleeza Rice, J. Landis Martin, Leo Kiely and Reverend Susan Kiely 2009 Best in Show & Purchase Award, Sculpture at the River Market “New Beginnings” Little Rock, AR 2008 Southwest Art Magazine feature: ‘The Innovators’ National Publication 2007 Purchase Award, Sculpture at the River Market Little Rock, AR Best in Show, Sculpture at the River Market “Tomorrow’s Dreams” Little Rock, AR 1998 People’s Choice Award, International Snow Carving Breckenridge, CO 1997 1st Place Award, Aspen Snow Carving Aspen, CO 1996 Invited Jury Selection Member, Sculpture in the Park Loveland, CO • KATHLEEN CARICOF • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • • TEL970.667.2015 • KATHI@ NATIONALSCULPTORSGUILD.COM • 3B - 5 R ESUME PAGE 2 CARICOFsculpture KATHLEEN CARICOF / NATIONAL SCULPTORS’ GUILD 1B SELECT EXHIBITIONS: 2007-14 Sculpture at the River Market, Invitational Exhibition [07,09, 14 award winner] Little Rock, AR 1996-2012 National Sculptors’ Guild Annual Exhibit, Columbine Gallery Loveland, CO 2006 Walker Fine Art- Two Person Show Denver, CO 2004 Solo Show, Columbine Galleries – 1Point Gallerie Denver, CO 1992-2004 Sculpture in the Park Loveland, CO 1997-98 International Snow Carving Championships Breckenridge, CO 2000 Three Person Show, Columbine Galleries Loveland, CO 1997 Aspen Snow Carving Competition Aspen, CO 1995-96 Cherry Creek Arts Festival Cherry Creek, CO 1995 Women in Art Cherry Creek, CO 1994 Solo Show San Diego, CA 1994 Marble Exhibit, Loveland Museum Loveland, CO 1993 St. George Art Festival St. George, UT 1992 North American Sculpture Exhibit Golden, CO 1992-91 Douglas County Festival of Arts Englewood, CO 1991 Arvada Center Arvada, CO MAJOR PRIVATE COLLECTIONS: *DENOTES MULTIPLE WORKS Vicki & Bill Bohnhoff, AZ Chris & Jack Harris, NM* Mary & Dean Kumpuris, AR Arabella & Steffano Massi, ITALY Robert & Judi Newman, CO Nancy & Don Tubesing, NM* Claudia & Lee Barewin, MO LECTURES AND INSTRUCTION: 2010 “Cerritos Celebrates National Arts & Humanities Month”, guest lecturer Cerritos, CA 2010 “Creation: Women in Art” guest speaker, Lanning Gallery Sedona, AR 1995-Present Arts Students League, Stone Sculpting Denver, CO 1995-Present Marble Institute of Colorado, MARBLE-marble Symposium, Stone Sculpting Marble, CO 1990-95 Bergen Elementary, Art Appreciation Program Hands on Sculpture Project Denver, CO 1990-Present Mentor – Gifted and Talented, Evergreen Jr. High Evergreen, CO 1980-83 Teachers’ Assistant, Art Center College of Design Pasadena, CA CERRITOS AIR DISASTER MEMORIAL – CERRITOS, CA • KATHLEEN CARICOF • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • • TEL970.667.2015 • KATHI@ NATIONALSCULPTORSGUILD.COM • 3B - 6 ANNOTATED IMAGE LIST CARICOFsculpture KATHLEEN CARICOF # TITLE MEDIUM SCALE DATE SITE/BUDGET 01 STARS & STRIPES VETERAN’S M EMORIAL War Memorial Stadium - Little Rock, AR Stainless Steel/Granite 36ft x40ft x 40ft ©2008 $625,000 Commissioned as a Veterans Memorial by the War Memorial Stadium Improvement Trust [Little Rock, AR] for its 60th Anniversary Linear elements form five stars representing the five branches of the military, interconnected to show they work together. Central element in a round granite clad plaza. My team, including GPL&A - the structural engineer, worked alongside Western Steel and Boiler’s certified welders at their Denver facility to fabricate this 40-foot intertwined stainless steel sculpture prior to shipping it in 13 pieces and reconfiguring on-site. 02 STANDING TALL Fire Station #1 - City of San Luis Obispo, CA Granite/Concrete/Steel/Stainless/LEDs 12ft x30ft x30ft ©2015 $62,000 This memorial honors the 403 Police and Fire emergency responders who lost their lives during the tragic events of 9/11. The Police and Fire emergency personnel are symbolized by 403 tall metal posts which surround a steel I-beam which was once a structural support for one of the Twin Towers. 03 SYNERGY WITH A TWIST Redevelopment Agency City of Long Beach, CA Polymers/Granite 14ft x12ft x8.5ft ©2008-09 $104,000 Commissioned by the City of Long Beach Redevelopment Agency to enhance their community with a fun, bright, colorful sculpture, this continuous form intertwines creating a visually dynamic wave 04 COMMUNITY FOUNTAIN Burbank Water & Power, City of Burbank, CA Mixed Natural Stone 12ft x18ft x18ft ©2006 $350,000 Commissioned Sculpture & Fountain by the City of Burbank, CA for their Water & Power Dept., symbolizes the strength found in community. Completed and dedicated in 2006. Design Team included Kathleen Caricof –lead artist, the National Sculptors’ Guild and Advanced Aquatics, Inc. 05 POETRY IN M OTION Paramount High School Library - Paramount, CA Steel/Paint/Concrete 9ft x14ft x 7ft ©2010 $40,000 Site-Specific sculpture commissioned by the City of Paramount, California for its high school library entry. The inside of the lyrical form includes the quote "What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from." — T.S. Eliot 06 SOURCE: F ALLING WATER Loveland Public Library - City of Loveland, CO Granite/Gold Leaf 9ft x 3ft x 1.5ft ©2012 $40,000 Designed within the nature theme of the library's reconstruction, Falling Water pays homage to the Big Thompson River. The curved line is open, utilizing negative space to symbolize one’s horizon, speaking to the future and how one can look beyond to our endless possibilities. 07 CERRITOS AIR DISASTER MEMORIAL Cerritos Public Sculpture Garden - City of Cerritos, CA Marble/Granite 14ft x6ft x3ft ©2003-06 $83,000 An abstracted teardrop forms in the negative space between two wing-like sails. This sculpture memorializes the 1986 mid-air collision of Aeromexico Flight 498 with Piper PA-28 Archer which killed 67 people. Falling debris also killed 15 Cerritos residents on the ground. This sculpture lists the names of the dead and a polished granite bench offers a place for the viewer to sit and pay somber tribute to this tragedy and its victims. [Continued on next page] 3B - 7 ANNOTATED IMAGE LIST [continued] # TITLE MEDIUM SCALE DATE SITE/BUDGET 08 INFINITY Riverfront Park - Little Rock, AR Steel/Paint/Granite 14ft x 6t x 7ft ©2012 $60,000 Infinity is a true Mobius strip that speaks to the constant flow of energy of the community itself. Painted a vibrant golden yellow to represent the warmth of the people of Little Rock, the twisting form and use of negative space keeps the viewer’s experience in constant flux. 09 OPEN HEART, CITY WORKERS MEMORIAL Lincoln Park - City of Greeley, CO Marble/Granite/Gold Leaf 14.5ft x 3ft x 1.5ft ©2009 $32,000 Commissioned by the City of Greeley and installed September 2, 2009 in Lincoln Park. Placed facing the South-East to incorporate the sun which will activate the gold-leaf clad opening, this sculpture’s title and inscription is carved on the granite portion of the sculpture with names of honor on the back. 10 OPEN ARMS Women’s College, University of Denver, CO Limestone 8’x18’x22” ©2004 $85,000 Part of a commission by the University of Denver for the Merle Catherine Chambers Center & Women's College. This is one of five major-scale art projects over four years around the campus. After designing each piece and roughing them out in the studio, the reliefs were finished on-site with carving assistance from Roger Seal and Madeline Wiener. • KATHLEEN CARICOF • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • • TEL970.667.2015 • KATHI@ N ATIONALSCULPTORSGUILD .COM • 3B - 8 CARICOFsculpture - Kathleen Caricof National Sculptors’ Guild 2683 N. Taft Ave. Loveland, CO 80538 kathi@nationalsculptorsguild.com 970.667.2015 3B - 9 01 Stars & Stripes 3B - 10 02 Standing Tall 3B - 11 03 Synergy with a Twist 3B - 12 04 Community Fountain 3B - 13 05 Poetry In Motion 3B - 14 06 Source: Falling Water 3B - 15 07 Cerritos Air Disaster Memorial 3B - 16 08 Infinity 3B - 17 09 City Workers Memorial 3B - 18 10 Open Arms 3B - 19 CAROL GOLD – STATEMENT OF INTEREST NATIONAL SCULPTORS’ GUILD The uncomplicated modeling technique of my work reveals a quiet yet contemporary style. The simple sculpting methods that I employ allow the viewer to reflect and apply these visual narratives to their own life experiences. Many of my artworks depict interaction between individuals. The inspiration for much of my work comes from a poem by Pablo Neruda in which he writes – “No hablar es morir entre los seres” or, “Not to speak is to die among human beings”. I have used this recurrent theme of communion in my work for years. We are bound as a civilization by means of contact with each other. By interacting with those around us, communities grow and prosper through their ideas, thoughts and stories, both personal and allegorical. Many public art locations, and especially parks, serve their communities as gathering places. I believe that my work would be a perfect complement in this respect. Artwork for public places should be inclusive and approachable, adding a sense of welcome and identity while also complementing the area’s natural and man-made surroundings. If fortunate enough to be chosen to enhance Frank Edgar Cornish, IV Park I will work closely with project managers and local community members to ensure a successful and well-integrated art placement. As a member of the National Sculptors’ Guild, I am fortunate to be able to draw upon their expertise in the placement of several large-scale installations of my work. The Guild assists me in the administration and logistics of my public art commissions, working closely with cities, corporations and private institutions across the country. Functioning as a team, members of these projects have included architects, landscape architects, structural engineers, designers and city staffs. The common threads that weave through all of the Guild artists’ projects are creative design solutions, attention to detail and the maximization of available funding to ensure client satisfaction. I have a great deal of experience placing my work publicly thanks to the expertise of the National Sculptors’ Guild. In 2004, a monumental version of my joyful sculpture Fiesta was placed at the pedestrian entry to the William Jefferson Clinton Presidential Library. This placement was the culmination of a three year design team effort that placed six monuments in Little Rock, AR. A year ago, I helped to install Time, a 12 foot tall bronze and stainless steel sculpture at North Central Michigan College in Petoskey, MI. It has already become a favorite “photo op” destination for students and visitors to the campus. All of these placements promote a sense of pride and community cohesion. This past February, I completed Belle, a larger-than-life sized Holstein cow commissioned by the City of Bellflower, CA as a nod to their start as a dairy-producing town. I am currently working on a 13-foot tall sculpture titled Infinite Dance for the Town of Pittsfield, MA. When finished, this sculpture will be placed in the town’s central common, the heart of the community. I am grateful to the City of Southlake’s Arts Council for this opportunity to create artwork to enhance the Frank Edgar Cornish, IV Park. Thank you for your consideration and the chance to work with you as a result of such a great public art program. Sincerely, Carol Gold – Fairfax, CA • C AROL G OLD • T HE N ATIONAL S CULPTORS’ G UILD • • CAROL@ NATIONALSCULPTORSGUILD.COM • 970.667.2015 • • WWW.NATONALSCULPTORSGUILD.COM • 3B - 20 CAROL GOLD  PERSONAL:   PRESENTLY: Full Time, Self‐Employed Sculptor Fairfax, CA   BORN: 1937 Hartford, CT    EDUCATION:   1987 Travel and Stone Carving Spain   1960‐61 Museum School Boston, MA   1958‐60 Boston University School of Fine Arts Boston, MA   1955‐58 Cornell University Ithaca, NY       COMMISSIONS AND AWARDS:   2013 “Infinite Dance” Pittsfield Town Common, Commission Pittsfield, MA    “Belle” City of Bellflower, Commission Bellflower, CA   2012 “Time” Benson Sculpture Park Loveland, CO   2010 “Time” North Central Michigan College, Commission Petoskey, MI   2008 “Conversation” Park of the Four Portals, Commission Paramount, CA   2007 “Story Teller” Whitwood Branch Public Library, Commission Whittier, CA    “Communion” Thompson Crossing Sculpture Park, Commission Windsor, CO   2007 ‘Best in Show’ Sculpture at the River Market Invitational Exhibition Little Rock, AR    2006 “Fiesta” City of Cerritos Cerritos, CA   2004 “Fiesta” Benson Sculpture Park Loveland, CO   2004 “Fiesta” Clinton Presidential Library, Commission Little Rock, AR   1999 “Wind” Southwestern Oregon Community College Coos Bay, OR   1991 “Wind” City of Bakersfield, City Center Project, Commission Bakersfield, CA   1989 ‘John Cavanaugh Memorial Award’, National Sculpture Society New York, NY    ‘John Cavanaugh Memorial Award’, N. American Sculpture Exhibit Golden, CO   1988 ‘Award Winner’, Bay Arts 188 Burlingame, CA   1982 ‘Colorado Sculpture Award’, N. American Sculpture Exhibit Golden, CO   1981 ‘Beyond Bronze Award’, N. American Sculpture Exhibit Golden, CO    SELECT DESIGN TEAM PARTICIPANTS PAST & PRESENT:   John Kinkade, National Sculptors’ Guild, Site Design/Installation Loveland, CO   Greg Hebert Landscape Architect, Landscape/Site Design San Diego, CA   Martino & Luth., Structural Engineering Denver, CO    Gregory P. Luth & Associates, Structural Engineering Santa Clara, CA   Advanced Aquatic Technology Inc., Fountain Engineering Orange, CA   Arkins Park Stone, Sculpture/Site Materials Loveland, CO   Jafe T. Parsons, Photography Loveland, CO    SELECTED PUBLICATIONS:   2004 Jul “The Gold Standard”, Bonnie Gangelhoff Southwest Art   2004 Jul Cover Art, “Fiesta” Southwest Art   1993 Sept  ʺShe finds her Strength in Artʺ, Richard Polito   Marin Independent Journal   1991 Dec ʺArtist Unveils Sculpture ‘Wind’ ʺ, Richard Chon   Bakersfield Californian   1991 Jul ʺSculpture Offers Modern, Primitiveʺ, Richard Chon   Bakersfield Californian    1989 Fall ʺNSS In Soho... 56th Annual Exhibitionʺ, Marion Roller  Sculpture Review    1988 Oct ʺBay Arts 188” Winifred Ehren   Bay Nites   1988 Jun ʺArtʺ, Irene M.K. Rawlings   The Denver Post   1987 Fall ʺFoothills Art Prepares for Tenth Annual Exhibitʺ, Leonda Finke  Sculpture Review    1985 Aug ʺSausalito: High Tech & Down Homeʺ Phyllis Bragdon  Marin/Sonoma Journal   1984 Jul ʺThe Trouble with Groupsʺ Ellen Schlesinger  The Sacramento Bee             • C AROL G OLD • T HE N ATIONAL S CULPTORS’ G UILD • • 2683 N T AFT A VENUE • L OVELAND, C OLORADO 80538 • 970.667.2015 • • WWW.NATIONALSCULPTORSGUILD.COM • CAROL@ NATIONALSCULPTORSGUILD.COM • 3B - 21       PROFESSIONAL MEMBERSHIPS:    National Sculptors’ Guild Loveland, CO  SELECT EXHIBITIONS:   1994‐10 National Sculptors’ Guild Annual Exhibition, Columbine Galleries Loveland, CO   2007‐10 Sculpture at the River Market Invitational Exhibition Little Rock, AR   1995‐10 Sculpture in the Park, National Juried Exhibition Loveland, CO    2003 Two‐Person Show, Columbine Galleries Santa Fe, NM   2001 Two‐Person Show, Columbine Galleries Santa Fe, NM   1997 Two‐Person Show, Columbine Galleries Loveland, CO    Two‐Person Show, Rice and Falkenberg Gallery Palm Beach, FL    Fenn Gallery Santa Fe, NM   1996 Rice and Falkenberg Gallery Palm Beach, FL   1995 Solo‐Show, Michael Himovitz Gallery Sacramento, CA    Jill Vickers Gallery Aspen, CO   1994 Two‐Person Show, Stary‐Sheets Gallery Irvine, CA   1993 “Women in Bronze”, ArtWorks Gallery Berkeley, CA   1991 “Laughter… All That Your Art Desires”, Syntex Gallery Palo Alto, CA    Two‐Person Show, Pence Gallery Davis, CA   1990 Three‐Person Show, Stary‐Sheets Gallery Irvine, CA    Two‐Person Show, Michael Himovitz Gallery Irvine, CA   1989 National Sculpture Society Exhibition New York, NY    North American Sculpture Exhibition Golden, CO   1988 Two‐Person Show, Stary‐Sheets Gallery Irvine, CA   1987 Two‐Person Show, Stary‐Sheets Gallery Irvine, CA   1985 Solo‐Show, Himovitz/Salomon Gallery Sacramento, CA   1981‐82, 84 North American Sculpture Exhibition Golden, CO   1981 Oberon Gallery Napa, CA   1980 Two‐Person Show, Art Ovations Gallery San Francisco, CA   1979 “Women in Bronze”, Anna Gardner Gallery Stinson Beach, CA   1978 Rose/ Bernardi Gallery Sausalito, CA   1975 Elca London Gallery Montreal, Quebec, Canada    PROFESSIONAL REFERENCES:   City of Pittsfield, Massachusetts “Infinite Dance”, 2013   Anne W. Pasko, Chairwoman ‐ Pittsfield Garden Committee   65 Bridge Street   Lanesborough, MA 01237   awpasko@verizon.net    413.443.1832     City of Bellflower, California “Belle”, 2013  Rafael Guzman               16600 Civic Center Drive  Bellflower, CA 90706  (562) 804‐1424 x2276  rguzman@bellflower.org     City of Whittier, California “Storyteller”, 2007   Fran Shields, Community Services Director   13230 Penn Street   Whittier, CA 90602   fshields@cityofwhittier.org   562‐464‐3360    • C AROL G OLD • T HE N ATIONAL S CULPTORS’ G UILD • • 2683 N T AFT A VENUE • L OVELAND, C OLORADO 80538 • 970.667.2015 • • WWW.NATIONALSCULPTORSGUILD.COM • CAROL@ NATIONALSCULPTORSGUILD.COM • 3B - 22 CAROL GOLD NATIONAL SCULPTORS’ GUILD IMAGE ANNOTATION: # TITLE/SITE MEDIUM DATE DIMENSIONS BUDGET/COST 01 Storyteller Bronze/Sandstone ©2007 6’ x 4’ x 1.5’ $65,000 City of Whittier, CA for the Whitwood Branch Library 02 Storyteller (detail) Bronze/Sandstone ©2007 6’ x 4’ x 1.5’ $65,000 City of Whittier, CA for the Whitwood Branch Library 03 Infinite Dance Bronze/Stainless Steel ©2013 14’ x 7’x 7’ $85,000 Entry to the Town Common of Pittsfield, MA 04 Belle Bronze/Landscaping ©2013 6.5’ x 8’x 4’ $100,000 Entry to the City of Bellflower, CA 05 Fiesta Bronze/Landscaping ©2004 6’ x 12’ x 1’ $75,000 Riverwalk Park, City of Little Rock, AR for the entry to the Clinton Presidential Library 06 Fiesta (detail) Bronze/Landscaping ©2004 6’ x 12’ x 1’ $75,000 Riverwalk Park, City of Little Rock, AR for the entry to the Clinton Presidential Library 07 Time Bronze/Stainless Steel ©2010 12’ x 7’ x 4’ $55,000 North Central Michigan College – Petoskey, MI [2010] 08 Communion Bronze/Sandstone ©2008 5.5’ x 9’ x 4.5’$78,000 Thompson Crossing Sculpture Park – Windsor, CO 09 Communion (detail) Bronze/Sandstone ©2008 5.5’ x 9’ x 4.5’ $78,000 Thompson Crossing Sculpture Park – Windsor, CO 10 Conversation Bronze/Granite ©2008 6’ x 12’ x 4’ $105,000 Park of the Four Portals - City of Paramount, CA 3B - 23 • C AROL G OLD • T HE N ATIONAL S CULPTORS’ G UILD • • 2 6 8 3 N T AFT A VENUE • L OVELAND, C OLORADO 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • WWW.NATONALSCULPTORSGUILD .COM • CAROL@ NATIONALSCULPTORSGUILD.COM • 3B - 24 Carol Gold National Sculptors’ Guild 2683 N Taft Avenue Loveland, CO 80538 970.667.2015 carol@nationalsculptorsguild.com 3B - 25 Storyteller 01 3B - 26 Storyteller (detail) 02 3B - 27 Infinite Dance 03 3B - 28 Belle 04 3B - 29 Fiesta 05 3B - 30 Fiesta (detail) 06 3B - 31 Time 07 3B - 32 Communion 08 3B - 33 Communion (detail) 09 3B - 34 Conversation 10 3B - 35 CLAY ENOCH SCULPTURE ARTIST STATEMENT The figure is endlessly expressive; my passion is to simplify its most defining gestures to reveal the spirit within. PUBLIC ART APPROACH A meaningful work of art enriches the people who encounter it, viewing it only once or seeing it repeatedly. It can make a statement, evoke a feeling, raise a question, create a sense of place, or give rise to reflection. Strong art can also underline and illustrate the mission and vision of a company or institution or community. I am very excited by the possibility of working with your art committee in its public art search for Southlake’s Frank Edgar Cornish IV Park. I envision my work complementing the park design and architecture well, as well as reflect the park’s role of community gathering, family connections and quality of life. In many instances I have utilized columns and other architectural elements with my figures to create impactful statements beyond simply placing a single sculpture, I see this site being a great space for such design. My creativity flourishes best within the design team approach involved with public commissions. I begin the conceptual phase compiling ideas and sketches and dreaming of what is possible, which material will best represent the artwork and integrate with the surroundings, and how that medium can be pushed and stretched to its potential. My intent is to clearly express ideas in original, innovative ways. It is important that my artwork from concept to completion is created with integrity, so I incorporate multiple layers of meaning whenever possible. The result is a placement that can be shared for generations which instills pride in the community. Born and raised in Tennessee, my history in the arts began early on with my experiences at the Governor's School for the Fine Arts before earning a BFA from Wheaton College in Illinois. Public commissions include works for the Arkansas Children’s Hospital; the Wetlands Conservancy Center: City of Little Rock, AR; The Country Place, Moscow, TN; First Congregational Church, Greeley, CO; Evangelical Christian School, Cordova, TN; Fort Collins Country Club, CO; and Portraits for Lipscomb Pitts Insurance Company, Memphis, TN. Because of the variety of the commissions I have completed, I have gained experience with bronze, wood, forton, and resin, sculpture in the round as well as reliefs on flat surfaces or on curved surfaces. In all of this, I learned early that asking the right questions to the right people is the key. My father is an architect, to which I attribute a sense for design as well as a collaborative approach to executing my artistic ideas. As a Fellow of the National Sculptors’ Guild I approach all of my larger projects in a design team mode in which I serve as lead artist working with JK Designs’ designers. Shared resources saves me time, energy and money that can better be spent on the artwork itself, and our team works closely with me and the client to ensure my vision is actualized and is a sound placement that all are proud of. Depending on the scope of the project the team grows to include architects, landscape architects, structural engineers, contractors and other specialists. Working with JK Designs affords me access to the expertise of nationally recognized professionals that have proven accountability and experience, allowing me to focus my energy on the artwork. With over 20 years of experience placing over 450 significant public artworks with cities, municipalities, corporations and private institutions across the country within budgets ranging from $25,000 to $2.8 million they maintain comprehensive insurance covering $2 million on each project. Since induction as a member in 2010 we have designed and placed 7 large-scale figurative sculptures, several of which have been significant site-specific placements. 3B - 36 I will look forward to working with representatives from your committee to further develop the design and placement within the site so that all involved can be proud of this work. I look forward to this opportunity and thank you for the chance of submitting my work to you. Sincerely, Clay Enoch National Sculptors’ Guild • CLAY ENOCH • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • CLAY@NATIONALSCULPTORSGUILD.COM • 3B - 37 CLAY ENOCH SCULPTURE – resume’ EDUCATION: 1998-2001 Sculpture Workshops, Loveland Academy of Fine Art Loveland, CO Notable Instructors: Eugene Daub, Kirsten Kokkin, Richard McDermott Miller 1998 Apprenticeship with Barry Petri Foundry, Victor, CO 1995 Bachelor of Fine Art, Wheaton College, IL 1994-95 Wheaton in the Rockies, Bronze casting Practicum, Gypsum, CO 1993-95 Apprenticeship with Sculpture Professor, Jeff Thompson PUBLIC COMMISSIONS: 2014-15 “On the Edge”, YMCA Recreation & Aquatic Center Edmond, OK 2014 “Guardians” International Association of Fire Fighters Memorial Colorado Springs, CO 2014 “Angel” Cindy Miller Memorial Little Rock, AR 2012-13 “Water’s Edge”, Arkansas Children’s Hospital Little Rock, AR 2012-13 “Turtle Hunters”, Arkansas Children’s Hospital Little Rock, AR 2012 “Community & Samaritan”, Inner City Health Center, Denver, CO 2011 “Faith and Resolve”, Mount Vernon Nazarene University Mount Vernon, OH 2011 “Steady, Clark Memorial”, Presidential Park Wetlands, Little Rock, AR 2010 “Spike Baker”, bas-relief commemorative portrait, Fort Collins Country Club Ft Collins, CO 2009 “Climb On!” six figures, 6’x6’,Gold Camp Elementary, Colorado Springs, CO 2008 President J. Richard Chase”, 30”x37” bas-relief portrait, Wheaton College, IL 2007 “Finish Strong”, 8’x16’ wall relief, Evangelical Christian School, Memphis, TN 2004 “Crucifix”, 7’ corpus, St. Patrick’s Parish, Colorado Springs, CO 2004 “Let’s Roll!”, 7’ relief, Todd M. Beamer Memorial Student Center, Wheaton College, IL 2004 “Founders”, two life-size portrait busts, Lipscomb Pitts Insurance Company, Memphis, TN 2001 “Celebration”, two 6’x6’ relief panels, First Congregational Church, Greeley, CO 2000 “Looking unto Heaven”, life-size Christ figure, The Country Place, Moscow, TN PROFESSIONAL ORGANIZATIONS: 2010 National Sculptors’ Guild – Elected Fellow Member Loveland, CO 2011 National Sculpture Society – Elected Fellow Member New York, NY AWARDS: 2011 “Peer Award” Sculpture at the River Market, Little Rock, AR 2010 Polich Tallix Foundry Prize for “Walk on Water” Brookgreen Gardens, Murrels Inlet, SC National Sculpture Society EXHIBITIONS: 2009-14 Sculpture at the River Market, Annual Juried Exhibition and Sale, Little Rock, AR 2010-13 National Sculptors’ Guild Annual Exhibit and Sale, Loveland, CO 2010 77th Annual Exhibit, National Sculpture Society, Brookgreen Gardens, Murrels Inlet, SC 2010 Leiper’s Creek Gallery, Metal, Sticks and Stones, Franklin, TN 2009 Amy Howard Showroom, Atlanta, GA 2008-09 White Stone Gallery, Philadelphia, PA 2008-09 Palladio Art & Antiques, Memphis, TN 2006-09 Leiper’s Creek Gallery, Franklin, TN 1998-2007 One Man Show, Memphis, TN 2006-07 JHS Gallery, Taos, NM 2003-06 Sculpture in the Park, Loveland, CO 2006 Sacred Art Show, Scottsdale, AZ 2005 Canaan Gallery, Denver, CO 2004 Frances Aranson Fine Art, Atlanta, GA 2003-04 Rankin Interiors, Jackson, MS 2000 Cantigny Sculpture and Fine Art, Wheaton, IL BIBLIOGRAPHY: 2011 Southwest Art Magazine, Sculpture Issue Feature 2005 & 09 Wheaton College Alumni Magazine 2008 Nashville Arts 2004 & 08 Colorado Springs Gazette 2004 Commercial Appeal Photo Credits: Memphis Magazine, Midsouth, Traditional Home REFERENCES: 303-296-1767 Cheryl King-Simmons Inner City Health Center, 3840 York Street, Denver, CO 80205 740-397-9000 Dan Martin, Mount Vernon Nazarene University, 800 Martinsburg Road, Mount Vernon, OH 43050 501-539-1435 Lori Howard, Arkansas Children’s Hospital, 1 Children’s Way, Little Rock, AR 72202 901-754-7217 Bryan Miller, Evangelical Christian School, 7600 Macon Road, Cordova, TN 38018 • CLAY ENOCH • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • CLAY@NATIONALSCULPTORSGUILD.COM • 3B - 38 _________________________________________ CLAY ENOCH SCULPTURE - image list # title media scale year budget location 1. Steady bronze 8ft x 6ft x 6ft ©2010-11 $65,000 Little Rock, AR Commissioned by the City of Little Rock for its wetlands conservancy center, this is a memorial portrait of a beloved community member William Clark. The sculpture depicts him making a duck call with his dog at his side. 2. Climb On! Bronze ed/5 6ft x 6ft x 4ft ©2008-09 $60,000 Colorado Springs, CO Gold Camp Elementary School …building together to reach new heights... the pyramid is a great picture of teamwork and achievement... There is movement captured in the moment before completion... evoking the struggle to balance and the ongoing effort to achieve... It’s as if Graham is saying, “take my hand and climb on up,” as well as issuing his charge to say, “keep going and climb on!” 3. Turtle Hunters bronze 4ft x 3ft x 3ft ©2012-13 $37,000 Little Rock, AR commissioned along with Water’s Edge for Healing Garden Arkansas Children’s Hospital Inspired by memories of past summers, I created this piece to commemorate those lazy summer days spent fishing and catching turtles and frogs along the water. 4. Water’s Edge bronze 5ft x 4ft x 3ft ©2012-13 $32,000 Little Rock, AR commissioned along with Turtle Hunters for Healing Garden Arkansas Children’s Hospital Inspired by memories of past summers, I created this piece to commemorate those lazy summer days spent fishing and catching turtles and frogs along the water. 5. Guardians in-progress bronze 10ft x 3ft x 3ft ©2014-15 $130,000 Colorado Springs, CO International Association of Fire Fighters Memorial Stationed as anchors along the granite arcs, these “Guardians” set a tone of solemnity and reverence for visitors to Memorial Park. They offer a silent salute to their fallen comrades as they present the ceremonial axe. 6. Guardians in-progress bronze 10ft x 3ft x 3ft ©2014-15 $130,000 Colorado Springs, CO International Association of Fire Fighters Memorial Stationed as anchors along the granite arcs, these “Guardians” set a tone of solemnity and reverence for visitors to Memorial Park. They offer a silent salute to their fallen comrades as they present the ceremonial axe. 7. Samaritan bronze ed/10 4ft x 4ft x 4ft ©2011-12 $36,000 Denver, CO commissioned along with an interior bas-relief “Community” Inner City Health Center Kneeling to meet the vulnerable where he is, a cup of cold water or a bowl of warm soup expresses heart-felt care and the desire to see him back on his feet again. Jesus said ‘....Whatever you did for one of the least of these brothers and sisters of mine, you did for me.' 8. On the Edge in-progress bronze 6ft high ©2014-15 $95,000 Edmond, OK YMCA Recreation and Aquatic Center A clever composition giving a glimpse of what's happening below the waterline for a group of young swimmers. The multi-figure monumental bronze will celebrate cultural diversity, to include 5 children total; African-American, Euro American, Hispanic American, Native American and Asian-American. 9. Faith and Resolve bronze ed/10 34in x 42in x 6in ©2011 $20,000 Mount Vernon, OH Mount Vernon Nazarene University When Faith and Resolve purpose together to promote physical health and spiritual reconciliation, compassionate advocates encircle the endeavor, to restore harmony and return glory to God. 3B - 39 10. Hole 13:Spike bronze plaque 6ft x 2ft x 2ft ©2011 $15,000 Fort Collins, CO Fort Collins Country Club Commissioned as a memorial portrait of an avid golfer and club member Robert “Spike” Baker. Both his portrait and full figure are depicted in low-relief along with his accolades. • CLAY ENOCH • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • CLAY@NATIONALSCULPTORSGUILD.COM • 3B - 40 2683 N Taft Ave, Loveland, CO 80538clay@ nationalsculptorsguild.comClay EnochNational Sculptors’ Guild3B - 41 Steady3B - 42 Climb On!3B - 43 Turtle Hunters3B - 44 Water’s Edge3B - 45 Guardians3B - 46 Guardians3B - 47 Samaritan3B - 48 On the Edge3B - 49 Faith and Resolve3B - 50 Hole 13:Spike3B - 51 C.R. GRAY, SCULPTOR 102B Peary Court Key West, Florida 33040 USA 305-432-6856 craig@crgray.com   January 24, 2016    Cassie Tucker  Assistant to the Director Community Services  1400 Main St. Suite 270  City of Southlake, Texas 76092    To the Selection Committee,      My name is Craig Gray and I am a sculptor based in Key West, FL. I am excited by the artistic opportunities  that await in Southlake Texas. The possibilities for creation of a regionally inspired sculpture both  functional and or ornamental for this unique project is I believe unlimited.     In the past 2 years I have been fortunate to have installed well over 20 large‐scale sculpture in Florida and  across the United States. They have ranged from freestanding pieces, to functional benches, fountains, as  well as kinetic pieces. In direct terms and to be completely candid, I am an artist that listens to project  stakeholders, working with realistic concepts, and durable materials. I provide a practical schedule, meet  deadlines, and deliver sculpture at or below budget. I do not have an “Artist Agenda or Ego”.      My focus when beginning a new project is to listen. I have reviewed the information about the namesake  for this park: Mr. Frank Edgar Cornish, IV. You were so fortunate to have such a giving individual within  your community. Although the commissioned sculpture is not necessarily to memorialize Mr. Cornish, I  believe that art can be the symbol of a fruitful life. Sculpture can embody strength, purpose, and  dedication to family and society. Southlake was truly blessed to have such an individual.    It is my hope that some of the important criteria in selecting artists for this unique art call are quality,  value, investment, and lifestyle enhancement. These are all important tenants which I aim to incorporate  into my artworks. I look forward to the possibility of contributing to the success of this project and it  would be my honor to be a part of this prestigious public art opportunity.      Thank you.    Sincerely,      Craig Gray  3B - 52 C.R. GRAY, SCULPTOR 102B Peary Court Key West, Florida 33040 USA 305-432-6856 craig@crgray.com CURRICULUM VITAE       Profession:  Sculptor  Education:  University of Southern Maine Gorham 2006‐2008  Diamond Tool Training Tyrol Inc. Vicenzia, Italy 2003  Quarrying Techniques Blue Pearl Quarry, Larvik Norway 2001  Stone Finishing Training Granite Centre, Stanstead, Quebec 2000  Stone Carving Training Republic Granite Elberton, Georgia 1997  Established apprenticeship program through the United States and NH Department of Labor Recognized as  a Master Stone Carver 1996  Completed Apprenticeship Desilets Granite Montpelier, Vermont 1990‐1993  University of New Hampshire 1987‐1989  Owner and Master Stone Carver of Union Marble and Granite Works LLC‐ a  commercial stone fabrication  studio, supervising up to six apprentices 1989‐2005    Major Projects/Commissions/Collects:  2016 University of Mississippi Oxford, Museum of Art            City of North Charleston, SC Public Art Collection  2015 Martin County, FL Public Art Commission            City of Key West, FL Public Art Commission             Private Commission Fran Decker, Key West, FL            Pease International Tradeport Portsmouth, NH            City of Bentonville, AR in cooperation with Crystal Bridges Museum of Art            City of Bonita Springs, FL Public Art Commission  2014 Conch Republic Sculpture, Key West, FL            Private Commission Hogfish Restaurant Fountain Key West, FL  2013 City of Coral Springs, FL Public Art Collection            City of Safety Harbor, FL Public Art Collection            Northeast Seafood Company, Topsfield, MA            LL Bean Inc. Freeport, ME            Private Commission Rudy Jordan Franklin, TN            South Hiram ME, Elementary School Public Art Commission  2012 The Studios of Key West, Key West, FL  2011 Portsmouth Art and Cultural Center, Portsmouth, VA            Museum of Art University of New England, Portland, ME    Exhibitions:  2016 Jackson, WY Center for the Arts Solo  2015 Woodstock, VA Exterior Sculpture Installation Solo           City of Kissimmee, FL Exterior Sculpture Installation           Clearwater, FL Sculpture 360 Exterior Installation           Boynton Beach, FL Exterior Sculpture Installation             Oxford Art Museum, University of Mississippi, MS Sculpture Installation Solo                                                                             City of Lakeland, FL Exterior Sculpture Installation            City of Wellington, FL Exterior Sculpture Installation Solo            City of Bonita Springs, FL Sculpture Installation Solo           Coral Springs Museum of Art, Coral Springs, FL Sculpture Installation Solo   2014 Key West Museum of Art at The Custom House, Sculpture Installation Solo            City of Kissimmee, FL Exterior Sculpture Installation             City of Boynton Beach, FL Kinetic Sculpture Installation            Northwest Florida State College, FL Sculpture Installation Solo  3B - 53                 2014 City of Bentonville, AR Exterior Sculpture Installation            Johnson City, TN Exterior Sculpture Installation            Key West, FL Botanical Garden Exterior Sculpture Installation            City of North Charleston, SC Exterior Sculpture Installation            Loxahatchee National Wildlife Refuge, Boynton Beach, FL Solo             The Armory Cultural Center, West Palm Beach, FL Solo            City of Sebring, FL Exterior Sculpture Installation                                            2013 City of Key West, FL Exterior Sculpture Installation            City of Kissimmee, FL Two Exterior Sculpture Installations            City of Deland, FL Exterior Sculpture Installation             City Boynton Beach, FL Exterior Sculpture Installation             Maine State Park, Scarborough Beach ME Sculpture Installation Solo             City of Safety Harbor, FL Sculpture Installation Solo              City of Coral Springs, FL Sculpture Installation Solo              City of Winter Haven, FL Sculpture Installation   2012 City of Boston, MA Sculpture Installation            City of Winter Haven, FL Sculpture Installation            Two Sculptures Artscape Installation Pittsfield, MA   2011 Chase Hill Gallery Kennebunkport, ME            Public Sculpture Installation Charleston, SC            Artscape Sculpture Installation Pittsfield, MA            Barn Gallery Sculpture Invitational Ogunquit, ME            The Studios of Key West, FL, Sculpture Installation Solo                         University of New England Gallery Invitational, Portland, ME            Portsmouth Museum, Sculpture Installation Portsmouth, VA   2010 Robert Levy Gallery Invitational, Portsmouth, NH            New Member Show Cambridge Art Association Cambridge, MA            Maine Lobster Festival Juried Sculpture Show Rockport, ME                                                                                                   Heather Gardens Guest Sculptor Martha’s Vineyard, MA            Constellation Gallery “Go Figure” Show, Portland, ME            Copley Place Sculpture Invitational Boston, MA              Chase Hill Gallery Sculpture Garden Kennebunkport, ME            Provincetown Museum, Sculpture Show Provincetown, MA                               Pace Gallery Invitational Fryeburg Academy, Fryeburg, ME             Cygnet Gallery Permanent Gallery Member Portland, ME    2009 Robert Levy Gallery Fall Show Portsmouth, NH    Represented By:  Charles‐Baltivik Gallery, Provincetown, MA  Yarmouth Gallery, Yarmouth, ME  Real Gallery, Key West FL    Professional Association Memberships:  Anne McKee Artist Fund of the Florida Keys Board Member since 2014  Key West, Florida AIDS Help Auction Committee 2014  Florida Association of Public Art Administrators since 2013  Florida Keys Council of the Arts since 2013  The Studios of Key West 2012  Cambridge, MA Art Association since 2010  Provincetown, MA Art Association and Museum since 2010              3B - 54           Recognition/Awards/Grants/Residencies:  2015 Anne McKee Artist Grant  2014 City of North Charleston, SC Honorable Mention for Sculpture            Artreach Grant Florida Keys Council for the Arts, Monroe County, FL    2013 The Studios of Key West Residency Award Key West, FL  2010 City of Rockland, ME Honored Sculptor             Puffin Foundation Grant Award South Hiram, Maine School   2006 Cumberland County Maine Sheriffs Appreciation Award  2004 United States Department of Defense Leadership Award        Lectures/Instructional Classes:    2015 Artist Presentation City of Woodstock, VA            Artist Presentation Oxford Art Museum, University of Mississippi  2014 Artist Interview Northwest Florida State College, FL  2013 The Studios of Key West, FL instruction of stone carving February            Artist Lecture Children’s Museum City of Boynton Beach, FL            Artist Lecture and Demonstration City of Safety Harbor, FL            The Studios of Key West instruction of stone carving November            MARC House Key West, FL Adults with Developmental             Disabilities instructional class            Artist Interview City of Deland, FL  2012 Artist Lecture Hiram, Maine Historical Society  2011 Artist Lecture University of Southern Maine Sculpture Class           Artist Lecture and Demonstration The Studios of Key West, FL     3B - 55 C.R. GRAY, SCULPTOR 102B Peary Court Key West, Florida 33040 USA 305-432-6856 craig@crgray.com                                             Image List          1.“PAC‐Man” 2013‐2015  Size: 84”x48”x84”  Installations in Deland, FL, Bentonville, AR, Woodstock, VA  Materials: River boulders, recycled steel, and wood  Price: $29,500.00        2. “Slices of Heaven” 2014‐2015  Size: 48”x48”x96”   Materials: Recycled Concrete and Limestone  Installations in: Sebring, FL, West Palm Beach, FL, Charleston SC,  Bonita Springs, FL  Price: $29,000.00    3. “Dog Gone It” 2015  Size: 60”x12”x96”  Materials: Fiberglass  Private Collection Key West, FL  Price: $19,000.00    4. “Granite Gator” 2012, 2014  Size: 144”x72”x24”  Materials:  Recycled Steel and granite boulders                  Currently installed in: Loxahatchee National Wildlife Refuge   Boynton Beach, FL, Johnson City, TN,  Northwest Florida State College  Price: $26,500.00    5. “Rock Lobster” 2012  Size: 36”x6”x78”   Materials: Granite and concrete  Corporate Collection of New England Seafood Inc. Boston, MA  Price: $27,000.00     6. “The Great White Whale” 2012  Size: 78”x32”x50”   Materials: Granite                  The City of Pittsfield, MA  Price: $19,000.00        3B - 56                                                  Image List Continued        7. “New Hampshire Fountain” 2003  Size: 26 feet tall, 12 wide, 8 feet deep  Materials; Crystal Gold Granite water and fireplace feature  Location: Wentworth Douglas Hospital, Dover NH  Engineering, design modification, fabrication, construction, and installation  Price: $135,000.00     8. “Gran‐ANTS” 2013‐2015  Size: 48”x18”x32”                 Materials:  Recycled Steel, cast concrete, and limestone                      Currently installed in: Key West, FL, and Kissimmee, FL, Lakeland, FL                 Price: $14,500.00         9. “Mississippi Mud Creature‐ snapping turtle” 2015  Size: 96”x72”X30”                 Materials:  Recycled Steel, Native Limestone                     Collection: University of Mississippi Oxford Museum of Art                  Price: $21,500.00         10. “Flying Fish”  Size: 84”x 84”x96”                 Materials:  Recycled Steel, polished granite                      Public Art Collection Bonita Springs, FL                 Price: $18,000.00               3B - 57 C.R. Gray Sculptor 102B Peary Court Key West, FL 33040 www.crgray.com 305-432-6856 Images 3B - 58 Pac Man 3B - 59 Slices of Heaven 3B - 60 Dog Gone It 3B - 61 Granite Gator 3B - 62 Rock Lobster 3B - 63 The Great White Whale 3B - 64 New Hampshire Fountain 3B - 65 Gran-ANTS 3B - 66 Mississippi Mud Creature 3B - 67 Flying Fish 3B - 68 DARRELL DAVIS STATEMENT I would be honored to have my artwork enhance this public space. I can imagine sculptures that will pay homage to the area’s activities and tie in well with the Frank Cornish Park architectural elements and design. Artwork for this location should act as a beacon, greeting visitors as they enter the space. If fortunate enough to be chosen as a finalist, I look forward to further development of an art plan which would best enhance this location. Though primarily a wildlife artist, I have sculpted figurative works, and have placed three-dimensional and relief portraiture for a wide range of public art projects. My expertise in designing and placing large-scale artworks that are both contextually relevant and approachable make me well suited for this task I knew at age 15 that I wanted to be a sculptor after visiting the South Carolina’s Brookgreen Sculpture Garden. I studied art as an undergraduate at the University of Texas at Arlington, and took graduate classes in landscape architecture also at the University of Texas. My background in landscape architecture also influences the form and composition of my sculptural work. I tend to research my subjects wherever I am, whether at the zoo or while sport fishing with friends. Over the last few years, my work has been included in the National Sculpture Society’s Annual Exhibition, the Society of Animal Artists’ “Art and the Animal” tour, the Leigh Yawkey Woodson Art Museum’s “Birds in Art Show and an ongoing exhibition at the National Geographic Society in Washington, D.C.. I have also shown with the American Society of Marine Artists and am an Associate Member of the National Sculpture Society as well as the National Sculptors’ Guild, an organization that assists me in the placement of my large-scale public art commissions. Thank you for considering my work for this important public art opportunity. I hope to discuss my ideas with your committee. Sincerely, Darrell Davis – Arlington, TX • D ARRELL D AVIS • T HE N ATIONAL S CULPTORS’ G UILD • • 2 6 8 3 N T AFT AVENUE • L OVELAND, C OLORADO 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • DARRELL@ NATIONALSCULPTORSGUILD.COM • 3B - 69 DARRELL DAVIS RESUME Public Commissions 2012 “Morning”, four life-sized deer for a traffic roundabout Southlake, TX 2009 “Into the Evening Light” Ingleside at Rock Creek - Rockville, MD 2009 Monument to Charles Fraser, Compass Rose Park - Hilton Head, SC 2008 Veterans Memorial, Veterans’ Memorial Park - Keller, TX 2007 Columbian Park Zoo, seven life-sized wildlife commissions Lafayette, IN 2005 “Flying Heron” City of Keller, TX 2005 “Heron and the Sun” Azalea Park - Summerville, SC 2004 West Gate Project; “The Lesson” Lincoln Park Zoo - Chicago IL 2003 “Flying Heron” installation WCI Resort - Palm Beach, FL 2002 “Waiting for the Rails”, monumental commission Frisco, TX 2002 Installation of “Heron and the Sun” Gaithersburg, MD 2000 63 piece, life-sized commission Lacerte Family Children’s Zoo - Dallas, TX 1994 Installation of "Pondering Chimpanzee" Loveland Sculpture Group - Loveland, CO Honors and Awards 2013 NSS Gold Medal & M. B. Hexter Prize – “La Paire d’Amour” New York, NY 2010 Purchase Award -“Change of Direction” Sculpture at the River Market - Little Rock, AR 2005 Tallix Prize National Sculpture Society 72nd Annual Exhibition - New York, NY 2004 Sculpture Award of Merit American Society of Marine Artists - Smithfield, VA 1996 President’s Award American Artists Professional League - New York, NY 1995 Doris Brunner Rosser Sculpture Award Bosque Conservatory of Fine Arts - Clifton, TX 1993 Medal of Honor for Sculpture, American Artist Professional League, 64th Annual Grand National Exhibit - New York, NY Professional Memberships American Artists Professional League, Fellow The American Society of Marine Artists California Art Club National Sculptors’ Guild, Associate National Sculpture Society, Elected Member Society of Animal Artists “The Lesson”, Lincoln Park Zoo – Chicago, IL • D ARRELL D AVIS • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • DARRELL@ NATIONALSCULPTORSGUILD.COM • 3B - 70 National Juried and Invitational Exhibitions Sculpture at the River Market Show & Sale - Little Rock, AR 2006-2012 National Sculpture Society; Annual Exhibitions - NYC & Brookgreen Gardens, SC 2005-2013 California Art Club Gold Medal Exhibition; Pasadena Museum of California Art – Pasadena, CA April 2009 Art & the Animal Tour- Wildlife Experience – Parker, CO Nov 2008-Feb. 2009 Dunnigan Gallery of Art - Bolivar, MO April-May 2009 San Angelo Museum of Fine Art - San Angelo, TX July-Aug 2009 Society of Animal Artists Annual Exhibition; Neville Public Museum - Green Bay, WI Sept. 2008 American Society of Marine Artists Traveling Exhibition, Chase Center on the Riverfront - Wilmington, DE May-June 2008 Chesapeake Bay Maritime Museum - St. Michaels, MD July-Sept 2008 Noyes Museum - Atlantic City, NJ Oct. 2008-Feb. 2009 Spartanburg Museum of Art - Spartanburg, SC March-May 2009 New Bedford Art Museum - New Bedford, MA June-Sept 2009 California Art Club Gold Medal Exhibition; Pasadena Museum of California Art April 2008 California Art Club Gold Medal Exhibition; Pasadena Museum of California Art, April 2007 Society of Animal Artists Annual Exhibition Nevada State Museum - Carson City NV 2005 Art & the Animal Tour Jan. 2006 The Wildlife Experience - Parker, CO Apr. 2006 West Valley Art Museum - Surprise, AZ Jun. 2006 College of William & Mary - Williamsburg, VA Sep. 2006 Stifel Fine Arts Center - Wheeling, WV. Nov. 2006 Neville Public Museum - Green Bay, WI. National Geographic Society Exhibition – Washington DC, June 2005 – June 2006 National Sculpture Society, “The Sea” – NYC 2005 Society of Animal Artists Annual Exhibition - Hiram Blauvelt Museum of Art - Oradell, NJ 2004 Art & the Animal Tour- Jan. 2005 Lakeview Museum of Art - Peoria, IL April 2005 West Valley Art Museum – Surprise, AZ June 2005 Sam Noble Oklahoma Museum of Natural History - Norman, OK Nov. 2005 University of Nebraska State Museum - Lincoln, NE Jan. 2006 The Art Institute at Arizona-Sonora Desert Museum - Tucson, AZ Birds in Art - Leigh Yawkey Woodson Art Museum, 2004 Birds in Art 2004 Tour Dec. 2004 James Ford Bell Museum of Natural History, Minneapolis, MN April 2005 Arizona-Sonora Desert Museum, Tucson, AZ July 2005 Wendell Gilley Museum of Art, Southwest Harbor, ME American Society of Marine Artists Exhibition - Vero Museum of Art, Vero Beach, FL April 2004 National Sculpture Society - Wings of Hope Wings of Peace - NYC 2003 Society of Animal Artists Annual Exhibition - Hiram Blauvelt Museum of Art, NYC 2003 Art & the Animal - Wildlife Experience, Denver CO 2004 Sculpture in the Park, High Plains Art Council – Loveland, CO 2008, 2005-1995 Sculpture in the South - Summerville, SC. 2007-2003 Southeastern Wildlife Art Expo, Charleston, South Carolina 2001-1996 Loredo Taft Society National Sculpture Show - Urbana, Il 2001, 1999 Waterfowl Festival - Easton, MD 2000, 1999 Sculpture along the Trinity - Fort Worth, Texas 2001, 1998 National Competition, Bosque County Conservatory of Fine Arts - Clifton, TX 2000,1997-1995 Cypress Gardens ' Wildlife Sculpture Series IV - Cypress Gardens, Florida 1998 Loveland Sculpture Invitational - Loveland, Colorado 1994, 92 • D ARRELL D AVIS • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • DARRELL@ NATIONALSCULPTORSGUILD.COM • 3B - 71 DARRELL DAVIS ANNOTATION 1. (davis01) The Lesson, 1.25% lifesize, unique bronze Installed March 2006, West Entry to the Lincoln Park Zoo - Chicago, IL 2. (davis02) Protector of Freedom - 10.5ft h, unique bronze Installed November 2008 Veterans Memorial Park, Keller TX 3 (davis03) Among the Mangroves - 8.5ft h, unique bronze Installed April 2009 Ingleside at Rock Creek, Rockville, MD 4. (davis04) Waiting for the Rails, 8ft h, unique bronze Installed August 2005, Preston Road - City of Frisco, TX 5. (davis05) Heron and the Sun, 7ft h, bronze ed/8 Installed May 2005, Azalea Park - Summerville, SC, 6. (davis06) Baby Elephants Fountain, 49”h 38”w 41”d, bronze ed/8 2003, private collection 7. (davis07) Flying Heron, 85”h 35”w 45”d, bronze ed/8 Installed April 2009, City Hall - Keller, TX 8. (davis08) Lesson Learned, 44”h 34”w 16”d, bronze ed/8 2008, private collection 9. (davis09) A Change of Direction - 36”h 35”w 18.5”d, bronze ed/8 2007, private collection 10. (davis10) Pondering Chimpanzee, 31”h 24”w 28”d, bronze [edition sold out] 1994, purchased for public placement - City of Loveland, CO • D A R R E L L D A V I S • T H E N A T I O N A L S C U L P T O R S ’ G U I L D • • 2 6 8 3 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • D A R R E L L @ N A T I O N A L S C U L P T O R S G U I L D . C O M • 3B - 72 The Lesson Darrell Davis and the National Sculptors’ Guild 2683 N Taft Avenue Loveland, CO 80538 970.667.2015 darrell@nationalsculptorsguild.com 3B - 73 Protector of Freedom 3B - 74 Among the Mangroves 3B - 75 Waiting for the Rails 3B - 76 Heron and the Sun 3B - 77 Baby Elephants Fountain 3B - 78 Flying Heron 3B - 79 Lesson Learned 3B - 80 A Change in Direction 3B - 81 Pondering Chimpanzee 3B - 82 Letter of Interest DENNY HASKEW National Sculptors’ Guild My themes are recurring: Spirit, Love, Forgiveness, Healing, Relationship, Endurance, the Sacredness of the Human Spirit, and the Strength in each of us, the Power of all that is Natural. The strength of my work ascends from the Spirit of the people portrayed — Native Americans, Mayans, friends, children, people of the Great Plains and West. This same Spirit connects each of us with the harmony of nature and one’s relationship to another. I am looking forward to working with Southlake in its public art search for the Frank Cornish Park. I can envision my work complementing the park design and architecture well, as well as reflect the park’s role of community gathering, family connections and quality of life. I point up all of my own work in my studio in Loveland, CO. I’ve created over 25 monumental works there since 1985. Working with a team of associates, I cast bronze, fabricate other metals and create stone works that when assembled together create an iconic site, uniquely designed for its community. Since 1992 I have worked with the National Sculptors’ Guild to place my monumental public works. Shared resources saves me time, energy and money that can better be spent on the artwork itself, and the Guild’s designers work closely with me to ensure my vision is actualized. The National Sculptors’ Guild also maintains comprehensive insurance of $2 million for the duration of each project including up to 5 years post-installation. Working as a team with executive director, John W. Kinkade, the National Sculptors’ Guild artists have worked closely together with cities, municipalities, corporations and private institutions across the country to successfully enhance both indoor and outdoor venues with creative design and innovative artwork. The NSG has placed over 450 significant sculptures in 20 years, 10% of those placements have included my sculptures. Our design teams have enhanced public spaces in a timely fashion within budgets ranging from $25,000 to over $2million. When appropriate the team grows to include architects, landscape architects, structural engineers, designers and contractors, city volunteers and city staffs from around the nation. Dependent on the nature of each project the NSG draws upon this knowledgeable group of professionals with proven accountability in past projects. Thank you for your time and consideration. We look forward to working with the Public Art Committee on this important project. 3B - 83 Denny Haskew National Sculptors’ Guild Charter Member denny@nationalsculptorsguild.com • THE NATIONAL SCULPTORS’ G UILD • DENNY HASKEW • • 2 6 8 3 N TAFT AVENUE • LOVELAND, COLORADO 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • WWW.NATIONALSCULPTORSGUILD.COM • DENNY@ NATIONALSCULPTORSGUILD .COM • 3B - 84 RESUME EDUCATION AND PERSONAL: Present Full Time, Self Employed Sculptor Loveland, CO 1971 University of Utah, Bachelor of Science Salt Lake City, UT Born 1948 Denver, CO Potawatomi Citizen Nation - Member, #03553 SELECTED COMMISSIONS AND PUBLIC ART PLACEMENTS: 2012-13 City of Little Rock, “Native Knowledge” Arkansas Tribal Memorial Little Rock, AR 2010 University of Colorado at Colorado Springs, CO “Dedicated to Excellence” Colorado Springs, CO 2008 City of Durango, CO “Greeters” in traffic roundabout Durango, CO City of Little Rock River Front Park, Outdoor room with sculpture Little Rock, AR 2007 Shakopee Mdewakanton Dakota Sioux Community, Memorial for Spirit Center Prior Lake, MN 2007 Shakopee Mdewakanton Dakota Sioux Community, Veteran’s Memorial Prior Lake, MN 2006 City of Owensboro, Kentucky, “Love Song” Owensboro, KY 2004-05 Shakopee Mdewakanton Dakota Sioux Community, “I Once Rode Free” Prior Lake, MN 2003 University of Arkansas, "Courage to Lead" Fayetteville, AR 2002 City of Brighton, City Hall, "Courage to Lead" Brighton, CO 2001 City of Black Hawk, "Courage to Lead Triad" Black Hawk, CO City of Aurora, 35’ High Entryway Monument, "Dawn" Aurora, CO City of Cerritos, 12’ High Formal Entry, "I Am You" Cerritos, CA 2000 Barona Band of Mission Indians, "Strength of the Maker" Lakeside, CA IBP Corporate Headquarters, "Strength of the Maker" Dakota Dunes, SD 1998 National Museum of the American Indian - Smithsonian Institution, "Strength of the Maker" Washington, DC Gilcrease Museum, "Strength of the Maker" Tulsa, O K Wolf Creek Indian Village & Museum, "Strength of the Maker” Bastian, VA American Stores Inc, Headquarters, "Inner-Strength" Salt Lake City, UT Home State Bank, "White Deer of Autumn" Loveland, CO 1997 Summit Foundation, City of Keystone, "Whispers of Oneness" Keystone, CO Barona Band of Mission Indians, 5 Monuments of Honor, AIA Orchid Award winner Lakeside, CA 1996 Lexington Cemetery, Matthews' Memorial, "Changing Worlds" Lexington, KY Barona Band of Mission Indians, "He Who Fights With A Feather" San Diego, CA 1995 University of Eastern Illinois, "Challenge To Excellence" Charleston, IL Red Earth Invitational, Spirit Award Design "On the Prairie’s Edge" Oklahoma City, OK 1994 Trinity Episcopal Church, 20’ High "Love and Forgiveness" Greeley, CO 1993 Marianna Butte, 3 Monuments, "The Greeters" Loveland, CO 1991 Potawatomi Museum, "Trail of Prayers" Shawnee, OK 1990 City of Loveland, "Crawford Folmer – Portrait" Loveland, CO SELECTED DESIGN TEAM PARTICIPANTS PAST & PRESENT: John Kinkade, National Sculptors’ Guild, Site Design/Installation Loveland, CO Greg Hebert Landscape Architect, Landscape/Site Design San Diego, CO Douglas Rutledge, KL&A Inc., Structural Engineering Loveland, CA Gregory P. Luth & Associates, Structural Engineering Santa Clara, CA Arkins Park Stone, Sculpture/Site Materials Loveland, CO Art Castings of Colorado, Bronze Casting Loveland, CO Jafe T. Parsons, Photography Loveland, CO PUBLICATIONS: 1997Nov Cover, "He Who Fights With A Feather" Indian Gaming Magazine 1997Jul Editorial and Cover, "White Deer of Autumn" Southwest Art Magazine 1997 Cover Explore Indian Country 1997 Cover Paradigm PROFESSIONAL MEMBERSHIPS: National Sculptors’ Guild, charter member Since 1992 SELECT HONORS & AWARDS: 2008 Purchase Award, Sculpture at the River Market Show & Sale Little Rock, AR 2002-2007 Named “Artist in Residence” Inn at Loretto Santa Fe, NM 1998 First Place - "White Deer of Autumn", Eiteljorg Museum, Indianapolis, IN 1997 Named to the “Legacy Collection” Southwest Art Magazine First Place - Masters of Indian Art, SWAIA Santa Fe, NM 1996 First Place - "He Who Fights With A Feather", Red Earth Invitational Oklahoma City, OK 1995 Best of Division- "Play A Song", Red Earth Invitational Oklahoma City, OK 1994 Best of Class & First Place - "Committed", Smithsonian Institute Washington, DC First Place - "Committed", Santa Fe Indian Market Santa Fe, NM • THE NATIONAL SCULPTORS’ GUILD • DENNY HASKEW • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • WWW. NATIONALSCULPTORSGUILD .COM • DENNY@ NATIONALSCULPTORSGUILD.COM • 3B - 85 First Place Sculpture - "Committed", Red Earth Invitational Oklahoma City, OK 1st Place & Best of Division- "Committed", Celebrating the Native American Aspen, CO 1993 First Place Sculpture – "Courage to Lead", Smithsonian Institution Washington, DC Western Heritage Award, Festival of Western Art, American Indian & Cowboy Artists People’s Choice Award, Hillside Sculpture Invitational Sedona, AZ First Place Sculpture– "Courage to Lead", Red Earth Invitational Oklahoma City, OK 1992 Best of Show - "Strength of the Maker", Smithsonian Institute Washington, DC First Place - "Play A Song", Santa Fe Indian Market Santa Fe, NM Grand Award - "Strength of the Maker", Red Earth Invitational Oklahoma City, OK First Place - "He Who Fights With A Feather", Gallup Ceremonial Show Gallup, NM Bronze Sculpture Award- "Strength of the Maker", Festival of Western Art, AICA 1991 First Place - "Trail Of Prayers", Casa Grande O’Dhamtash First Place - "Strength of the Maker", Gallup Ceremonial Show Gallup, NM Judges Merit Award- "Trail Of Prayers", Wildlife and Western Art 1990 Sculpture Award - "Moulding Our Future" Red Earth Invitational Oklahoma City, OK Indian Arts And Crafts Association - Artist of the Year - "Courage to Lead" 1989 First Place - "At Eagle’s Glance", Santa Fe Indian Market Santa Fe, NM National Fellowship Program Presentation-"Courage to Lead" WK Kellogg Foundation Best Of Class - "At Eagle’s Glance", Colorado Indian Market Denver, CO Regional Sculpture Award - "Courage to Lead", Frontier Museum Cheyenne, WY SELECTED EXHIBITIONS: 2007-08 Annual Sculpture at the River Market, Invitational Little Rock, AR 1992-08 Annual Exhibition, National Sculptors’ Guild, Columbine Galleries Loveland, CO 2004-06 Annual “Artist in Residence Invitational” Juror & Participant, Columbine Gallery Santa Fe, NM 2004 “Haskew, paintings & sculpture”, Solo Show, One Point Gallery Denver, CO “Annual Indian Market Gala”, Group Show, Columbine Galleries Santa Fe, NM “Haskew & Haskew”, Two Person Show, Columbine Galleries Loveland, CO 2003 “Colors of the Southwest”, Two Person Show, Columbine Galleries Santa Fe, NM 2002 “Seek”, Two-Person Show, Columbine Galleries Santa Fe, NM 1992-04 Santa Fe Indian Market Santa Fe, NM 2001 “Pachamama”, Two-Person Show, Columbine Galleries Loveland, CO 1995-01 Colorado Governor’s Show, Regional Juried Exhibition Loveland, CO 2000 Solo-Show, Columbine Galleries Santa Fe, NM 1997-98 Indian Market, Eiteljorg Museum Indianapolis, IN 1996-97 Autry Museum Pasadena, CA 1996-97 “Masters of Indian Art” SWAIA Santa Fe, NM 1995-96 Sculpture In the Park; National Juried Exhibition Loveland, CO 1990-96 Red Earth Invitational Oklahoma City, OK 1995 Heard Museum Show Phoenix, AZ 1994 “Celebrating the Native American” Aspen, CO 1992-94 Smithsonian Institute, “Celebration of the Native American” Washington, DC 1993 Festival of Western Art, American Indian and Cowboy Artists Hillside Sculpture Invitational Sedona, AZ 1992 Festival of Western Art, AICA Franco American Institute of Art, European Tour Rennes, France Indian Market, Heard Museum Phoenix, AZ 1991-92 Gallup Ceremonial Show Gallup, NM 1991 Casa Grande O'Dhamtash Wildlife and Western Art 1990 Cheyenne Frontier Museum, Exclusive Exhibition Cheyenne, WY New York Art Expo New York, NY Southeastern Wildlife Exposition Charleston, SC 1989-90 Allied Artist of America Show New York, NY 1989 Santa Fe Indian Market Santa Fe, NM Colorado Indian Market Denver, CO Cheyenne Frontier Museum Cheyenne, WY Oklahoma Indian Artist Show, House of Representatives Washington, DC Colorado Living Artist Show, Kennedy Center for Performing Arts Washington, DC EXPERIENCE: Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg N.A. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the full spectrum of the figurative genre As a member of the Potawatomi Citizen Nation, it is only natural for his artwork to follow the Native American culture. His art has not been limited to Native American and southwestern subjects, however, as he frequently explores abstract forms placing emphasis on the qualities of the metal and stone used. Being close to other sculptors and the Loveland area foundries has helped him to master all the foundry processes involved in producing a desirable and lasting monumental bronze sculpture. • THE NATIONAL SCULPTORS’ GUILD • DENNY HASKEW • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • WWW. NATIONALSCULPTORSGUILD .COM • DENNY@ NATIONALSCULPTORSGUILD.COM • 3B - 86 Image Annotation DENNY HASKEW National Sculptors’ Guild TITLE/SITE MEDIUM DATE DIMENSION COST 1 I Am You Bronze ©2002 13ft h $150,000 Commissioned by City of Cerritos, CA (with site, overall budget $250,000) 2 Native Knowledge Bronze/Sandstone/Steel ©2012 14ft $60,000 River Front Park, Little Rock, Arkansas (overall budget $90,000) 3 Dedicated to Excellence Bronze/Stainless Steel ©2012 20ft $180,000 University of Colorado at Colorado Springs, CO 4 Spirit of the West Bronze/Stone ©2012 11ft h $40,000 Dowtown Erie, CO 5 I Once Rode Free Bronze ©2005 14ft h $400,000 Site Specific, Shakopee Mdewakanton Sioux Community, Prior Lake, MN [Overall budget $1 million[ 6 Love Song Bronze/Stone ©1997 11ft h $25,000 Barona Band of Mission Indians, Lakeside, CA (overall budget $350,000) 7 Freedom Soldier Bronze ©2007 6.5 ft h $175,000 Site Specific, Shakopee Mdewakanton Sioux Community, Prior Lake, MN 8 Peaceful Warrior Dancing Bronze ©2007 6.5 ft h $175,000 Site Specific, Shakopee Mdewakanton Sioux Community, Prior Lake, MN 9 Inner Strength Bronze ©1998 40ft h (1¼ life) $250,000 Site Specific Commission by American Stores Inc., Salt Lake City, UT [Overall budget, $2.8 million] 10 Reflections VI White Deer of Autumn Bronze/Stone/S.Steel ©2009 72”x38”x28” $35,000 bronze only placed at American Stores, Inc. Salt Lake City, UT (1998 budget $20,000) bronze only placed at Home State Bank, Loveland, CO (1998 budget $20,000) Commissions Welcomed • D E N N Y H A S K E W • T H E N A T I O N A L S C U L P T O R S ’ G U I L D • • 2 6 8 3 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 8 0 5 3 8 • W W W .N A T I O N A L S C U L P T O R S G U I LD.C O M • • T E L 9 7 0 . 6 6 7 . 2 0 1 5 • F A X 9 7 0 . 6 6 7 . 2 0 6 8 • D E N N Y @ N A T I O N A L S C U L P T O R S G U I LD.C O M • 3B - 87 DENNY HASKEWNATIONAL SCULPTORS’ GUILD2683 N Taft AvenueLoveland CO 80538970.667.2015denny@nationalsculptorsguild.com3B - 88 I Am You3B - 89 Native Knowledge3B - 90 Dedicated to Excellence3B - 91 Spirit of the West3B - 92 I Once Rode Free3B - 93 Love Song3B - 94 Freedom Soldier3B - 95 Peaceful Warrior Dancing3B - 96 Inner Strength3B - 97 Reflections White Deer of Autumn3B - 98 Letter of Interest – FRANK EDGAR CORNISH, IV PARK Lorri Acott, Dream Big Sculpture DreamBigSculpture@gmail.com 970-219-7418 To the Committee: We at Dream Big Sculpture have been working in the business of creating and placing sculptures for a combined 50 years. Adam spent much of his early career doing all of his own metal work in various foundries where he became an expert in all phases of the bronze casting process, including the creation and installation of many monumental sculptures in locations across America. Lorri has worked as a teacher for over 20 years and has degrees in art and human psychology. During this time, she also worked to become internationally renowned as a sculptor selling her artwork through galleries and public venues as well as teaching sculpting workshops in America, Italy, and Switzerland. As a team, we have amassed a wide range of artistic and engineering skill sets that allow us to work well with design teams, communities, and project managers to help insure the smooth and speedy completion of each installation. We are looking forward to working with your team to create a powerful 'art experience' that will help enhance the architecture, elevate the community, and become something beautiful, educational, and meaningful for Southlake. We have both had experience working with multiple design teams in the past, and take pride in our ability to work well with people. Most recently, Adam teamed up with engineers, architects and city planners to create both the Pathways Hospice sculpture, and the Parker Police Station monument in Colorado. Lorri recently installed her 12ft “Peace” in Little Rock, Arkansas, and her 11ft “Conversation with Myself” at the Museum of Discovery in Fort Collins, CO. Our expertise with the bronze casting industry over the years proved to be of great value to the design teams and construction workers involved in these projects and served to help insure the success and smooth completion of these installations. Proposal: FRANK EDGAR CORNISH, IV PARK The idea of creating a kinetic sculpture for Frank Edgar Cornish, IV Park is delightful to me. For years I have been playing with the idea of combining my figures with kinetic art, and now I have come up with several designs that I’m excited to create. The vertical upward reaching style of my work combined with kinesthetic elements will be elegant, yet fresh and unique; perfect for the beautiful park in the center of Southlake. As I read about the life of Frank Edgar Cornish, IV, I understand that although his years were cut short, he continues to inspire. Using this theme, I’d like to create a sculpture using one or two of my figures reaching upward and touching the kinesthetic element of the sculpture which will represent the cosmos, or the stars. The inspiring theme of reaching for one’s hopes and dreams reflect the values of the city of Southlake, the life of Mr. Cornish, and will enrich the quality of life for the citizens of Southlake. A 10-15 foot tall sculpture will be large enough to be seen in the park, and will keep the kinesthetic element high enough in the air so as not to be disturbed by viewers. A couple of illustrations of my ideas are on the following page: 3B - 99 This sculpture is similar to the one that was a finalist for the Marq 1. The elements at the top would be more celestial rather than confetti like, and of course they would move. At his point I’m planning on them being wind driven, but it can easily be attached to a small solar powered motor. This image can give you an idea of what I am thinking. A second idea that I have involves two figures instead of one, both reaching for the stars. Only one would be touching the ground with the two being figures attached to each other, so it looks 3B - 100 like they are jumping and reaching for the stars together. Both of these pieces would be a unique and engaging addition to the sculpture collection in Southlake. Thank-you for your consideration, and I look forward to the possibility of working with you to create a beautiful and meaningful kinetic sculpture for Frank Edgar Cornish, IV Park. Lorri Acott Dream Big Sculpture 3B - 101 Lorri Acott 192 Delaware Ct Red Feather Lakes, CO 80545 970.219.7418 lorriacott@gmail.com www.lorriacott.com Large and Public Works “Watching It Grow” Grand Rapids, MI $30,000 “Who Rescued Who?” Little Rock AR $30,000 “Peace” Main Street, Little Rock AR $60,000 “Peace” Geller Center, Fort Collins, CO $60,000 “Conversation with Myself” Fort Collins Museum of Discovery $95,000 “Who Rescued Who?” Broomfield Commons Park Dec 2013, Karen Garrity $19,000 “Peace”, Broomfield Commons Park Dec 2013, Karen Garrity $42,000 “Sending Peace” Denver, CO Feb 2013, Kurt and Michelle Anderson , $28,000 “Arc of Peace”, Edmond, OK, October 2012 Randel Shadid, $19,000 “Brotherhood” Witchita KS, April 2012, Marty Cornejo $19,000 “Conversation with Myself” , Ada MI, October 2011, Pamella DeVos $95,000 ”Conversation with Myself”Vogel park, Little Rock,AR Oct 2009 Andrea Gary $10,000 “Peace” Evergreen, Colorado October 2008, Sally Wandling $60,000 Awards Winner International Citizen Artist competition “Peace” one of 15 in the world selected Best of Show “Conversation with Myself”, Art2c on Havana, Aurora Public Arts Program 3rd place “Peace”, art2c on Havana, Aurora, CO public arts program ACLU award, Art to Change the World “Peace”, Grand Rapids, MI, Best of Show, Gold Coast Art Show, Amdur Productions, Chicago 2011 Exhibitions “83rd Award Exhibition, National Sculpture Society, Brookgreen gardens. Mrytle beach, SC “All Creatures Great and Small” National sculpture society, Naples, FL Jan -Mar 2015 “Figuratively Speaking-3 voices” West Valley Art Museum, Peoria AZ, Dec ‘13-Feb ‘14 “Northern Colorado Invitational Sept 2013, FCMOA, Fort Collins, CO “Sculpture in The Park”, Loveland, CO Aug 2013 “Sculpture at the Riverwalk”, Little Rock, AR October 2012 “Warriors and Unexpected Agreements”, July 2009 Longmont Firehouse Art Center “Colorado Governor’s Show”, April 09 Publications and Bibliography Southwest Art, “The Human Experience” Featured artist article, March 2009, volume 38, Number 10 Pgs54 -57 Sculptural Pursuit, “Creative Process of Paperclay”, winter 2005, vol. 4, no. 5, pg. 42 Sculpture of the Rockies: 97 Contemporary and Traditional Artists , Hardback, 208 page F&W Media, Incorporated, December 03, 2009 pgs 8-9 Lectures, Workshops, and Professional Experience “Sculpting in Paperclay” by Lorri Acott, Guarda, Switzerland, Sept 2013 “Sculpting in Paperclay” by Lorri Acott, La Meridana, Tuscany, Italy Sept 2011,2013, 2014 “Paperclay Sculpture” by Lorri Acott, Sedona Art Center, Sedona AZ – 2009 - 2014 “New ideas in Paperclay” by Lorri Acott. International Paperclay Sy mposium. Laguna Beach, CA “Changing Perceptions with Paperclay” by Lorri Acott, Colorado Art Educators Conference, Breckenridge, CO – Oct. 08 Sculpture 3B - 102 ADAM SCHULTZ N.S.S. BRONZE + STONE + STEEL 192 Delaware Ct Red Feather Lakes, CO 80545 www.adamsculpture.com adamsculpture@gmail.com PUBLIC INSTALLATIONS PACIFIC GIANT --Loveland High Plains Art Council Benson Park, Loveland, CO 2012 Contact: Polly Havens $25,000 SISTERS --River Market Sculpture Group Vogel Sculpture Park, Little Rock, AK 2012 Contact: Andrea Gary $3500 FREEDOM THROUGH SAFETY –City of Parker Police Station, Parker, CO 2011 Contact: Ron Combs $75,000 OUT OF THE NEST MONUMENT—Service Star Construction Eagle's Nest Village, Aurora, Co. 2008 Contact: Candice Pulliam $60,000 ED AND ANNABEL FRIESEN MEMORIAL --Friends Organization Longmont Senior Center Longmont, Co 2007 Contact: Joe Busacco $3,500 COMMEMORATION WALL -- Pathways Hospice Center, Fort Collins, Co 2007 Contact :Jean Hall $10,500 COMPASSION HOSPICE MONUMENT -- Pathways Hospice Center, Fort Collins, Co 2004 Contact: Carole Egger $65,000 DELORES HERMAN MEMORIAL -- Thompson Valley Elementary School, Loveland, Co 1997 Contact: Richard Herman $20,000 USS FRANK E EVANS DD754 MEMORIAL Arlington National Cemetery, Washington DC 1995 Contact: Mr. Carl Rannack $2000 AWARDS 2013 National Sculptor Society (N.S.S.) Induction 2012 Best of Show “ALL THAT” Hill City, SD Sculpture in the Hills show 2011 Best of Show “PACIFIC GIANT” COMMISSIONS BROTHERS Fort Collins, CO 2012 ACROSS THE MOON Windsor, CO 2011 FREEDOM THROUGH SAFETY Police Station, Parker, CO 2011 OUT OF THE NEST--ServiceStar construction Aurora, Co 2009 LAUREATE AWARD--World Food Prize Organization Chicago, Ill 2008 STONE LIONS--Mary Cabela Sydney, Ne 2008 COMPASSION--Hospice fundraiser Fort Collins, Co 2004 IRONWORKER--Casey Industrial Construction Broomfield, Co 2001 EXHIBITIONS 2015 83rd awards exhibition, National sculpture society, Brookgreen Gardens, Myrtle Beac, SC 2015“All Creatures Great and Small” National sculpture society, Naples, FL 2013 National Sculpture Society 80th Annual Awards Show New York, NY 2013 Figuratively Speaking , 3 Voices. Three person show West Valley Art Museum, Peoria, AZ 2013 Northern Colorado Invitational Museum of Art, Fort Collins, CO 3B - 103 Annotated Image List Dream Big Sculpture 1. Lorri Acott "Conversation with Myself", 2010 Cast Aluminum, 12’x8’x6’ Installed in Ada, MI and Fort Collins, CO $95,000 A twelve foot tall sculpture featuring two standing figures- a smaller person looking up into the face of a larger figure representing our higher self. 2. Adam Schultz "Freedom through Safety", 2011 Bronze/Stainless Steel, 20’x6’x4’ Parker, CO $75,000 A twenty foot tall sculpture featuring a bronze eagle representing the spirit of the people f lying across a mobius circle. This is held aloft by two stainless steel pillars set in a black granite base which is inlaid with 16 cast handprints created with members of the community. 3. Lorri Acott "Peace", 2008 Bronze, 12’x3’x3’ Evergreen, CO, Little Rock AR, Broomfield, CO, Fort Collins, CO $60,000 An elongated figure raises up to release brightly colored folded origami cranes symbolizing peace and hope. . 4. Adam Schultz "Compassion", 2007 Bronze, 12’x3’x3’ Fort Collins, CO $60,000 An eight foot tall contemporary bronze sculpture whose beautifully undulating lines represent people coming together in love and support of one another. 5. Adam Schultz "Out of the Nest", 2007 Bronze, 12’x6’x1.3’ Aurora, CO $60,000 A twelve foot tall bronze sculpture featuring an eagle on its first flight into a greater world 6. Lorri Acott "Who Rescued Who", 2013 Cast Aluminum, 5’x3’x5’ Broomfield, CO $22,00 A five and a half foot bronze sculpture representing the powerful relationship between people and their pets. 3B - 104 7. Adam Schultz "Pacific Giant", 2012 Bronze, 44"'x36"x36" Loveland, CO $24,000 A life-sized bronze sculpture of a Pacific Giant Octopus locked in combat with one of its favorite foods: the spiny lobster. 8. Lorri Acott "Arc of Peace", 2012 Bronze, 5’x3’x2’ Edmond OK $20,000 A five foot tall sculpture of a figure releasing a colorful arc of bronze origami cranes that reach from one outstretched hand to the other representing peace and hope for the world. 9. Adam Schultz "Galatea", 2010 Bronze, 72"x24"x16” Davie, FL A six foot tall bronze sculpture $12,000 A six foot tall bronze sculpture referencing the love interest from the ancient mythological tale of Pygmalion and Galatea. 10. Adam Schultz "Round, Perfect, Beautiful", 2012 Bronze/Stainless Steel, 5.5’x5’x1’ Chicago, Ill $12,900 A six foot tall contemporary sculpture featuring a beautiful, self-assured female figure standing confidently atop a perfect, stainless steel ring. 3B - 105 Artists Adam Schultz & Lorri Acott 970-219-7418 dreambigsculpture@gmail.com DREAM BIG SCULPTURE 3B - 106 CONVERSATION WITH MYSELF 3B - 107 FREEDOM THROUGH SAFETY 3B - 108 PEACE 3B - 109 COMPASSION 3B - 110 OUT OF THE NEST 3B - 111 WHO RESCUED WHO? 3B - 112 PACIFIC GIANT 3B - 113 ARC OF PEACE 3B - 114 GALATEA 3B - 115 ROUND, PERFECT, BEAUTIFUL 3B - 116 EDWARD FLEMING, SCULPTOR INTENT: SOUTHLAKE CORNISH PARK For the last thirty three years, as a Sculptor, Architect and Builder, I’ve been designing and making three-dimensional art that is accessible to the public. I want my sculpture to manifest the spiraled connection between the universal source of energy and my hands, present this to the world and affect people in a profoundly positive way. I strive to create sculpture that makes people think, that challenges their concept of reality and helps create a conscious connection between them and the Earth. Creating art that is site/person/story-specific is where I find my source of energy and inspiration. I try to always make the connection between an individual sculpture and the much larger story of our collective place here on this planet. Each of my projects begins with careful design programming, listening to all ideals and challenges, and confirming a solid understanding of the project goals with commissioner and collaborators before starting to design. I work from the very general to the very specific. This approach includes initial design meetings, concept designs (including models and/or maquettes), working drawings and then all the many stages of the art creation itself. As part of the design process, creating a budget and developing an accurate cost estimate is critical to the project. Scheduling and deadlines are just as important to the successful placement of my public artworks. I also take the necessary time for close and regular communication between all parties involved in the project from the client to collaborators to sub-contractors. I use the same approach to managing a sculpture installation as I have with managing the construction of large and complex buildings. I have a long and happy experience in working collaboratively with clients, other designers and sub-contractors. My experience as a public artist includes several placements on top of my experience as an architect and builder [since 1977]. I’ve worked closely with other disciplines on a large number of projects from buildings to monumental sculptures. As an Associate of the National Sculptors' Guild since 2010 having participated in art projects with budgets ranging from $15,000 to over $500,000, my connection with NSG saves me the time, energy and money to obtain administrative and professional services that are instead shared by the membership. Their expertise and experience in the placements of over 450 monumental public art placements since 1992 serves as a reassurance that the artwork I design and fabricate is beautifully integrated into the site and safely placed. NSG maintains a comprehensive insurance policy, for each project and oversees the project management from site design to installation. Over the course of my working life, I’ve realized that the most powerful sculpture comes from collaboration. I’ve learned to check my ego at the door and embrace the spirit of cooperation while at the same time bringing my own ideas and energy to bear on every project with which I’m involved. This contradicts the myth of the artist as the isolated genius. Life is collaboration, and art which reflects life must also reflect that reality. Thank you for this important opportunity and the prospect of collaborating with the art commission to be a part of this public art project. 3B - 117 --Edward Fleming • E D W A R D F L E M I N G • T H E N A T I O N A L S C U L P T O RS’ G U I L D • • 2683 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • WWW.N A T I O N A L S C U L P T O R S G U I LD.C O M • T E D @ N A T I O N A L S C U L P T O R S G U I LD.C O M • 3B - 118 EDWARD FLEMING, SCULPTOR RESUME Education: 2009: Lucy Lyon Studio Jaconita, NM 2007-2008: Jo Basiste Studio Santa Fe, NM 2003-2006: Elias Rivera Studio Santa Fe, NM 2001-02: Academy of Fine Art Carrera, Italy 1994-95: Pietrasanta Marble Carving Studio Pietrasanta, Italy 1994: Doug Hyde studio Santa Fe, NM Pietrasanta Marble Carving Studio Pietrasanta, Italy 1993-94: Corcoran School of Art Washington, DC 1976-81: Tulane University [Architecture Degree] New Orleans, LA 1974-76: Occidental College Los Angeles, CA Career: 2001-present: Full-Time Stone Sculptor Galesteo, NM 1983-present: Licensed Architect 1981-2001: Builder/Contractor 1977: Started Architectural Practice Commissions: Commonweal Conservancy - The Village at Galisteo Basin Preserve, 2010 Lamy, NM CT Whitehouse - “Portrait of Lucia”, 2010 Cedarburg, WI Nancy Helle – “Cupped Hands”, 2007 Galisteo, NM Commonweal Conservancy - Southern Crescent (2 sculptures), 2007 Lamy, NM Roger & Joanne Lameroux - “Betty”, 2007 Santa Fe, NM Commonweal Conservancy - New Moon Overlook Lamy, NM “Twin Moons”, 2007 “Moon in Hand”, 2006 Eldorado Animal Clinic - Entryway Sculpture, 2005 Santa Fe, NM Commonweal Conservancy - West Basin Preserve Entryway, 2005 Galisteo, NM Ramona Scholder - Cemetery Markers, 2003-present Galisteo, NM Teaching: 2010: Galisteo Stone Sculpture Workshop Galisteo, NM Sculptors’ Dominion Workshop San Antonio, TX 2009: Institute of American Indian Arts Santa Fe, NM Portrait carving workshop; Poeh Arts Center Pojoaque Pueblo, NM 2008: Monte Del Sol Charter School Santa Fe, NM Mentoring student in stone carving, Poeh Arts Center Pojoaque Pueblo, NM Portraiture workshop, Southwest Stone Carving Symposium Jemez Springs, NM 2007: Southwest Stone Carving Symposium Jemez Springs, NM Professional Associations: National Sculptors' Guild National Sculpture Society New Mexico Sculptors’ Guild Galisteo Art Association Gallery Representation: Columbine Gallery, Loveland, CO Carol Robinson Gallery, New Orleans, LA Justin Roberts Galleries, Santa Fe, NM Lamsdorff Gallery, Paris, France • E DWARD F LEMING • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • WWW.NATIONALSCULPTORSGUILD.COM • TED@ NATIONALSCULPTORSGUILD.COM • 3B - 119 Group Shows: 2010: April- Sculptor's Dominion San Antonio, TX August-National Sculpture Society [NSS] 77th Awards Exhibition New York, NY October-Sculpture at the Rivermarket Little Rock, AR 2009: May- Carol Robinson Gallery New Orleans, LA June- Evergreen Sculpture Walk Evergreen, CO August- NNMAC Galleries Santa Fe, NM October- Sculpture at the Rivermarket Little Rock, AR November- Tucson Jewish Community Center Exhibition Tucson, AZ. 2008: March- Adams State College Exhibition Alamosa, CO June- Evergreen Sculpture Walk Evergreen, CO October- Sculpture at the Rivermarket Little Rock, AR 2007: January- NSS Awards Exhibition, Brookgreen Gardens Murrel’s Inlet, SC June- Hudson Valley Art Association Annual Exhibition New York, NY October- Sculpture at the Rivermarket Little Rock, AR 2006: September- NSS Awards Exhibition, Quick Center for the Arts Fairfield, CT October- Galisteo Studio Tour Galisteo, NM 2005: June- Carol Robinson Gallery 25th Anniversary Exhibition New Orleans, LA September- Viselaya National Sculpture Competition Concord, MA November- Justin Robert Galleries 2nd Anniversary Exhibition Santa Fe, NM 2004: April- Sculptor's Dominion Invitational Show San Antonio, TX May- Hammer, Chisel and Stone Gallery Morro Bay, CA August- Sculpture in the Park Loveland, CO September- NSS Awards Exhibition New York, NY 2003: August- Sculpture in the Park Loveland, CO September- Viselaya National Sculpture Competition Concord, MA Galisteo Fiesta art show/auction Galisteo, NM 2002: May- Wild’s Gallery Shimaneken, Japan October- Corrales Visual Arts Council 14th Annual Arts Exhibit Corrales, NM Solo Shows: 2005: August- Justin Roberts Galleries, Santa Fe, NM Awards: 2009: Sternberg Award of Excellence - Art for the Mountain Community; Evergreen, CO 2007: People’s Choice Award and Brookgreen Medal - National Sculpture Society 73rd Annual Exhibition at Brookgreen Gardens; Murrel’s Inlet, SC 2006: Bronze Medal and Pietro & Alfrieda Montana Memorial Prize - National Sculpture Society 73rd Awards Exhibition; New York, NY 2005: Prize for Sensitivity of Expression, Prize for Communication of Conceptual Theme - Viselaya National Sculpture Competition; Concord, MA 2003: Best Sculpture in Show - Corrales Visual Arts Council; Corrales, NM ELDORADO ANIMAL CLINIC – SANTA FE, NM • E DWARD F LEMING • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • WWW.NATIONALSCULPTORSGUILD.COM • TED@ NATIONALSCULPTORSGUILD.COM • 3B - 120 3B - 121 EDWARD FLEMING, SCULPTOR ANNOTATION 1. Two Hands 2012 bronze/granite 13ft x 5ft x 5ft $100,000 Tongling City, China: A variation on the theme of the collaborative piece that CT Whitehouse and I made, Infinite Possibilities, but on a monumental scale. The use of stone and bronze, both materials of strength and permanence, enhance the thought of the timeless and universal idea 2. Two Hands [detail] 2012 bronze/granite 13ft x 5ft x 5ft $100,000 3. El Dorado Animal Clinic 2005 limestone 4ft x 14ft x 2ft $55,000 El Dorado Animal Clinic - Santa Fe, NM: The carved image is a 3-times life-size portrait of the veterinarian’s hand and depicts a barking dog shadow-puppet. This form has also been the clinic’s logo for many years. 4. West Basin Preserve Entry 2005 limestone 9ft x 2ft x 3ft $65,000 West Basin Preserve - Galisteo, NM: This sculpture is an entryway monument for a neighborhood development. It denotes the different seasons as well as time of day and helps create a relationship between the site and the mountain range in the background. 5. Twin Moons 2007 limestone 10ft x 4ft x 3ft $65,000 Commonweal Conservancy, New Moon Overlook – Lamy, NM: This sculpture represents the movement of the full moon setting on the Spring Equinox and rising on the Autumn Equinox when viewed from the two main approaches. The two moons are aligned on a solar north-south axis so they also mark the mid- day/meridian point. 6. Southern Crescent 2007 limestone 10ft x 4ft x 2.5ft $30,000 Galisteo Basin Preserve – Lamy, NM: This sculpture takes the form of a sun-bowl which collects sunlight at different levels depending on the season, showing the cyclical movement of the sun. 7. Moon in Hand 2006 limestone 10ft x 4ft x 3ft $35,000 Commonweal Conservancy, New Moon Overlook - Lamy, NM: Oriented with the western sky in the background, this sculpture celebrates the crescent moon as it rests in an outstretched hand. The open hemisphere tracks the sun from dawn to solar noon and on a clear evening the crescent moon is visible just above the sculpture. 8. Inifinte Possibilities 2010 bronze/limestone 33x11x8 $9,600 Collaboration with CT Whitehouse: The hand emerging at the top of a beautifully tapered stone plinth is simple, graceful and powerful. The use of stone and bronze, both materials of strength and permanence, enhance the thought of the timeless and universal idea. 9. Golden Spiral 2012 marble 72x74x38 $110,000 Denizli, Turkey 10. By My Fingernails 2003 limestone 30x12x5 $7,500 • E D W A R D F L E M I N G • T H E N A T I O N A L S C U L P T O RS’ G U I L D • • 2683 N T A F T A V E N U E , L O V E L A N D , CO 80538 • 9 7 0 . 6 6 7 . 2 0 1 5 • • T E D @ N A T I O N A L S C U L P T O R S G U I LD.C O M • 3B - 122 Two HandsEdward Fleming and the National Sculptors’ Guild 2683 N Taft Avenue Loveland, CO 80538 970.667.2015 edward@nationalsculptorsguild.com3B - 123 Two Hands3B - 124 El Dorado Animal Clinc3B - 125 West Basin Preserve Entry3B - 126 Twin Moons3B - 127 Southern Crescent3B - 128 Moon in Hand3B - 129 Infinite Possibilities3B - 130 Golden Spiral3B - 131 By My Fingernails3B - 132 LETTER OF INTEREST GARY ALSUM & THE NATIONAL SCULPTORS’ GUILD I am very excited by the possibility of working with your art committee in its public art search for the Frank Cornish Park. I can envision my work complementing the park design and architecture well, as well as reflect the park’s role of community gathering, family connections and quality of life. Much of my past artwork fits an Americana theme and my focus is on the relationships of figures often covering multiple generations. Health and Vitality are a common thread throughout my portfolio. In addition to my cast bronze I’ve recently been incorporating silhouette forms fabricated from sheet metal. This opens me to utilizing multiple metals combined with natural stone which can provide more site integration or serve as seating depending on design. The central theme of my work is celebrating the gift of life. Most of my work in the last few years has been commissioned. I enjoy the challenge of combining the client’s vision and needs with my own ideas to create lasting depictions of significant memories in their lives. Although I am open to considering many concepts involving the human figure, I am particularly drawn to capturing subjects in motion. Movement, after all, is what captures our attention. Children at play and athletes in motion are my favorite subjects because of the passion for life they demonstrate. It is a constant challenge to capture these qualities in bronze and pass that on to the viewer. When developing each new sculpture my primary concern is artistic integrity. Among my most significant public works are the full-figure bronze portrait of Ralph L. Carr for the new Judical Center in Denver ($100,000); “Harmony" a site specific bronze composition of two figures fly-fishing for the interior lobby of American Stores Inc in Salt Lake City (250,000); and the Appalachian Dancers, comprised of six limited edition bronze figures depicting dancers and musicians placed on the city plaza in Asheville, NC. ($132,000); and a whimsical bronze sculpture of the fable Jack and the Beanstalk, towering 16 ft high, placed in the botanical gardens in Hawaii. ($300,000) For public placements I work with the National Sculptors’ Guild based in Loveland, CO, their extensive knowledge and expertise in this field has been established with over 450 significant placements in 20 years. The Guild's nationally-recognized design team coordinates with cities, corporations and private institutions to successfully enhance both indoor and outdoor venues with creative design and innovative artwork. Through my work with the Guild I have participated in projects with budgets from $20,000 to over $1,000,000 and my monumental bronzes have been placed in city parks, public gardens and corporate buildings across the US. Since 1992, the National Sculptors’ Guild has maintained insurance and verifies ‘Certificate of Liability Insurance’ for each project that its artists undertake. Major past NSG design team projects that I have been part of include: city of Little Rock, AR [$1 million], city of Brighton, CO [$1.8 million]; American Stores, Inc. [$2.6 million] My approach is to work with John Kinkade, Executive Director of the National Sculptors’ Guild and representatives from your committee, in a team design format to further develop the design and placement within the site so that all involved can be proud of this artwork. I look forward to this opportunity and thank you for the chance of submitting my work to you. Gary Alsum Sculptor National Sculptors’ Guild • G A R Y A L S U M • T H E N A T I O N A L S C U L P T O RS’ G U I L D • • 2683 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 80538 • 970.667.2015 • • W W W .N A T I O N A L S C U L P T O R S G U I LD.C O M • F A X 970.667.2068 • G A R Y @ N A T I O N A L S C U L P T O R S G U I LD.C O M • 3B - 133 GARY ALSUM – R E S U M E EDUCATION & PERSONAL: Presently Full-Time Sculptor, Executing and Placing Monumental Scale Work Loveland, CO 1984 Life Drawing, University of Northern Colorado Greeley, CO 1975-79 B.A. Dordt College Sioux Center, IA 1975 Graduated, Denver Christian High School Denver, CO 1957 Born, October 30th Denver, CO COMMISSIONS AND PUBLIC ART PLACEMENTS: 2016 “Wolverine” mascot $23,000 Traut Core Knowledge School Fort Collins, CO 2015 “Jazz”, Center for the Arts entry, $70,000 Fairfield, OH 2014 “Striker”, $18,000 Edmond, OK “Reunion”, $60,000 Department of Public Safety Training Facility Southlake, TX “Saluting a Hero” $65,000 Department of Public Safety Training Facility Southlake, TX 2013 “Ruth Gleaning”, Mtn. View Presbyterian $45,000 Loveland, CO “Giddy Up”$35,000 Walsh Cancer Treatment Center Sterling, CO 2011-12 “Carr Portrait”, Ralph L. Carr Justice Center $100,000 Denver, CO 2009 “Rangeview Heron,” $30,000 Loveland, CO 2008 “Prosperous Past, Bright Future”, $85,000 Brighton, CO 2007-08 “Unsung Heroes”, Bauxite Miners $80,000 Little Rock, AR “Mary” Our Lady of the Pines $40,000 Conifer, CO 2006 “Contentment”, Butler Community College $12,000 El Dorado, KS “Alan Hutto Memorial” Cherry Hills Elementary $8,000 Littleton, CO “Rising Star” Rochester Hills Public Library $11,000 Rochester Hills, MI 2005 “Jazz”, City of Edmond $60,000 Edmond, OK “Patriots”, Veterans’ Memorial Park $80,000 Le Mars, IA 2004 “Arrrgh!”, Pirate’s Cove Water Park $50,000 Englewood, CO “Saluting a Hero”, Fontana Memorial Park $50,000 San Jose, CA “New Adventures”, Clinton Township $18,000 Clinton, MI “Giant Steps”, City of Springdale $18,000 Springdale, AR “Jazz”, Benson Park Sculpture Garden $60,000 Loveland, CO “Giddy Up”, Private Commission, Public Park placement, City of Boulder Boulder, CO 2003 “Picture Books”, Weld County District Library $20,000 Greeley, CO “Promenade”, Malley Senior Center $55,000 Englewood, CO “Promenade”, Senior Center $55,000 Santa Fe Springs, CA 2002 “Giant Steps”, City of Edmond $15,000 Edmond, OK “New Adventures”, City of Keensburg $15,000 Keensburg, CO “Reunion” Firefighter Memorial, City of Thornton $55,000 Thornton, CO “Jack & Co.” 16’h Fountain, Na’aina Kai Botanical Gardens Kilauea, Haua’i, HI 2001 “Brittany” “Cherished Memories” ”New Adventures” City of Brighton Brighton, CO “New Adventures”, Windsor Elementary School Windsor, CO “Steps to Success”, Southeast Tennis & Learning Center Washington, DC “Jazz”, City of Iowa City Iowa City, IA 2000 “Joy”, City Of Honolulu Honolulu, HI “Giant Steps”, “Frog Legs”, Na’aina Kai Botanical Gardens Kilauea, Haua’i, HI “New Adventures”, Upper Iowa University Fayette, IA “New Adventures”, University of Colorado Nursing School Colorado Springs, CO “New Adventures”, Traut Elementary School Fort Collins, CO 1999 “Appalachian Dance”-Five Figures, City Of Asheville Asheville, NC “And… They’re Off!”, Home State Bank Loveland, CO Multiple Purchases, City of Oxnard Oxnard, CA 1998 “Harmony”, American Stores, Inc. Salt Lake City, UT “Proceed With Caution”, City of Palm Desert Palm Desert, CA 1997 “Picture Books”, “Frog Legs”, City of Glendale Glendale, AZ 1996 “Grandpa’s Workbench”, Deines Lumber Loveland, CO 1995 “And… They’re Off!”, ”Giant Steps”, Greenfield Village Denver, CO “Grandpa’s Workbench”, Public Display Committee Holland, MI • GARY ALSUM • THE NATIONAL SCULPTORS’ GUILD • • 2 6 8 3 N TAFT AVENUE • LOVELAND, COLORADO 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • GARY@ NATIONALSCULPTORSGUILD.COM • 3B - 134 PROFESSIONAL MEMBERSHIPS: Allied Artists of America Since 1999 National Sculptors’ Guild, Fellow Since 1992 MAJOR CORPORATE COLLECTIONS: American Stores, Inc Salt Lake City, UT Diamond Vogel Paints Orange City, IA Donahue Foundation Denver, CO Dordt College Sioux Center, IA Edgewood Ranch Endowment Orlando, FL Freedom Group Bradenton, FL Phillips Petroleum Bartlesville, OK SELECTED EXHIBITIONS: 1998-16 Sculpture in the Park, National Juried Exhibition Loveland, CO 1994-16 National Sculptors’ Guild Annual Exhibition Loveland, CO 2007-16 Annual Sculpture at the River Market Invitational Little Rock, AR 2013-15 Colorado Governor’s Invitational Loveland, CO 2002 Two-Person Show, Columbine Galleries Loveland, CO 1992-01 Colorado Governor’s Invitational Loveland, CO 1998,00 Allied Artists of America Annual Exhibitions New York, NY 1995 Solo-Show, Columbine Galleries Loveland, CO 1994 The Shining Mountains, Foothills Art Center Golden, CO Allied Artists of America Annual Exhibitions New York, NY Solo-Show, Home State Bank Loveland, CO El Paseo Exhibition Palm Desert, CA Danada Sculpture Show Chicago, IL 1993 Art in the Park, Warren Place Tulsa, OK “The Art of Celebrating”, Invitational Show Fort Collins, CO Danada Sculpture Show Chicago, IL 1992 Strokes of Genius, Scottsdale Artists’ School Scottsdale, AZ Allied Artists of America Annual Exhibitions New York, NY North American Sculpture Exhibition Golden, CO 1991 Best and Brightest, Scottsdale Artists’ School Scottsdale, AZ 1988-91 Sweetheart City Sculpture Show Loveland, CO 1990 Allied Artists of America Annual Exhibitions New York, NY 1989 Colorado Art Open Golden, CO North American Sculpture Exhibition Golden, CO Best and Brightest, Scottsdale Artists’ School Scottsdale, AZ • GARY ALSUM • THE NATIONAL SCULPTORS’ GUILD • • 2 6 8 3 N TAFT AVENUE • LOVELAND, COLORADO 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • GARY@ NATIONALSCULPTORSGUILD.COM • 3B - 135 ANNOTATED IMAGE LIST GARY ALSUM # TITLE MEDIUM SCALE DATE SITE/BUDGET 01 Unsung Heroes Bauxite Miners Memorial, Bauxite, AR Bronze ed/7 85”h 54”w 35”d ©2008 $105,000 02 Reunion Thornton, CO; Southlake, TX Bronze ed/7 87”h 47”w 36”d ©2003 $66,000 03 Rangeview Heron Bench Rangeview Center, Loveland, CO Site Integrated Steel/Stone 48”x84”x42” ©2010 $35,000 04 Jazz Fairfield, OH; Edmond, OK; Loveland, CO; Iowa City, IA Bronze ed/7 79x64x46” ©2001 $80,000 05 Striker Bronze (in-production) 56" x 36" x 48" ©2013 $16,500 06 Patriots Veteran’s Memorial Park, Le Mars, IA Bronze ed/7 114”x72”x44” ©2005 $95,000 07 Honor Bronze ed/7 72”x30”x30” ©2012 $50,000 08 Appalachian Dancers –Bluegrass & Joy City of Asheville, NC Bronze ed/7 69”x60”x58” ©1999 $89,000 09 Appalachian Dancers – Promenade City of Asheville, NC Bronze ed/7 73”h 53"w 43"D ©1999 $65,000 10 Ralph L. Carr Portrait Ralph L. Carr Colorado Judicial Center, Denver, CO Bronze site-specific 48”x24”x24” ©2013 $100,000 • GARY ALSUM • THE NATIONAL SCULPTORS’ GUILD • • 2 6 8 3 N TAFT AVENUE • LOVELAND, COLORADO 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • WWW.NATIONALSCULPTORSGUILD.COM • GARY@ NATIONALSCULPTORSGUILD COM • 3B - 136 2683 N Taft Avenue Loveland, CO 80538 970.667.2015 gary@nationalsculptorsguild.comGary Alsum & the National Sculptors’ GuildGary Alsum3B - 137 Unsung Heroes3B - 138 Reunion3B - 139 Rangeview Heron Bench3B - 140 Jazz3B - 141 Striker3B - 142 Patriots3B - 143 Honor3B - 144 Joy & Bluegrass3B - 145 Promenade3B - 146 Arrgh!3B - 147 Harold Linke Letter of Intent : Cornish Park Great art connects us with ideas, feelings and knowledge in ways we never imagined. To accomplish this, an artist must be skilled in truth and metaphor, feeling and sensing, curiosity and serenity. A sculptor must convey movement with materials that may never move, convey emotion with base metals, convey knowledge using no words and allow unblinking analysis from any angle. As an artist/engineer, I have a deep appreciation of the imaginative spirit as I work daily to capture the essence of movement through my work. My hope is that as someone sees the piece, connects with it, and is drawn to it again and again. Collaboration starts with a team and ends with a creation that everyone can stand behind proudly. As an artist, my job is to hear needs, communicate clearly, and contribute art that truly shines. Working collaboratively with the stakeholders and design team the group will capture the spirit of the community in art that would be both complimentary to the space, but also so striking that people will be drawn to interact with the sculpture. I bring over thirty years of artistic and engineering experience to the project and understand how to work within a group setting to accomplish a common goal on a large scale such as this project. I have supervised multi-million dollar budget projects and understand how to meet goals and timelines. As a member of the National Sculptors Guild we work as a team to successfully enhance public sites. Shared resources saves me time, energy and money that can better be spent on the artwork itself, and our team works closely with me and the client to ensure my vision is actualized and is a sound placement that all are proud of. Depending on the scope of the project the team grows to include architects, landscape architects, structural engineers, contractors and other specialists. Working with NSG affords me access to the expertise of nationally recognized professionals that have proven accountability and experience, allowing me to focus my energy on the artwork. With over 20 years of experience placing over 450 significant public artworks with cities, municipalities, corporations and private institutions across the country within budgets ranging from $25,000 to $2.8 million. They maintain comprehensive insurance covering $2 million on each project. • H A R O L D L I N K E • T H E N A T I O N A L S C U L P T O R S ’ G U I L D • • 2 6 8 3 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • H A R O L D @ N A T I O N A L S C U L P T O R S G U I L D . C O M • 3B - 148 Harold Linke RESUME VISION Do great art. When, 100 years from now, someone finds my sculpture, I want them to think, “He saw the world as a wonderful place.” EDUCATION • Bachelor of Science, Civil Engineering Stanford University, Stanford, CA • Master of Science, Environmental Engineering Stanford University, CA TEACHING EXPERIENCE 2011 Center for the Arts Evergreen, Colorado 2002 Wilmot Elementary, Artist--‐in--‐Residence teaching sculpture to 460 students K--‐5 for the first semester culminating in a huge sculpture show 1998-2014 Merit Badge Counselor for Boy Scouts of America Art, Design and Sculpture Merit Badges. NOTABLE PLACEMENTS: 2013 Benson Sculpture Garden commissioned a life--‐size rendition of Girly Curl to be placed in their permanent collection. The piece was dedicated in July 2013. 2009 The Swedish Dance academy commissioned the prestigious Swedish Dance Academy's Choreography award. 2007 Provided technical design services for the large fountain (Grand Confluence) at the Grand Junction, Colorado Convention Center created by Ivan Kosta. 2006 First Data Corporation commissioned a life--‐size memorial for Timmy Sowders, a young boy who died tragically. The result, Timmy’s Eagle, is a sculpture that honors and preserves his memory and inspires others. SHOWS AND SCULPTURE WALKS 2014 Art for Awhile, Sculpture Walk, Broomfield, Colorado 2014 Art on Havana Sculpture Walk, Aurora, Colorado 2014 Art on the Corner Sculpture Walk, Grand Junction, Colorado 2014 Articulture, Celebrating Art in the Garden--‐ Art on Loan, Fort Collins, Colorado 2014 The Warehouse Gang Show, Evergreen Colorado 2014 Art on the Street, Lafayette, Colorado 2014 Sculpture in the Park, Loveland, Colorado 2014 Governor’s Art Show, Loveland, Colorado 2014 Love Out of Bounds, Evergreen, Colorado 2014 La Quinta Arts Festival, La Quinta, California 2013 “Girly Curl” permanent collection, Benson Sculpture Garden, Loveland, Colorado 2013 Sculpture in the Park, Loveland Colorado 2013 La Quinta Arts Festival, La Quinta, California 2013 Identity, Lakewood Cultural Center Lakewood, Colorado 2012-14 Art on the Commons, Lakewood, Colorado 2012 Aurora Art Walk, Aurora, Colorado 2012 Sculpture in the Park, Loveland Colorado 2012 City Arts, Dallas, Texas 2012 The Fine Art of Craft,, Evergreen, Colorado 2012 Gestalt, Lakewood Cultural Center, Lakewood, Colorado 2012 The Art Advocacy Program, Loveland, Colorado 2011 Invited--‐Sculpture in the Park, Loveland Colorado 2011 Lafayette, Colorado, Sculpture Walk Lafayette, Colorado 2010 Sheridan, Wyoming, Sculpture Walk Sheridan, Wyoming 2009 Abstracting the Figure, Lakewood Cultural Center Lakewood, Colorado 2009‐2010 Open Door Studios Evergreen, Colorado • HAROLD LINKE • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • HAROLD@NATIONALSCULPTORSGUILD.COM • 3B - 149 SHOWS AND SCULPTURE WALKS CONT’D 2008 Lakewood, Colorado, Cultural Center Art on the Commons Lakewood, Colorado 2008 Center for the Arts Small Works Show, Evergreen, Colorado 1999‐2007 Loveland Sculpture Invitational, Loveland, Colorado 2006 Evergreen Invitational, Evergreen, Colorado 2005 Summerfest Evergreen, Colorado 2005 Riverwalk Fine Art & Wine Affaire Avon, Colorado 2003‐2005 Evergreen Arts Festival Evergreen, Colorado 2004 Evergreen Sculpture Walk Evergreen, Colorado 2002‐2004 Avon, Colorado, Fine Arts Festival Avon, Colorado 2003‐2004 Carefree Art & Wine Festival Carefree, Arizona 2004 Saddle Mountain Arizona Fine Art Walk Saddle Mountain, Arizona 2002 Wilmot Artist in Residence Evergreen, Colorado 2002 Scottsdale Fine Art & Chocolate Festival Arizona Scottsdale, Arizona 2001 Arizona Fine Art & Wine Festival Scottsdale, Arizona 2000 Hudson Gardens Art Walk, Littleton, Colorado 1999 Keystone Colorado Art Festival Keystone, Colorado 1998 Saratoga Wyoming Art Festival Saratoga, Wyoming NOTABLE AWARDS His sculptures have garnered top awards in juried shows in Aurora, Colorado; Dallas, Texas; Keystone, Colorado; Lakewood, Colorado; and Sheridan Wyoming. 2014 Evergreen Center for the Arts – Juror’s Award 2012 Best Sculpture--‐City Arts, Dallas, Texas 2010 Lakewood Cultural Center --‐ Juror’s Award 2002 Artist in Residence, Wilmot Elementary, Jefferson County, Colorado 1999 Keystone Art Festival --‐ Best Sculpture MAJOR COMMISSIONS Amy & Steve Coyer, Avon, Colorado Wendy & Michael Creveling, Akron, Ohio First Data Corporation, Denver, Colorado Donald Godwin, Dallas, Texas Robert Leatherman & Kathy Pitner, Aspen, Colorado June & Joe Lee Las Cruces, New Mexico Loveland Arts Council, Sculpture in the Park, Loveland, Colorado Geisbart Niklas, Dortmund, Germany Dans Och Musical Gymnasium, Lund, Sweden Suzy Sears, Ponte Vedra, Florida Dr. James & Linda Walpole, Evergreen Colorado Ted & Judy Zelio, Denver, Colorado • HAROLD LINKE • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • HAROLD@NATIONALSCULPTORSGUILD.COM • 3B - 150 Harold Linke Image Annotations 1. Running Girl, Steel, 144”x42”x69”, year created: 2014, $22,500, Currently installed in Broomfield, Colorado at the 1stBank Civic and Concert Center and another in Aurora, Colorado at the Wells Fargo Havana Towers. Running Girl is the “air--‐calligraphy” essence of childlike wonder, capturing the joy of a simple breeze and the freedom in running. 2. New Girl, Steel, 144”x 60”x 57”, year created 2013, $22,500, Currently Installed in Fort Collins, Colorado, Spring Creek Botanical Gardens. A visually stunning piece that changes character as you change position. She waltzes with your eyes. 3. Mountain Spell, Steel, 144”x82”x46”, year created: 2014, $22,500, Mountain Spell is calligraphy in the air. Feel the freedom and charm of a warm mountain summer day when the only thing to do is to lean back and soak in the sun and magic. 4. Girly Curl, Bronze, 84”x24”x24”, year created: 2013, $40,000, Commissioned by the Loveland High Plains Art Council for the Benson Sculpture Park, Loveland, Colorado, installed in 2013. Also to be installed in Sioux Falls, SD, Sculpture Walk in a 39” version ($6,200). Girly Curl floats away. She shows form without volume, intent without destination, and looks over her shoulder to charm admirers. 5. Novus Grande, Steel reinforced fiberglass, 88”x 42”x39”, year created: 2005, $15,500, Year Installed: 2011, Art Advocacy Program, Loveland, Colorado. The name Novus Grande comes from Latin words for new and big. This piece takes the form of an arabesque and subtracts the detail, the color, the texture and the volume from a traditional representative sculpture, leaving only the pure dance gesture. The finish on the piece creates an illusion of blue skies, even on a cloudy day. 6. From Eden, Bronze, 40”x 12”x 32”, year created: 2007, $8,000. Years installed: 2012--‐2014 in Lakewood, Colorado, City Hall Commons. From Eden: Adam and Eve work in tandem. Are they taking the apple….or trying to return the apple to the Tree of Knowledge of Good and Evil? The couple lunges together towards the future, but hopes to somehow take hold of the present. 7. Aura, Bronze, 38”x 17”x26”, year created: 2005, $4,200, Years Installed: 2006--‐2014 in Aurora, Colorado, Englewood, Colorado (Hudson Gardens), Evergreen, Colorado Lafayette, Colorado and currently Grand Junction, Colorado. Aura represents courage against the storm. She is strong, compelling in calm, though the world around whips by her. She leans towards the future and stands bravely and assuredly. 8. White Magic, Bronze, 36”x9”x7”, but also available (up to) heroic--‐size (120”), year created: 2014, half--‐life size $4,900, life--‐size $30,000, heroic $65,000, White Magic combines victory, persistence, and surety that only comes with accomplishment. Does confident presence require a solid core? Does strength come from mass? What we know about her only intensifies what we do not know. 9. Calla Lily, Bronze, 22”x 16”x11”, year created: 2011, $4,900, Calla Lily is the essence of flowering delight. The simplicity and curvature begs to be touched, and cherished. Many see a dancer leaning back with a scarf blowing around the figure in a calm dance of beauty. 10. Embrace, bronze, 21”x8”x11”, also available up to life size (84”), year created: 2013, 21” $4,900, life--‐size $30,000 A mother and child begin as one and become two. That bond is never broken. Embrace captures that tender, delicate, pure and calm moment of togetherness. • H A R O L D L I N K E • T H E N A T I O N A L S C U L P T O R S ’ G U I L D • • 2 6 8 3 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • H A R O L D @ N A T I O N A L S C U L P T O R S G U I L D . C O M • 3B - 151 Running GirlHarold Linke and the National Sculptors’ Guild 2683 N Taft Avenue Loveland, CO 80538 970.667.2015 harold@nationalsculptorsguild.com3B - 152 New Girl3B - 153 Mountain Spell3B - 154 Girly Curl3B - 155 Novus Grande3B - 156 From Eden3B - 157 Aura3B - 158 White Magic3B - 159 Calla Lily3B - 160 Embrace3B - 161 EXPRESSION OF INTEREST Jane DeDecker I believe that art in public spaces has the power to create connections – both among people and between people and their environment. Public art opens community dialogue and creates channels for reflection. It is my hope that my artwork will echo the identity of this culturally rich and pulsating community. My approach to figurative sculpture is diversified into representational Americana or abstract Expressionist. Figurative sculpture can bring to life the best of mankind’s character, spirit of compassion and integrity. Many of my new works tell stories about heroes, role models and ourselves. I am so fortunate and honored to sculpt issues that describe our deepest values of family, simple freedoms and people who inspire us. Proposed designs for the Frank Edgar Cornish IV Park will reflect on the setting and activities of the site. Focusing on Health, Vitality, Family and Community, each passing of the sculpture shall fuel and regenerate the viewer The art shall emphasize positive interaction for families and friends and speak to multiple generations with universal appeal. It is my desire to work with the public art committee as a team to ensure a desirable addition to the site and its broader community. I have a long and successful history of public art placements across the nation. Recent projects are three unique placements for the Arkansas Children’s Hospital including a memorial portrait; multiple placements for roundabouts in the City of Southlake, Texas; "Dawn & Dusk" for Tamarac, Florida; "On the Count of Three" for Grand Junction and "Shadows Passing" for Anchorage, Alaska. I personally sculpt my work; the sculptures are then cast into museum-quality silicon bronze or aluminum. I utilize Madd Castings in Berthoud, Colorado and all other work involved for the sculpture is done in my Loveland, Colorado studio. Vibrant color is integrated when appropriate for site design needs. I have worked with the National Sculptors’ Guild as a Fellow for public art placements since 1994. Participating in projects with budgets ranging from $25,000 to $2.8 million. The team members on these projects have included architects, landscape architects, structural engineers, designers, city volunteers and staff. My affiliation with NSG affords me access to the expertise of nationally recognized professionals including structural engineers, architects and contractors for each project I am involved in. We coordinate with cities, municipalities, corporations and private institutions across the country to successfully enhance both indoor and outdoor venues with innovative artwork. Since 1992, the National Sculptors’ Guild has maintained a comprehensive insurance policy, and verifies ‘Certificate of Liability Insurance’ for each project that its artists undertake. Since 1992, NSG has placed over 450 significant public art 3B - 162 statements. Among the most significant was in November of 2004, when we were honored with the placement of three monumental bronzes along the Riverfront Park district of Little Rock, Arkansas, leading to the William Jefferson Clinton Presidential Center. Selected for their ability to fit the surrounding themes and landscape of the downtown area as well as complement the new Library and President Clinton's ideals of family, cultural diversity and looking to the future. Another significant commission was the creation the "Element Series Fountain" that depicts four female figures symbolizing Earth, Air, Water and Fire standing on the surface of a reflecting pool, for the City of Cerritos, California’s public sculpture garden. Thank you for this exciting opportunity to present my artwork for your public art project. I look forward to the possibility of working with you on this exciting project. - Jane DeDecker • J A N E D E D E C K E R •N A T I O N A L S C U L P T O R S ’ G U I L D • • 2683 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 80538 • 970.667.2015 • • J A N E @ N A T I O N A L S C U L P T O R S G U I LD.C O M • 3B - 163 JANE A. DEDECKER RESUME PERSONAL: Since 1988 Self-Employed Sculptor Loveland, CO Born August 30, 1961 Marengo, IA PROFESSIONAL MEMBERSHIPS: National Sculptors’ Guild, Fellow ‘96 Since 1994 National Sculpture Society, Fellow ‘07 Since 1998 EDUCATION: 1988-89 Battle Mountain Bronze Minturn, CO Assisted In Training New Apprentices Monument Production for Terry Kelsey, Forrest Hart, Glenna Goodacre 1987 Stone Carving Independent Study with Robert Game, Sculptor Canada 1983-88 5 Year Apprenticeship with George Lundeen, Sculptor Loveland, CO Learned All Techniques and Phases of Sculpture, Promoted To Master Craftsman in 2 Years Monument Assistant for Fritz White, Dan Ostermiller, Kent Ullberg 1984 Scottsdale Artists School, Jon Zahorek –Anatomy Course Scottsdale, AZ 1983 Gobelins School of Tapestry Paris, France 1982 Haystack Mountain School of Crafts Deer Isle, ME 1979-82 Attended University of Northern Colorado Greeley, CO MAJOR COMMISSIONS AND PLACEMENTS: 2015 “Sherlock Holmes” commission in-progress Edmond, OK 2014 “Early Explorers” McEuen Park Coeur d’Alene, ID “On the Count of Three” Pleasanton, CA “Tender Courage – St. Catherine” Mercy Hospital St. Louis, MO “Oceans to Fly – Amelia Earhart” Amelia Earhart Elementrary School Alameda, CA 2013 “Patty Cake”, Riverfront Park Little Rock, AR “Ties that Bind”, Riverfront Park Little Rock, AR “World to Teach” David Walsh Cancer Center Sterling, CO “Thorn” David Walsh Cancer Center Sterling, CO “Gentle Touch” David Walsh Cancer Center Sterling, CO “Stand by Me” David Walsh Cancer Center Sterling, CO “Kate” David Walsh Cancer Center Sterling, CO 2012 “Dawn & Dusk” Arkansas Children’s Hospital, Little Rock, AR “Field Dressing – Dr. Jackson Portrait” Arkansas Children’s Hospital Little Rock, AR 2011 “The Ties that Bind” City of Southlake Southlake, TX “Sentinels” Private commission of 5 children/fountain Little Rock, AR 2010-11 “Generations” & “On the Count of Three” City of Southlake Southlake, TX 2008-09 “Dawn & Dusk” City of Tamarac Tamarac, FL “Shadows Passing” Municipality of Anchorage Anchorage, AK “On the Count of Three” St. Mary’s Hospital Grand Junction, CO 2007 “Elements: Fire & Air” City of Cerritos Sculpture Garden Cerritos, CA “My Heart is in Your Hands” University of Michigan Cardiovascular Center Ann Arbor, MI “Da Mi Un Baccio” Hartford Development Loveland, CO 2006 “Elements: Earth & Water” City of Cerritos Sculpture Garden Cerritos, CA “Lords of the Forest” Sacramento Recycling Center Sacramento, CA “Ears of Joy” Recreation Center Entry Brighton, CO “Setting the Pace” Art for the Mountain Community Evergreen, CO 2005 “Lords of the Forest, Julie, Leaves of Grass” Recreation Center Entry Brighton, CO “The Sower”, Settlers Ridge, Kimball Hill Homes Chicago, IL 2004 “Emily Dickinson” Converse College Spartanburg, SC “Touch the Sky, Harriet Tubman & Anglers” Clinton Presidential Center Entry Little Rock AR “Family Tree” The Woodlands The Woodlands, TX “Earth” Arthur Blank Family Foundation Atlanta, GA “Sun Showers” City of Cerritos Cerritos, CA 2003 “Mentor” University of Mississippi Oxford, MS 2002 “Jungle Gym” Houston, TX “Can Can” Brookgreen Gardens Murells Inlet, SC “Family Tree” Private Collection, Beaver Creek, CO 2001 “Ties That Bind”, City of Iowa City Iowa City, IA “Galileo” & “Like Grandpa”, City of Thornton Thornton, CO “Touch the Sky”, City of Brighton Brighton, CO “Safehaven”, City of Honolulu Honolulu, HI 2000 “Ears of Joy”, City of Ames Ames, IA “New Heights”, Trammel-Crowe St. Louis, MO “Ears of Joy” Orchard Place Des Moines, IA 1999 “Anglers” Audubon Institute New Orleans, LA 1998 “A World To Teach”, Cranbrook Schools Bloomfield Hills, MI “Through The Shelter Of Love”, 7-Figures American Stores, Inc. Salt Lake City, UT 1996 “Ace”, City of Glendale Glendale, AZ 1995 “Snapshot” & “Jungle Gym”, City of Oxnard Oxnard, CA “Harriet Tubman”, Metro Phoenix Area Phoenix, AZ • THE NATIONAL SCULPTORS’ GUILD • JANE DEDECKER • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • DEDECKER @NATIONALSCULPTORSGUILD.COM • 3B - 164 1994 “Heartland Story”, City of Fort Lupton, Public Library Fort Lupton, CO “Jungle Gym”, City of Lakewood Lakewood, CO “Shortcut” Hammond Family Loveland, CO “Rapunzel”, Dr and Mr Clements Beverly Hills, CA 1993 “Mother’s Pearl” Madison, WI “Jungle Gym”, Casey General Store, Inc. Des Moines, IA 1992 “Snapshot”, Michael Jackson Los Angeles, CA “Albert Gallatin”, US National Park Service Friendship Hill, PA “The Little Reader”, Carden Academy Park City, UT “Ace”, Steve Buckner Loveland, CO 1991 “Over There”, President George Bush, Whitehouse Library Washington, DC “Cool Hand Luke”, Alan F. Fox Denver, CO 1990 “Secrets”, Mr & Mrs Bruce Weiner Dallas, TX “Overdue” Mr and Mrs. Eades for Loveland Public Library Loveland, CO “Keeping the Ball Rolling”, Benson Sculpture Park Loveland, CO Signature Piece for High Plains Art Council “Human Structure”, United Way Foundation National Organization DESIGN TEAM ASSOCIATES JK Designs, National Sculptors’ Guild, Project Management Loveland, CO Greg Hebert Landscape Architect, Landscape/Site Design San Diego, CO Gregory P. Luth & Associates, Structural Engineering Santa Clara, CA Advanced Aquatic Technology Inc., Fountain Engineering Orange, CA ACCOLADES: 2008 C.Percival Dietsch Prize for ‘Wind’, 75th annual National Sculpture Society New York, NY 2007 Margaret Hexen Priye Award: 74th Annual National Sculpture Society Exhibition, New York, NY 2002 Bronze Medal and Pietro & Alfrieda Montana Memorial Prize New York, NY National Sculpture Society 2001 Mrs. Louise Bennett Award, National Sculpture Society New York, NY 1999 Aggop Agopof Award, National Sculpture Society New York, NY 1997 Award of Excellence & Critics Choice Award, Kimball Art Museum Park City, UT 1994 Merit Award, Peachtree Art Show Atlanta, GA 1993 Mayors Purchase Award, Spring - Affair in the Gardens Beverly Hills, CA 1992 Best of Show, Spring - Affair in the Gardens Beverly Hills, CA Honorable Mention, Art Festival Atlanta, GA First Place in Sculpture, Fall – Affair in the Gardens Beverly Hills, CA MAJOR COLLECTIONS: The Clinton Presidential Center Little Rock, AR Art for the Mountain Community Evergreen, CO City of Cerritos Cerritos, CA Rochester Hills Public Library Rochester, MI Mr & Mrs Bob Cohen Beverly Hills, CA Sugar Ray Leonard Washington, DC Mr Arnold Schwarzenegger Los Angeles, CA Mr & Mrs Lucy Meepos Los Angeles, CA Dr & Mrs Bruce Weiner Dallas, TX Dr & Mrs Mitchell Komaiko Los Angeles, CA Mr & Mrs Richard Frank Malibu, CA Mr & Mrs Stephen Leff Chappaqua, NY Ted Gardner Santa Barbara, CA Mr & Mrs Alan Margolis Aspen, CO Mr & Mrs Ronald Klein Woodbury, NY Brandi Rogh, PhD Beverly Hills, CA Paul Heller & Susan Seeger Beverly Hills, CA Mr & Mrs Alan Fox Denver, CO Mr & Mrs David Plummer Bountiful, UT Brooke Roney Provo, UT Hap Bledsoe Wichita, KS Michael Francis Short Hills, NJ Michael Jackson Los Angeles, CA Dr. Frank Shellock Los Angeles, CA Ms. Sue Shellock Los Angeles, CA Mr & Mrs Ron Braveman Los Angeles, CA Mr & Mrs Lamberti Ankeny, IA • T HE N ATIONAL S CULPTORS’ G UILD • J ANE D E D ECKER • • 2683 N T AFT A VENUE • L OVELAND, C OLORADO 80538 • 970.667.2015 • • F AX 970.667.2068 • DEDECKER @NATIONALSCULPTORSGUILD.COM • 3B - 165 ANNOTATED IMAGE LIST Jane DeDecker & THE NATIONAL SCULPTORS’ GUILD # TITLE MEDIUM SCALE DATE SITE/BUDGET 01 Elements: Fountain2006-07, Cerritos Public Sculpture Garden, Cerritos, CA Wind Fire Earth Water Bronze 8ft x 16ft x 16ft©2004 $400,000 Commissioned site-specific fountain installation of Wind, Fire, Earth, Water. City of Cerritos, CA Public Sculpture Garden. Design Team included Jane DeDecker - Sculptor, John Kinkade – NSG Site Design, Advanced Aquatics, Inc. – Fountain 02 Dawn 2013, Arkansas Children’s Hospital, Little Rock, AR 2008, Community Center and Library pedestrian walk, Tamarac, FL Bronze & Powder Coated Steel 11ft x 4ft x 5ft©2008 $88,000 03 Dusk 2013, Arkansas Children’s Hospital, Little Rock, AR 2008, Community Center and Library pedestrian walk, Tamarac, FL Bronze & Powder Coated Steel 11ft x 6ft x 5ft©2008 $88,000 04 Setting the Pace 2005, Evergreen Fire Protection Headquarters, Evergreen, CO Bronze 16ft x 8.5ft x 3ft ©2005 $90,000 05 Ocean’s to Fly 2015, Amelia Earhart Elementary, Alameda, CA Amelia Earhart Bronze [in-progress] 1.25 lifesize©2014 $45,000 06 Emily Dickinson 2004, Converse College, Spartanburg, SC Bronze [site-specific] 1.5 lifesize ©2004 $275,000 07 Tender Courage 2014, St. John’s Plaza Mercy Hospital, St. Louis, MO Sister Catherine McAuley Bronze 7.5ft x 4ft x 4ft©2014 $120,000 08 On the Count of Three 2009, St. Mary’s Hospital, Grand Junction, CO & 2012, Southlake, TX Bronze 6.5ft x 13ft x 4ft ©2009 $60,000 09 New Heights 2000, Trammel-Crowe, St. Louis, MO Bronze 15ft x 7.5ft x 5ft ©2000 $160,000 10 Patty Cake2012, City of Southlake, TX & 2013, City of Little Rock, AR Bronze 4.5ft x 3ft x 2.5ft ©2012 $60,000 Commissions Gladly Accepted JANE DEDECKER • THE NATIONAL SCULPTORS’ GUILD • • 2 6 8 3 N TAFT AVENUE • LOVELAND, COLORADO 8 0 5 3 8 • NATIONALSCULPTORSGUILD.COM • • TEL9 7 0 . 6 6 7 . 2 0 1 5 • FAX9 7 0 . 6 6 7 . 2 0 6 8 • JANE@ NATIONALSCULPTORSGUILD.COM • 3B - 166 Jane DeDeckerNational Sculptors’ Guild2683 N Taft Ave., Loveland, CO 80538dedecker_team @ ationalsculptorsguild.com970.667.20153B - 167 untain3B - 168 3B - 169 3B - 170 ace3B - 171 rt3B - 172 on3B - 173 3B - 174 3B - 175 3B - 176 3B - 177 MARK LEICHLITER: LETTER OF INTEREST Frank Edgar Cornish IV Park – Southlake, TX I am very interested in developing an integrated artistic iconography for Southlake’s Frank Edgar Cornish IV Park. My goal is to create a welcoming aesthetic that will identify the new park and serve as a testament to its namesake, while forming a cohesive relationship with the existing architecture and urban environment of the surrounding neighborhood. My expertise in designing artworks for public places that are contextually relevant and approachable make me well suited for this task. For this project, I envision the creation of an iconic design to enhance this unique space and pay tribute to the legacy of Frank Edgar Cornish IV. Art elements should be simple yet bold, making them easy to recognize both physically and psychologically. Three-dimensional sculptural work will act to identify the park and welcome visitors with an approachable design that could also act as seating or a gathering place. This plan strikes a balance between the monuments of tradition and an environmentally-encompassing approach that will be ideal to address this project and enrich the surrounding downtown setting. With all of my work, I seek to unite the sculptural elements with the environment into which they are placed, creating an overall sense of cohesiveness within the project site. Many of my art placements are focused on the conveyance of metaphorical meanings that express natural themes, the human condition and interconnections between the two. I employ modern technologies and seek to use environmentally consistent materials and processes in the creation of my public artworks. These sustainable and technological aspects are important within the realm of artwork for public places, both in theme & practice. Computer aided design and rendering feature prominently in my work, facilitating the communication and refinement of design ideas with others. Each of my public art commissions has involved multiple disciplines and input from administrators, citizens, and other design/construction professionals. I have broad experience in working with design teams on large-scale municipal and corporate works. I firmly believe that public artworks demand the consideration of multiple points of view, diverse inputs, and compromise. I will work closely with the Southlake Arts Council and project planners to augment the vision of all involved in this ambitious project. Thank you for your consideration. I hope to work with you to create a fitting tribute for Frank Edgar Cornish IV Park and the Southlake Town Square. Mark Leichliter - Fort Collins, CO • MARK LEICHLITER • THE NATIONAL SCULPTORS’ GUILD • • 2683 N. T AFT A VENUE L OVELAND, CO 80538 • 970.667.2015 • • WWW.EXOCUBICSTUDIO.COM • MARK@ NATIONALSCULPTORSGUILD.COM • 3B - 178 MARK LEICHLITER – RÉSUMÉ 2683 North Taft Avenue Loveland, CO 80538 --- 970.667.2015 --- mark@nationalsculptorsguild.com BIOGRAPHICAL HIGHLIGHTS: 1994-present Full-Time Sculptor – Fort Collins, CO 1990-1994 Apprenticed Under Sculptor Kent Ullberg; Served as Production Manager, Specializing in Monumental Enlargements 1988-1990 Production Manager/Welder/Monument Assistant at Ostermiller Sculpture Studio 1966 Born in Loveland, Colorado MOST RECENT COMMISSIONS & PUBLIC ART PLACEMENTS: “First Lady” 7.5’high, Stainless Steel cost: $50,000 Harding University First Ladies Garden, 2015 Searcy, AR “Through the Looking Glass” 9’ high, Stainless Steel cost: $70,000 Riverfront Park, 2014 Little Rock, AR “HiveMind” 8.5’ high, Stainless Steel cost: $35,000 Poudre River Public Library, 2013 Fort Collins, CO “Growing Together” 10’ high, Stainless Steel (suspended) cost: $35,000 Poudre River Public Library, 2012 Fort Collins, CO “Spring Creek Flood Marker” 12’ high, Stainless Steel/Aluminum cost: $8,500 Creekside Park, 2012 Fort Collins, CO “WellSpring” 18’ high, Stainless Steel/Acrylic cost: $125,000 Adams County Government Building, 2011 Brighton, CO “Shields of Honor” 8’ high, Stainless Steel/LED Lighting cost: $14,000 Colorado State Patrol San Luis Valley Headquarters, 2010 Alamosa, CO “BookMobile” 18’high, Aluminum/Stainless Steel/ Rowlux Acrylic, cost: $37,000 Episcopal Collegiate School, 2009 Little Rock, AR “Norfolk Mermaid” 12’ long, Fabricated Stainless Steel, cost:$57,000 Town Point Park, 2009 Norfolk, VA “Water & Power” 25’ high, Powder Coated Steel/Landscape, cost: $175,000 City of Loveland’s Service Center Building, 2008 Loveland, CO “Together” 16’ high, Powder Coated Steel, cost: $75,000 Riverwalk Adventure Park - Fleischauer Garden, 2008 Little Rock, AR “Veterans’ Memorial Plaza” 1/2 Acre, Landscape/Hardscape Design, cost: $100,000 Paramount Veterans’ Memorial Park, 2007 Paramount, CA “Upholding” 14’ high, Stainless Steel/Marble, cost: $60,000 Paramount Veterans’ Memorial Park, 2007 Paramount, CA “Public Safety Memorial” 7’high 10’ wide, Stainless Steel/Stone, cost: $150,000 City of La Quinta police and firefighters’ memorial, 2005 La Quinta, CA “Encircling the Future” 16’ high, Powder Coated Steel, cost: $75,000 Little Rock National Airport, signature sculpture, 2004 Little Rock, AR "Tsunami” 14’ high 10' diameter, Bronze/Stainless Steel Fountain, cost: $200,000 City of Cerritos Library Park, 2002 Cerritos, CA "Solar Sails" 18' high, Powder Coated Steel, cost: $90,000 Entryway for the City of Paramount, 2002 Paramount, CA MAJOR PRIVATE & PUBLIC COLLECTIONS: Fort Collins Museum of Discovery, “Donor Mandala” 7.5’ dia., stainless steel Fort Collins, CO Private Collector Multiple Commissions, fabricated stainless steel, Rancho Santa Fe, CA Colorado Northwestern Community College “Pas de Deux” 8’h – s. steel, Craig, CO Paramount Sheriff’s Office “Mockingbird Mandala” 5’ dia. – s. steel, Paramount, CA North Central Michigan College “Interdependence” 4’h – p.c. steel, Petoskey, MI Lisa & Scott Kelley “Mockingbird Awnings” 8’w – aluminum, Boerne, TX Chris & Jack Harris “Duet” 6’h—powder coated steel, Santa Fe, NM Loveland Museum "Recognition Plaque" 6'h–collaborative relief, Loveland, CO Toal/Chambers "Spirit of Troy" 56"h – carved limestone, Oklahoma City, OK Private Collector "Inner Dance" 48"h – stainless steel, Oklahoma City, OK American Stores Inc. "Caballo" 27"h–carved cocobolo wood, Salt Lake City, UT 3B - 179 PROFESSIONAL MEMBERSHIPS: Since 1992 National Sculptors’ Guild Loveland, CO SELECT DESIGN TEAM PARTICIPANTS PAST & PRESENT: John Kinkade, National Sculptors’ Guild-Site Design/Installation Loveland, CO Greg Hebert, Landscape Architect - Landscape/Site Design San Diego, CA Gregory P. Luth & Associates - Structural Engineering Santa Clara, CA Advanced Aquatic Technology Inc. - Fountain Engineering Orange, CA SELECTED SOLO EXHIBITIONS: 2004 “Mark Leichliter-New Sculptures”, Columbine Galleries; Santa Fe, NM 1993-99 "Open House-Mark Leichliter", Grapevine Gallery; Oklahoma City, OK 1991, 92 "Mark Leichliter-Sculptor", First Federal Savings Bank; Loveland, CO SELECTED GROUP EXHIBITIONS: 2015 Colorado Governor’s Show – Award of Merit for ‘Meme’ Loveland Museum/Gallery Loveland, CO 1992-2015 Annual National Sculptors’ Guild Exhibition Columbine Galleries; Loveland, CO 2007-2015 Sculpture at the River Market Show & Sale River Market Pavilions; Little Rock, AR 2000 "In Search of the Autonomous Self" – Three Artist Show Columbine Galleries; Santa Fe, NM 1991-94, 97 "Sculpture in the Park" – National Juried Exhibition High Plains Art Council; Loveland, CO PROFESSIONAL REFERENCES:  Adams County, Colorado Robert Grant, Chairman - Adams County Visual Arts Commission 1810 Southern St., Brighton, CO 80601 rsgrant@msn.com 303.902.0586 “WellSpring” 2011, Adams County Government Building Southeast Entry – Brighton, CO  City of Loveland, Colorado Susan Ison, Cultural Services Director 503 North Lincoln Avenue Loveland, CO 80537 Susan.Ison@cityofloveland.org 970.962.2411 “Water & Power” 2008, Signature Sculptures & Hardscape - Loveland Service Center  City of Little Rock, Arkansas Dr. Dean Kumpuris, Board Member 417 North University Avenue Little Rock, AR 72205 dkumpuris@me.com 501.607.2253 “Through the Looking Glass” 2014, Riverfront Park “Together” 2008, Riverfront Adventure Park “Encircling the Future” 2004, Little Rock National Airport - Signature Sculpture  City of Paramount, California John Moreno, City Manager 16400 Colorado Avenue Paramount, CA 90723-5012 jmoreno@paramountcity.com 562.220.2222 “Mockingbird Mandala” 2011, Wall relief for new Sheriff’s Office “Upholding” & “Veterans’ Memorial Plaza” 2007, Memorial sculpture & park enhancements “Solar Sails” 2002, Entryway to City of Paramount • M ARK L EICHLITER • THE N ATIONAL S CULPTORS’ G UILD • • 2683 N T AFT A VENUE • L OVELAND, C OLORADO 80538 • 970.667.2015 • • WWW.EXOCUBICSTUDIO.COM • MARK@ NATIONALSCULPTORSGUILD.COM • 3B - 180 MARK LEICHLITER: Image Annotation mark@nationalsculptorsguild.com --- 970-667-2015 # TITLE/LOCATION/DESCRIPTION MEDIUM DATE DIMENSIONS/BUDGET 01 Wellspring Stainless Steel/Acrylic ©2011 18.5’H 5'W 2.5’D Adams County Government Building – Brighton, CO $125,000 This sculpture’s irregular rectangular frame takes the shape of Adams County, the grass-like blades paying homage to the former prairie land. The circular elements denote the area’s center-point crop irrigation as well as drivers’ wheels and wedding rings – a reference to the Clerk & Recorder’s office. 02 Through the Looking Glass [2 views] Stainless Steel ©2014 9’H 12’W 3’D Riverfront Park – Little Rock, AR $70,000 Privately commissioned to commemorate the life of a popular judge, this sculpture speaks to the importance of community and one’s inclusion in it. The interactive visual impact of the sculpture has to do with perception and the play of light on polished surfaces, while the hexagonal elements are reminiscent of chemical bonds or a bee’s honeycomb, referring to the theme of societal connections. 03 Water & Power Steel/Landscape ©2008 25’H 65’W 40’D Service Center Building – Loveland, CO $175,000 Commissioned by the City of Loveland, CO as a signature placement for the City’s Department of Water & Power. The iconic symbols representing water and power help identify the building and its services to the community. Artistic planting beds & plants complete the installation. 04 Veteran’s Memorial Plaza Landscape/Hardscape & Upholding Stainless Steel/Marble ©2007 14’H and 1/2 acre Veterans’ Memorial Plaza - Paramount, CA $160,000 Commissioned by the City of Paramount to design a memorial sculpture (“Upholding”), three Honor Walls listing the names of Paramount Veterans lost in WWII, Korea & Vietnam and other enhancements for the existing plaza in collaboration with a local landscape architect. 05 Upholding [detail] Stainless Steel/Marble ©2007 14’H 4’W 4’D Veterans’ Memorial Plaza - Paramount, CA $60,000 Commissioned by the City of Paramount as a veterans’ memorial sculpture, this artwork consists of five stainless steel uprights; one for each branch of the military, which support a white marble sphere. Cut from the uprights is a silhouette of a soldier at parade rest, symbolizing the memory of those who fought for our country 06 Encircling the Future Powder Coated Steel ©2004 16’H 10’W 3’D Bill & Hillary Clinton National Airport – Little Rock, AR $75,000 Commissioned by the City of Little Rock as the airport’s signature sculpture 07 Tsunami Fountain Stainless Steel/Bronze ©2002 14’H 10’W 10’D Cerritos Library Park – Cerritos, CA $200,000 Commissioned by the City of Cerritos, California’s Library Park, this sculpture was designed to complement the city’s new library renovation. 08 Solar Sails Powder Coated Steel ©2002 18’H 36’W 3.5’D West gateway of Paramount, CA $90,000 Commissioned by the City of Paramount as a vibrant and welcoming entryway artwork for a narrow traffic median. The piece implies movement, but without any actual kinetic elements, as they would be difficult to maintain in this setting. 09 Norfolk Mermaid Stainless Steel ©2009 10’H 12’W 3’D 3B - 181 Town Point Park – Norfolk, VA $57,000 Commissioned by the City of Norfolk’s Communications Department to celebrate the redevelopment of the downtown’s Town Point Park along the banks of the Elizabeth River 10 HiveMind Stainless Steel ©2013 9.5’H 4’W 10”D Poudre River Public Library - Fort Collins, CO $35,000 Commissioned for the exterior of the Poudre River Public Library, this sculpture takes the form of a honeycomb symbolizing our reliance upon institutions like the Library that enable and encourage community growth. 3B - 182 MARK LEICHLITER THE NATIO NAL SCULPTO RS’ G UILD 2683 North Taft Avenue Loveland, CO 80538 970-667-2015 mark@nationalsculptorsguild.com 3B - 183 WellSpring 3B - 184 Through the Looking Glass [two views] 3B - 185 Water & Power 3B - 186 Veterans Memorial Plaza & Upholding 3B - 187 Upholding 3B - 188 Encircling the Future 3B - 189 Tsunami Fountain 3B - 190 Solar Sails 3B - 191 The Norfolk Mermaid 3B - 192 HiveMind 3B - 193 Artist Statement MICHAEL WARRICK/National Sculptors’ Guild I am pleased to submit my qualifications to your committee for the art placement in the Frank Cornish Park. I am interested in creating a distinctive, original sculpture that engages the public imagination and is thoughtfully integrated within the surroundings. My broad ranging experience in historical and experiential public art, university consulting and figurative sculpture uniquely qualify me for this public art project. The common threads that weave through all of these projects are creative design solutions, attention to detail and maximizing available funding and ensuring client satisfaction. My credentials within the realm of public art are diverse, spanning over two decades in the public schools, parks, libraries, neighborhood associations, university buildings, corporate settings and national parks. Two recent public art concept commissions that I have developed are for the University of Arkansas at Little Rock and a local neighborhood association in partnership with the City of Little Rock. I also have extensive collaborative experience in creating aesthetic solutions for public spaces. The Dr. Martin Luther King, Jr. Drive Gateway and Streetscape Proposal were design team efforts between myself and landscape architect John Beneke of Little Rock. This project produced conceptual designs for five gateway intersections and a two-mile long streetscape. Concepts for the project included sidewalks, intersections, benches, lighting, bus stops/shelters, electronic kiosks, sculpture and fountains. Other examples of team efforts include the creation of the National Park Service’s Central High Commemorative Garden in Little Rock, dedicated in 2001. Intimately tied to the community and architectural history of its site, Transcendence appropriates designs from the historic school building, located across the street, to provide unity and continuity. This civil rights monument is regularly visited by guests to our community and national tour groups. As a Fellow of the National Sculptors' Guild since 2008 having participated in art projects with budgets ranging from $15,000 to over $500,000, my connection with NSG saves me the time, energy and money to obtain administrative and professional services that are instead shared by the membership. Their expertise and experience in the placements of over 450 monumental public art placements since 1992 serves as a reassurance that the artwork I design and fabricate is beautifully integrated into the site and safely placed. NSG maintains a comprehensive insurance policy, for each project and oversees the project management from site design to installation. Thank you for your kind consideration. Michael Warrick - Sculptor • M I C H A E L W A R R I C K • T H E N A T I O N A L S CUL P T O R S ’ G U I L D • • 26 83 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 80 538 • 97 0.6 67. 201 5 • M I C H A E L @ N A T I O N A L S C U L P T O R S G U I LD.C O M • 3B - 194 MICHAEL WARRICK EDUCATION: 1983 Master of Fine Arts, Southern Illinois University, Edwardsville, IL: Double Major in Sculpture and Ceramics 1977 Bachelor of Science, Illinois State University, Normal, IL: Ceramics Major TEACHING EXPERIENCE (selected) 1990-14 Professor w/ Tenure, University of Arkansas, Little Rock, AR 1987-90 Assistant Professor, South Dakota State University, Brookings, SD 1984 Visiting Instructor, University of Maine, Augusta, ME 1983 Adjunct Instructor, Tarkio College, Tarkio, MO FELLOWSHIPS, GRANTS AND AWARDS (selected) 2009 Award for Outstanding Artistic Achievement, Southeastern College Art Conference, Chapel Hill, NC Summer Research Fellowship, University of Arkansas, Little Rock, AR 1999 Artist-In-Residence Fellowship, NEA, New York, NY/Ragdale Foundation, Lake Forest, IL 1996 Visual Arts Fellowship, Arkansas Arts Council, Little Rock, AR 1995 Visual Arts Grant, Southeastern College Art Conference, Chapel Hill, NC 1992 Artist Grant, Sushi Inc., San Diego, CA/Flintridge Foundation, Pasadena, CA 1989 Artist Grant, Connemara Conservancy Foundation, Dallas, TX 1988 Project Grant, South Dakota Arts Council/Civic Fine Arts Center, Sioux Falls, SD 1987-88 Artist Grant, Pollack-Krasner Foundation, New York, NY Artist Grant, Art Matters, Inc., New York, NY 1987 Project Grant, Nebraska Arts Council/Doane College, Lincoln, NE 1985 Project Grant, New Harmony Gallery of Art/NEA/IAC, New Harmony, IN Project Grant, West End Neighborhood Arts Council, St. Louis, MO MAJOR PUBLIC COMMISSIONS Central Arkansas Library System, 100 Year Celebration Sculpture, Little Rock, AR, 7/15/11-1/15/12, $45,000 UAMS Winthrop P. Rockefeller Cancer Institute, Little Rock, AR, 9/10-3/11, $23,000 UAMS Winthrop P. Rockefeller Cancer Institute, Little Rock, AR, 1/10-7/10, $19,000 Bernice Garden, Little Rock, AR, 10/09, bronze, limestone, $8,200 Central Arkansas Library System, Vernon Johnson Memorial, Little Rock, AR, 3/1/09-5/1/09, limestone, $5,000 Donald W. Reynolds YMCA, Warren, AR 1/5/06-5/1/06: Mobile of suspended cast bronze pine and oak branches, $10,000 The Grape Vine, New Orleans, LA, 3/06-4/06: Wall Relief of forged copper leaves and vines, $3,500 Arkansas Arts Council, Governors Award, Little Rock, AR, 10/04-1/05: edition of 9 cast bronze vessels, $900 UALR 75th Year Celebration Plaza and Arch/Carillon Proposal, University of Arkansas at Little Rock, 11/01-9/02. Project: Designed, built model and developed proposal for “Celebration Plaza,” $20,000 Dr. Martin Luther King Jr. Drive Gateway and Streetscape Proposal, Coalition of Dr. Martin Luther King, Jr. Drive Neighborhoods, Inc in partnership with the city of Little Rock, 10/01-5/02: Concept design work included sidewalks, intersections, benches, lighting, bus stops, electronic kiosks, sculpture and fountains, $7,000 Central High Commemorative Garden, National Park Service Central High Museum, Inc., Little Rock, AR, 2/01-9/01: stainless steel, concrete, pre-cast concrete, Lexan plastic, brick, $98,000 Ozark Woodland Sculpture Park, Huntsville, AR and the University of the Ozarks, Clarksville, TN, 6/01: corten steel, $8,000 Maumelle Public Library, Maumelle, AR, 5/97-10/97: cast and fabricated bronze, $5,000 Hicks Law Firm, Little Rock, AR, 6/94, 12/94: marble and steel, granite and wood table series, $5,000 Ron Clark, Little Rock, AR, 5/94: painted wood low relief, $4,500 Brookings Area Arts Council, Larson Park, Brookings, SD, 9/89-5/90: polished concrete, plant life, $15,000 Connemara Conservancy Foundation, Plano, TX, 3/89-6/89: wood, $2,000 South Dakota State University College of Engineering, Brookings, SD, 8/89-1/89: aluminum, bronze, $1,000 Decatur Park District, Fairview Park, Decatur, IL, 6/87-8/87: stone, plant life - environmental, $5,000 Artpark, Lewiston, NY, 7/86: wood, 8/85-9/85: wood, adobe and ceramic, $2,500 Vivace/Maryland Plaza Outdoor Sculpture, St. Louis, MO, 3/85-4/85: wood, stone, adobe and ceramic, $2,400 Spitznagel Architects, Sioux Falls, SD, 8/89: brass, aluminum, ebony, $1,500 Burning Feet Dance Company, St. Louis, MO, 2/89: mixed media set design, $5,000 Doane College, Crete, NE, ‘87: ceramic wall relief, $5,000 Craft Alliance Center, St. Louis, MO, ‘86: ceramic wall relief, $17,000 • MICHAEL WARRICK • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • FAX970.667.2068 • MICHAEL@ NATIONALSCULPTORSGUILD.COM • 3B - 195 DESIGN TEAM PROJECTS Mickie Grove Park and Zoo Asian Odyssey Exhibit with Mesa Landscape Architects of Little Rock and Kathy Kelly Graphics of Memphis. Developed conceptual drawings for a Tibetan style prayer wheel for an interactive educational exhibit, 6/07-7/07. Tour Texarkana Concept with Mesa Landscape Architects of Little Rock. Developed three dimensional signage studies for two highway advertisements, 5/07-6/07. Sculptural Shelter Concept for Ronald McDonald House in Chicago with MESA Landscape Architects of Little Rock. Developed conceptual drawings of a sculptural shelter with the following criteria: cover the main driveway entry for the residence, create a bench cover, allow vines to grow on the structure, surround a honeysuckle tree. Dr. Martin Luther King Jr. Drive Gateway and Streetscape with Landscape Architect John Beneke. Project was commissioned by the Coalition of Dr. Martin Luther King, Jr. Drive Neighborhoods, Inc in partnership with the city of Little Rock, 10/01-5/02. Developed conceptual designs for five gateway intersections and a streetscape for a two mile long portion of Dr. Martin Luther King Jr. Drive in Little Rock. Concept design work included sidewalks, intersections, benches, lighting, bus stops, electronic kiosks, sculpture and fountains. Central High Commemorative Garden, with Aaron P. Hussey and Mesa Landscape Architects of Little Rock. Project was commissioned by the National Park Service Central High Museum, Inc., Little Rock, AR, 2/01-9/01. Project: Design and production of commemorative garden to honor the “Spirit of Central High.” Design work included walkways, retaining walls, landscaping, plaza, lighting and sculpture in stainless steel, concrete, pre-cast concrete, Lexan plastic, brick. INTERNATIONAL COLLECTIONS International Sister City Sculpture Park, Changchun, China, 6.5' x 6.5' x 9.5' bronze bust of "Visionary" International Sculpture Park, Changchun, China, 9.5' x 4' x 15' granite composition "Conversation" International Sculpture Museum, Changchun, China, bronze bust model (18" x 18" x 2') of "Visionary" COLLECTIONS National Park Service, Central High Museum, Little Rock, AR Craft Alliance Center, St. Louis, MO UAMS W. P. Rockefeller Cancer Institute, Little Rock, AR South Dakota Art Museum, Brookings, SD Donald W. Reynolds YMCA, Warren, AR Maumelle Public Library, Maumelle, AR University of South Dakota, Vermillion, SD Gary Arts League, Gary, IN Brookings Park District, Brookings, SD Civic Fine Arts Center, Sioux Falls, SD Churchill Junior High, Galesburg, IL Milliken University, Decatur, IL South Dakota State University, Brookings, SD Tarkio College, Tarkio, MO Eastern Illinois University, Charleston, IL Decatur Park District, Decatur, IL Southern Illinois University, Edwardsville, IL University of Maine, Augusta, ME University of Arkansas, Little Rock, AR Arts and Sciences Center, Pine Bluff, AR Minneapolis Institute of Art, Minneapolis, MN Arkansas Arts Center, Little Rock, AR Continental Baking, St. Louis, MO John and Robyn Horn, Little Rock, AR Gould & Ratner, Chicago, IL Marion Fulk, Little Rock, AR Marsh & McLennan, St. Louis, MO Burning Feet Dance Company, St. Louis, MO North Central Heart, Ltd., Sioux Falls, SD Spitznagel Architects, Sioux Falls, SD Dr. Norman Gambill, Brookings, SD Laubhuel Private Collection, Memphis, TN Hicks Law Firm, Little Rock, AR Giroir & Gregory, Little Rock, AR Ron and Martha Clark, Little Rock, AR Mid-American Dance Company, St. Louis, MO Little Rock Convention Center, Little Rock, AR Doane College, Crete, NE Historic Arkansas Museum, Little Rock, AR Deaf Cultural Center, Olathe, KS Central Arkansas Library System, Little Rock, AR Bernice Garden, Little Rock, AR Vogel-Schwartz Sculpture Garden, Little Rock, AR Turchin Center for the Visual Arts, Boone, NC Winthrop Rockefeller Institute, Morrilton, AR • MICHAEL WARRICK • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • FAX970.667.2068 • MICHAEL@ NATIONALSCULPTORSGUILD.COM • 3B - 196 IMAGE ANNOTATION Michael Warrick & THE NATIONAL SCULPTORS’ GUILD # TITLE MEDIUM SCALE DATE SITE/BUDGET 01 Transcendence Central High Commemorative Garden, National Park Service - Little Rock, AR Concrete/Stainless Steel/Lexan/Brick/Vegetation 16’ x 150’ x 150’ ©2001 $97,000 An historical collage/photo essay of the history of Central High School including the 1957 integration of the "Little Rock 9" African American students who are also represented by nine benches and nine trees in honor of those brave students. Collaboration with Aaron P. Hussey and Mesa Landscape Architects, this project was commissioned by the National Park Service & Central High Museum of Little Rock, AR to honor the “Spirit of Central High.” 02 Seeds of Hope Winthrop P. Rockefeller Cancer Institute, U of Arkansas Medical School – Little Rock, AR Turkish Marble 4’ x 4’ x 2’ ©2011 $20,000 The piece serves as a vessel for receiving small, leaf-like tokens placed into the vessel by newly cancer-free patients as they leave the center. The increasing number of tokens provides tangible hope to the new patients beginning their treatments. 03 Meditation Bronze 5.5ft x5ft ©2014 $80,000 (study shown, ) 04 Transformation University of Arkansas Medical Science Translational Research Center – Little Rock, AR Bronze/Marble 39x25x17” ©2011 $23,000 05 Visionaries Ozark Woodland Sculpture Garden, Huntsville, AR Corten Steel 14’ x 12’ x 21’ ©2007 $15,000 Installed at the Ozark Woodland Sculpture Garden in Huntsville, AR, this sculpture refers to mankind's great thinkers while also speaking to the limitations of their ideas. 06 Sanctuary Larson Park - Brookings, SD Concrete/Vegetation 12’ x 31’ x 41’ ©1990 $15,000 Commissioned by the Brookings Area Arts Council, this sculptural placement was created to instill a sense of calm reflection. It is located at Larson Park in the Town of Brookings, South Dakota. 07 Visionary International Sister City Sculpture Park, Changchun, China unique Bronze 6ft x 6ft x 9ft ©2008 $80,000 Sculpted as part of a Visiting Artist Series, this sculpture is permanently placed at the International Sister City Sculpture Park in Changchun, China. 08 With/Without Temporary Exhibit Downtown Kingsport, TN Bronze/Corten Steel 8’x 2’x 2’ ©2008 $1,000 stipend Exhibited in an Art on Loan program. 09 The Speech Bronze/Corten Steel 8ft x 4ft x 2ft ©2011 • M I C H A E L W A R R I C K • T H E N A T I O N A L S C U L P T O RS’ G U I L D • • 2683 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 80538 • 970.667.2015 • • F A X 970.667.2068 • M I C H A E L @ N A T I O N A L S C U L P T O R S G U I LD.C O M • 3B - 197 $21,000 10 Connections Maumelle Library - Maumelle, AR Bronze 6’ x 1.5’ x 1.5’ ©1997 $7,500 Commissioned for the Maumelle Public Library in Maumelle, AR. This sculpture highlights the links between people and their environment found in the pages of books. 3B - 198 Michael WarrickNational Sculptors’ Guild 2683 N Taft Avenue, Loveland, CO 80538 970.667.2015 michael@nationalsculptorsguild.com3B - 199 Transcendence3B - 200 Seeds of Hope3B - 201 Meditation3B - 202 Transformation3B - 203 Visionaries3B - 204 Sanctuary3B - 205 Visionary3B - 206 With/Without3B - 207 The Speech3B - 208 Connections3B - 209 L E T T E R O F I N T E R E S T S A N D Y S C O T T I am most enticed by the mood created by the gorgeous architectural features within the Cornish Park. Utilizing such design elements respectfully honor history in a contemporary context is precisely my interest in this placement. I love to incorporate old-world elements with my bronze sculptures. I can envision my work complementing the park design and architecture well, as well as reflect the park’s role of the community’s quality of life. My work features a loose and impressionistic style, which captures my subjects’ dynamic sense of motion. I believe this is what gives my sculptures their beauty while still retaining their wild character. My specialty and expertise is the creation bronze wildlife sculptures. I spend a great deal of time in the field observing and studying each of the subjects that I sculpt with the majority of my subjects being indigenous to North America. Among professional accolades, I have been honored to be elected to the Board of Trustees of Brookgreen Gardens in Murrells Inlet, South Carolina. Brookgreen Gardens is a National Historic Landmark with the most significant collection of American figurative sculpture in an outdoor setting; The Briscoe Western Art Museum, honored me this Spring, with the Briscoe Legacy Award for lifetime achievement in recognition of contributions to the art of the west. In 1998, a book about my work, artistic philosophy and sculpting methods entitled “Spirit of the Wild Things” was published and the Gilcrease Museum in Tulsa, Oklahoma honored me with a major retrospective exhibition during their Rendezvous '98. As a Fellow of the National Sculptors’ Guild I approach all of my larger projects in a design team mode in which I serve as lead artist working with JK Designs’ designers. Shared resources saves me time, energy and money that can better be spent on the artwork itself, and our team works closely with me and the client to ensure my vision is actualized and is a sound placement that all are proud of. Calling upon each commission for direction of subject and message, I utilize clay sketches and drawings to explore and share concepts for critique and refinement. Each project includes consideration of the subject, site, scale, material, engineering and patina. As a result we rely upon architects, landscape architects, structural engineers and project representatives for their input. NSG assists in the coordination of this information as project manager. Working with JK Designs affords me access to the expertise of nationally recognized professionals that have proven accountability and experience, allowing me to focus my energy on the artwork. Through the National Sculptors’ Guild, I have completed many larger-than- life monuments for public placement with budgets ranging from $30,000 to $2.8 million. Each have included design team efforts, with the teams being made up of members including architects and landscape architects, structural engineers, designers, contractors and community members. With over 20 years of experience placing over 450 significant public artworks with cities, municipalities, corporations and private institutions across the country within budgets ranging from $25,000 to $2.8 million they maintain comprehensive insurance covering $2 million on each project. 3B - 210 Among my significant public placements, I was commissioned to create a monumental placement of a bald eagle for the entrance of a mixed-use district in Brighton, Colorado. The bronze sculpture, Noble Eagle, Spirit of America features a 19-foot wingspan and was placed atop a huge earthen berm. The overall budget for this project was $1.7 million and includes rock outcropping, stone walls, waterfalls, streams and pools. The eagle can be seen from miles away including from airplanes landing at DIA. In 2004, two of my larger-than-life sculptures were placed in Little Rock, Arkansas. The River Market Pig has become a mascot for the newly renovated market area in downtown Little Rock and Eagle of the Rock serves as an impressive and inspirational greeting to drivers and pedestrians as they approach the Clinton Presidential Center and Library. Thank you for your consideration. I look forward to the opportunity of working with the Art Committee on the creation of a successful public art placement. -Sandy Scott • S A N D Y S C O T T • T H E N A T I O N A L S C U L P T O R S ’ G U I L D • • 2683 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 80538 • 970.667.2015 • • S A N D Y @ N A T I O N A L S C U L P T O R S G U I LD.C O M • 3B - 211 S ANDY S COTT PROFESSIONAL RESUME BIOGRAPHY: 1982- Present Full-Time Sculptor, specializing in monumental-scale work Lander, WY 1963-1982 Worked As Portrait Artist, Printmaker and Illustrator CA, HI, TX, CO 1961-62 Attended Kansas City Art Institute Kansas City, MO 1943 Born Dubuque, IA LECTURES AND WORKSHOPS: Annually “Bird Anatomy and Sculpture”, Brookgreen Sculpture Garden Murrells Inlet, SC 2001 “Bird Anatomy and Sculpture”, Columbine Galleries Santa Fe, NM Since 1995 Teaching Staff, Fechin Institute Taos, NM Since 1992 Teaching Staff, Sculpture Depot Loveland, CO MAJOR PUBLIC AND PRIVATE COLLECTIONS: Briscoe Western Art Museum – Equus Found and Briscoe Bison San Antonio, TX Clinton Presidential Center Entry – Eagle of the Rock, River Market Pig Little Rock, AR National Museum of Wildlife Art – Presidential Eagle, Moose Flats Jackson Hole, WY Prairie Center Commercial Development – Prairie Center Eagle Monument Brighton, CO Brookgreen Gardens- Peace Fountain, Eat More Beef, Presidential Eagle Murrells Inlet, SC University of Louisiana/Monroe – ULM Hawk Monroe, LA Colorado State University – Above Treeline Monument Fort Collins, CO City of Albuquerque– Las Palomas Fountain Albuquerque, NM City of Avon – Rites of Passage Avon, CO City of Blackhawk – Blackhawk Monuments Blackhawk, CO City of Cerritos – Fountain of the Rainforest Cerritos, CA City of Fort Collins, DDA – The Spirit of Wild Things Fort Collins, CO Michael and Peggy duPont Olympia, WA Peabody Hotel Little Rock, AR El Paso Zoo El Paso, TX President and Mrs. Gerald Ford Beaver Creek, CO Ford Family Grosse Point Farms, MI Gilcrease Museum Tulsa, OK Frank and Kathie Lee Gifford West Hartford, CT Grand Canyon Airport Grand Canyon, AZ Hillsdale College Hillsdale, MI Bobby and Joanie Holt Midland, TX Hubbard Collection, 1990 Commission – Equestrian Fountain Ruidoso, NM Fred Meijer Collection Detroit, MI Gerald and Shannon Michaud Derby, KS Miramichi Salmon Museum New Brunswick, Canada Museum of Arts And Crafts San Antonio, TX Mustang Oil Corporation Oklahoma City, OK Opryland Hotel Nashville, TN National Cowboy Hall of Fame, 1978 Commission – Suite of Etchings Oklahoma City, OK National Wildlife Art Museum Jackson, WY RW Norton Museum Shreveport, LA Ritz Carlton Hotel Aspen, CO Arnold Schwarzenegger Los Angeles, CA William Shatner Los Angeles, CA Trammell Crow Corporation Chicago, IL United States Military Academy – Peace Fountain West Point, NY University Of Texas, Law School Houston, TX PROFESSIONAL MEMBERSHIPS: Since 1985 Fellow, American Artist’s Professional League New York, NY Since 1988 Catherine Lorillard Wolfe Art Club New York, NY Since 1995 National Sculptors’ Guild Loveland, CO Since 1986 New York Pen and Brush New York, NY Since 1986 Northwest Rendezvous Group Helena, MT Since 1985 Society of Animal Artists New York, NY • S ANDY S COTT • T HE N ATIONAL S CULPTORS’ G UILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • WWW.NATIONALSCULPTORSGUILD.COM • SANDY@ NATIONALSCULPTORSGUILD.COM • 3B - 212 SELECTED EXHIBITIONS: 2014 Night of Artists Art Sale & Exhibition, Briscoe Museum of Western Art San Antonio, TX 2007-12 Sculpture at the River Market Invitational Show & Sale Little Rock, AR 2002-13 Prix De West Invitational, National Cowboy Hall of Fame Oklahoma City, OK 1995-13 Annual National Sculptors’ Guild Exhibition, Columbine Galleries Loveland, CO 2000 National Museum of Wildlife Art Show Jackson, WY 1999-2000 Governor’s Invitational Western Art Show, Cheyenne Frontier Days Cheyenne, WY Colorado Governor’s Invitational Loveland, CO Solo – Show, the Natural World Observed, Lindsey Wildlife Museum Walnut Creek, CA Prix De West Invitational, National Cowboy Hall of Fame Oklahoma City, OK 1999-2000 Solo – Show National Wildlife Museum of Art Jackson, WY 1998 Retrospective Exhibition, Gilcrease Museum Tulsa, OK 1996-98 Governor’s Invitational Western Art Show, Cheyenne Frontier Days Cheyenne, WY Colorado Governor’s Invitational Loveland, CO Prix De West Invitational, National Wildlife Museum Art Show Jackson, WY 1996 Sculpture in the Park, International Juried Exhibition Loveland, CO 1994-95 Governor’s Invitational Western Art Show, Cheyenne Frontier Days Cheyenne, WY Colorado Governor’s Invitational Loveland, CO Sculpture in the Park, International Juried Exhibition Loveland, CO Prix De West Invitational, National Cowboy Hall of Fame Oklahoma, City, OK National Wildlife Museum Invitational Jackson, WY 1994 Guest Artist, National Academy Of Western Art Oklahoma City, OK Artists of America Show Denver, CO 1993 Guest Artist, American Women Artists & the West, Tucson Museum Of Art Tucson, AZ National Wildlife Museum Invitational Art Show Jackson, WY Artists of America Show Denver, CO 1992-93 Governor’s Invitational Western Art Show, Cheyenne Frontier Days Cheyenne, WY Colorado Governor’s Invitational Loveland, CO Guest Artist, National Academy of Western Art Oklahoma City, OK Guest Artist, National Wildlife Museum Invitational Art Show Jackson, WY 1990-91 Guest Artist, National Academy of Western Art Oklahoma City, OK 1988 Solo – Show, Sculpture, Pen and Brush New York, NY 1986 National Academy of Design, Juried Exhibition New York, NY 1985 Guest Artist, National Academy of Western Art Oklahoma City, OK 1984 National Academy of Design, Juried Exhibition New York, NY 1982-83 American Artists Professional League, National Juried Exhibition New York, NY 1978 Solo – Show, Etchings, National Cowboy Hall of Fame Oklahoma City, OK SELECTED HONORS AND AWARDS: 2014 Briscoe Legacy Award, Briscoe Museum of Western Art San Antonio, TX 2000 Gold Medal for Sculpture, American Artist Professional League New York, NY 1999 Named Fellow, the American Artists Professional League New York, NY 1996 Editors’ Choice: 9 Dream Collections. October Issue Southwest Art Magazine 1995 Selected For Membership, National Sculptors’ Guild Loveland, CO 1992 Gold Medal for Sculpture, National Academy of Western Art Oklahoma City, OK 1991 Hubbard Art Award For Excellence, National Academy Of Western Art Oklahoma City, OK Award for Sculpture, American Professional Artists League New York, NY 1988 Ellen P. Speyer Prize – Mallard Duet, National Academy of Design New York, NY Selected For Membership, Catherine Lorillard Wolfe Art Club New York, NY 1986 Selected For Membership Pen and Brush New York, NY 1985 Selected For Membership Society of Animal Artists & Am. Artists Professional League 1984 Prize for Sculpture, Knickerbockers & Pen and Brush Artists New York, NY 1983 Prize for Sculpture, Allied Artists of America New York, NY 1982 Prize for Sculpture – Fantail Pigeon, Amer. Artists Professional League New York, NY Anna Hyatt Huntington Award, Catherine Lorillard Wolfe Art Club New York, NY SELECTED PUBLICATIONS: 2010 Jul Cover, Sleepy Fox - Article, “Capturing the Spirit of Animals” Southwest Art 1998 “Spirit of the Wild Things, the Art of Sandy Scott” Stony Brooks Art Press 1997 Jul Cover, Eat More Beef Wildlife Art Magazine Article, “Explosive Grace: The Sculpture of Sandy Scott” Wildlife Art Magazine • S ANDY S COTT • T HE N ATIONAL S CULPTORS’ G UILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • WWW.NATIONALSCULPTORSGUILD.COM • SANDY@ NATIONALSCULPTORSGUILD.COM • 3B - 213 I M A G E A N N O T A T I O N S A N D Y S C O T T TITLE MEDIUM DATE DIMENSION SITE/BUDGET 1 Presidential Eagle 2005, Entry to the Clinton Presidential Center, Little Rock, AR Bronze ©2004 8’5”x10’2”x6’8” $90,000 2 Briscoe Bison2014, Site-Specific Briscoe Western Art Museum, San Antonio, TX 1/1 Bronze ©2014 5ft x10ft x 2ft $150,000 3 Equus Found Gates 2014, Briscoe Western Art Museum, San Antonio, TX Bronze ©2014 38”x 48” x 8” $115,000 4 Black Hawk 2003, Site-Specific Commission for the City of Black Hawk, CO monument over pedestrian walk 1/1 Bronze ©2002 18ft x 8ft x 10ft $200,000 5 Descending Cougar 2006, Private Commission, Boerne, TX Bronze ©20065.5ft x 8ft x 2.5ft $65,000 6 ULM Warhawk 2008, Site-Specific Commission for University of Louisiana – Monroe, LA Bronze/Steel ©200816ft x 9ft x 12.5ft $150,000 7 Above Timberline (Ram)2011, Commission for Colorado State University, Fort Collins, CO Entry to Harmony Golf Club Bronze ©20118ft x 6.5ft x 4ft $58,000 8 Moose Flats detail 2012, National Museum of Wildlife Art, Jackson, WY Bronze ©2012 1.25 life-size $144,000 9 Rite of Passage 1991, Town Entrance Roundabout for the Town of Avon, CO 5 larger-than-life horses Bronze ©1991160% life-size $650,000 10 Prairie Center Eagle2007, Prairie Center Commercial Development, Brighton, CO Bronze ©200711.5ft x 14ft x 9.5ft $215,000 • SANDY SCOTT • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • SANDY@NATIONALSCULPTORSGUILD.COM • 3B - 214 onal Sculptors’ Guildy@nationalsculptorsguild.com667.2015N Taft AvenueldCO8 8OEZ4DPUU3B - 215 tial Eagle3B - 216 Bison3B - 217 ound Gates3B - 218 awk3B - 219 ing Cougar3B - 220 arhawk3B - 221 imberline3B - 222 lats3B - 223 Passage3B - 224 Center Eagle3B - 225 Stephen J. Shachtman Statement of Intent: Frank Edgar Cornish IV, Park As a person I’m an explorer, constantly seeking to find something new and stimulating in either a physical or cerebral sense. The sculptures I create circulate in aesthetics in contemporary forms with influences from, science and architecture. These inspirations inform me in creating series’ with specific dialogue due to process‘, dimensions and material usage. Depending on the sculptural forms and concepts, a few primary materials employed are; copper, glass, and steel. I love the idea of placing my sculpture in Cornish Park as I believe it will simultaneously juxtapose and synthesize with the park’s surrounding architectural elements. I envision placing a number of pieces that will create a larger art statement and represent community vitality and gathering. The monoliths will quietly request interaction and change as people walk around each element. I am open to exploring all possibilities with the committee. Some of the different ways I treat the primary elements in my work range from; hammered surfaces that seem to have an organic aesthetic, to more of a minimalistic approach yet are monolithic in presence, while some are almost lacy, large-scale filigree that allows a viewer to see through the form. The glass elements are usually stacked to create positive and negative space. All pieces use light to unveil the personality of the piece, as shadows and reflection merge to produce an element of surprise. Public Art Approach: My public art approach for sculptural inspiration and design varies based on geographical site location, history of the site, current and future purpose of site, vehicle/pedestrian traffic, community / selection panel input, and whatever my current design aesthetic might be. In public art, an artist is never going to satisfy everyone with approved creations but still one must be mindful of the audience. I aim to understand all perspectives and opinions while maintaining the integrity of the artwork. I try my best to follow the rules and to work with others to make the project(s) move as efficiently and positively as possible. I earned my MFA in jewelry design and metalsmithing from Rochester Institute of Technology and though I teach jewelry design at Metro State University of Denver I very rarely make jewelry other than gifts for family members. That being said I do draw many of my designs and or techniques from metalsmithing and apply them to large scale sculpture ie. heavy use of textures from either forging, hammer forming , cutting and piercing, non-traditional use of welding to create textures, as well as straight forward fabrication and sheet work, to patinas and finishes. My approach to design on a large scale is; simple, monolithic, and architectural forms. I have strong design sense for creating gateway/ entryway sculptures and or free standing stoic forms. I am drawn to materials that are very low maintenance and high durability, I use Cor ten (A606 ) steel for this very reason as I never get a call back because of the finish coming of as the rust is the finish . Also concrete, stone, copper, bronze as well as glass (though not as durable) are all other materials I have used to create pieces or concepts with. When presenting a project I tend to use multiple visual aids which include a charcoal/pencil/painting of piece, a maquette with all materials to be used with finishes as well as a CAD/Sketch up drawing and a cad drawing superimposed to the site, as I want to be as clear and honest to what the final piece will look like, what you see is what you get. • S T E P H E N S H A C H T M A N • T H E N A T I O N A L S C U L P T O R S ’ G U I L D • • 2 6 8 3 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • S T E P H E N @ N A T I O N A L S C U L P T O R S G U I L D . C O M • 3B - 226 I have both been a part of, and solo creator of private and public art works for several years. I have worked on budgets from a few thousand dollars to half a million dollar projects. I have also assisted other artists with their fabrication and installation of their work. For my own work, I have fabricated works from start to finish in every phase with little to no assistance other than from engineers and crane operators. I clearly think through aspects of projects in my mind’s eye prior to ever lifting a finger as I like to problem solve prior to having a problem in the field or in the shop. As a member of the National Sculptors Guild we work as a team to successfully enhance public sites using novel approaches. The Guild is an experienced public sculpture team with over 450 placements in 20 years. NSG director, John Kinkade has told me from the start, "Sculpture is a team sport". We understand the enormous personality it takes to realize large projects through constant problem solving and a shared vision of completion. The Guild affords me access to the expertise of nationally recognized professionals that also understand this goal. Those who participate throughout the process are just as important as the finished product. We may never have the opportunity to meet our audience in person, but I believe our teamwork, ideas and collaborative talent touches many and remains intact within the finished work of art. This team is assembled and it is our desire to work collectively to realize important national landmarks for communities. 3B - 227 Stephen J Shachtman Curriculum vitae Education: M.F.A 2006 Jewelry/Metals School for American Craft, Rochester Institute of Technology, Rochester, NY B.F.A 2002 Jewelry/Metals Colorado State University, Fort Collins, CO Certificate 1999 Film Studies Directing New York Film Academy University of California Los Angeles Los Angeles, CA Professional Experience past 10 years: 2002- Current Shachtman Studios: Artist, Public Art, Art Installation, Art Consulting, Jewelry, Lighting,Furniture design, Custom utilitarian creations, Contractor Denver , Colorado 2014-Current Metro State University of Denver. Adjunct Professor Foundation in Jewelry design/ metalsmithing Denver , Colorado 2011- 2013 Todd Reed Inc, Bench Jeweler Boulder, Co 2005 –2006 Instructor foundations & fabrication in metal, Rochester Institute of Technology, NY 2005 Apprenticeship under Leonard Urso Studio, Rochester, NY Recent Contracted Commissions and Honors: 2014 Granite Plaza “Plaza project” Contractor/fabricator/designer BLU Design group Budget: $150,000. 2012 Quincy Project “Bridge” sculpture Contractor/Designer/Fabricator,Artist S. Sheridan Blvd Public Art City of Denver, Co Budget: $ 37,000.00 2010 University of Wyoming War Memorial Stadium Sub Contractor/ Quality control Steel fabrication/Glass installation/Granite installation Laramie Wyoming Budget: $ 250,000.00 2009 The Denver Zoo Commissioned to Patrick Marold Studios Production contractor/Fabricator Public Art Denver, Co Budget: $ 450,000.00 2008 “Enlightened” The Villaggio Contractor/Designer/Fabricator Fort Collins, Co Budget: $ 12,000.00 “Fault Shadows” Gates Center Commissioned to Patrick Marold Studios Consultant fabricator, Production/Studio Assistant, Installation Public Art Denver, Co Budget: $ 16,000.00 2007 “Geological Fence Project” Contractor/Designer/Fabricator Dr. Howard Perko, CTL|Thompson Fort Collins, Co Budget $ 8,500.00 • STEPHEN SHACHTMAN • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • STEPHEN@NATIONALSCULPTORSGUILD.COM • 3B - 228 Exhibition Record group (G) Solo(S): 2014 “Natural Surroundings” (G) Space Gallery Denver, CO 2010 “Mix’” (G) Center for Visual Arts Metro State College of Denver, Denver, Co “Ice Breaker” (G) Dry Ice Gallery Denver, CO 2009 “Forms and Techniques” (G). Space Gallery Denver, CO “Sugar in the City” (G). McGrath and Braun Denver, CO “Colorado Abstract” (G). Center for Visual Arts Metro State College of Denver. Denver, CO 2008 “Series of Three” Space Gallery (G). Denver, CO “Organics” (G). University of Riverton. WY 2007 “Looking through Newton’s Telescope” (S). Enso Gallery. Denver, CO 2006 “Creative Spaces” (G). Lincoln Center Galleries. Fort Collins, CO “Sculpture” Bausch & Lomb World Headquarters (G). Rochester, NY “Preternatural Fauna” MFA Thesis Exhibition(G). Bevier Gallery Rochester Institute of Technology, NY Additional Awards: 2013 The Westword “Best of Denver” “ Best New Public Art Piece 2006 Niche Student Award Finalist: Mixed Media, “Cabo Chipirón” 2004 -2006 RIT SAC Metals Graduate Scholarship Award 2005 Tiffany & Co. Foundation Scholarship Award Kosovo Humanitarian Award, “Sponge” commission Professional Organizations College Art Association Society of North American Goldsmiths National Sculptors’ Guild Publications 2013 Westword “Best of Denver” “ Best New Public Art Piece” “Bridge” 2009 Colorado Abstract, “painting and sculpture” Pg. 264-267 2009 Rocky Mountain News January 1st 2009 2006 R.I.T The University Magazine Spring 2006 Image pg.21 2006 Signatures art & literature magazine Image pg.13 Collections Mr . Brett & Mandy Butterstein Ensenada, Ca Mr Alen Kagen Dallas, Tx Dr, Jeffery & Mrs. Barbara Wasserstrom San Diego, Ca Mrs Joan Wallick Columbus, Oh Dr. Ken & Mrs Paisley Pattine Fort Collins,Co Mr. Rich & Mrs Susan Harrison Fort Collins, Co First Data Denver,Co Dr. Jim & Mrs Susan Taylor Parker, Co Mr. Eric Shandrowski & Miss. Stasia Patience Denver, Co Mr. Robin & Mrs. Eileen Dornfest Fort Collins, Co Mrs. Nilda Getty Fort Collins, Co • STEPHEN SHACHTMAN • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • STEPHEN@NATIONALSCULPTORSGUILD.COM • 3B - 229 Stephen J Shachtman Image Annotations 1 : Bridge. Cor ten steel/glass/granite. 15’ x 4’ X 12’. 2012 $37,000 Denver Public art, Sheridan and Hampden. This commissioned piece sits just west of the Fort Logan cemetery as a gateway piece to south west Denver. Voted in the Westword as Best New Public art 2013 2: Bridge. Cor ten steel/glass/granite. 15’ x 4’ X 12’. 2012 $37,000 commissioned by Denver Public art located in the median on Sheridan and Hampden. This commissioned piece sits just west of the Fort Logan cemetery as a gateway piece to south west Denver. Voted in the Westword as Best New Public art 2013 3: Lunar 3 at the Race Track Shadows. Cor ten steel/copper. 36”x 8” x36”, 2008 $15,000. Photographed Death Valley, CA 4: Lunar # 2. Cor ten steel/copper. 36”x 8” x36”, 2008 $5,00 this sculpture is one of three in the series “Lunar 3” 5: Untitled. Cor ten steel/Travertine 9’ x 4’ x 2’ ,2014 $7,800 6: Monolith. Cor ten steel / powder coated. 78”x 36” x6”, 2014. $8,800 each. Work created most recently in the Monolith series. 7: Red Monolith. Cor ten steel/acrylic/powder coated. 144”x24”x6” 2014, $9,800 8: Bow. Cor ten Steel. 60”x38” x30”. 2009 Retail price $5,800. This sculpture is one of eleven in the series “Forms and Techniques” 9: Copper forms. Copper, size and colors varies 12” to 24” $15,000 for pictured set. 10: Dumbell Nebula- NGC 6853. Copper/steel/glass, 36”x30”x14”, 2007 Retail price $7,800. This sculpture is one of nine in the series “Looking through Newton’s Telescope” • S T E P H E N S H A C H T M A N • T H E N A T I O N A L S C U L P T O R S ’ G U I L D • • 2 6 8 3 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 8 0 5 3 8 • 9 7 0 . 6 6 7 . 2 0 1 5 • • S T E P H E N @ N A T I O N A L S C U L P T O R S G U I L D . C O M • 3B - 230 2683 N Taft Ave, Loveland, CO 80538stephen@nationalsculptorsguild.comStephen J Shachtman3B - 231 Bridge3B - 232 Bridge detail3B - 233 Lunar3B - 234 Lunar detail3B - 235 Untitled3B - 236 Monoliths3B - 237 Red Monolith3B - 238 Bow3B - 239 Copper Forms3B - 240 Dumbbell Nebula3B - 241 WAYNE SALGE STATEMENT OF INTENT My art is entwined with my years in Texas and Colorado and travels in-between. Painting, sculpting and graphic arts have always been paramount in formulating my style as I have experimented with a wide variety of media in each discipline. Elements of old and new meld to create my own recognizable style of the figure and animals. Bronze work affords me the freedom to go as thin as I like or as massive as I choose in three-dimensions while maintaining a durable and low-maintenance installation. A signature design style has been evident in my art work from early years even in acrylic paintings, graphics and stone sculpture. Even though it is recognizable, it is not easy to label or describe. Regarding my sculptural work, sometimes the terminology stylized, modern or contemporary is used. I would say that in general my work falls somewhere between realism and abstraction. I always enjoy comments about my work especially at shows. What I find most interesting is that children most often catch the essence of my sculpture more quickly while adults sometimes take longer. Because of the strong design elements inherent in my artwork, such as repetition of form and structural lines my work complements architectural sites as well as botanical settings. The immediacy of the human form and incorporation of whimsy and humor translates into the public realm with ease and universal appeal. I am not concerned about anatomical realism in my animal or human forms. Instead, I want to depict an attitude or a feeling using body language, shape and lines to get my desired effect. I prefer not to describe any piece in detail; instead, I want the viewers to take an integral role in viewing and touching the sculpture to stimulate their imagination. I am eager to work with the Southlake Arts Council in the design and creation of artwork that will best accentuate Frank Edgar Cornish, IV Park and speak to the memory of this celebrated Southlake resident, serving as a tribute for generations. As an elected Associate Member of the National Sculptors’ Guild I work with an established design team that has over 17 years of experience and 450 public art placements with budgets ranging from $20,000 to $2 million. This organization also affords me access to knowledgeable professionals with proven accountability including architects, landscape architects, structural engineers, designers and contractors. Public art truly is a team effort and the NSG’s experience guarantees a smooth and successful project from start to finish. Using a design team approach along with members of the Park Project Team and interested stakeholders, I look forward to working with representatives from the Southlake Arts Council to further develop the design of artistic enhancements to the Frank Edgar Cornish IV Park. Thank you for the chance to submit my work for your consideration. Sincerely, Wayne Salge • WAYNE SALGE • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • WAYNE@NATIONALSCULPTORSGUILD.COM • 3B - 242 WAYNE SALGE Curriculum vitae BIOGRAPHY: 2000-present current home and studio Johnstown, CO 1970-2000 Denver, CO 1968-70 Washington, DC 1967-68 Viet Nam 1941-1967 San Antonio, TX born November 10, 1941 San Antonio, TX EDUCATION: San Antonio College, San Antonio, TX La Villita School of Art, San Antonio, TX Bronze foundry workshop, Denver, CO Stone sculpture workshop, Golden, CO PUBLIC ART PLACEMENTS: “Cecil”, 2013 Little Rock, AR “Sierra”, 2012 Little Rock, AR “Crab Louis”, 2010 Whittier, CA “Sizzling Sisters”, 2009 Little Rock, AR “Antonio”, 2005 Steamboat Springs, CO “Spirit of Reconciliation”, 2003 The Conflict Center, Denver, CO “Cimarron”, 2002 Benson Park, Loveland, CO “Antonio”, 2001 Summerville, SC SELECTED EXHIBITIONS: 2010-14 National Sculptors’ Guild Annual Exhibit Loveland, CO 2009-14 Sculpture at the River Market Little Rock, AR National Sculpture Society Exhibit, Brookgreen Gardens, Pawleys Island, SC American Art Invitational, Saks Galleries Denver, CO North American Sculpture Exhibition at Foothills Art Center Golden, CO Sculpture in the Park Loveland, CO Two-Person Show at MacLaren Markowitz Gallery Boulder, CO Joy of Sculpture, Colorado History Museum Denver, CO Sedona Sculpture Walk Sedona, AZ Two-Person Show at the Depot Steamboat Springs, CO Colorado Governor's Invitational Art Show Loveland, CO The Albuquerque Museum Miniatures Show Albuquerque, NM Two-Person Show at Phoenix Gallery Park City, UT La Quinta Arts Festival La Quinta, CA Featured Artist at Turning Point Gallery Chapel Hill, NC 2009 Featured Artist at Saks Galleries Denver, CO 2009 Riverspan Sculpture Exhibition Cincinnati, OH CORPORATE ARTWORK COLLECTIONS: Omni Interlocken Resort Broomfield, CO Four Seasons Hotel Denver, CO The Ritz-Carlton – Bachelor Gulch Beaver Creek, CO • WAYNE SALGE • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • WAYNE@NATIONALSCULP TORSGUILD.COM • 3B - 243 WAYNE SALGE pg2 PRINT: Feature Article “The Equine Image” April/May 1999 Issue Profile “SouthwestArt” July 1999 Issue Article “InformArt” Summer 2000 Issue Feature Article “SouthwestArt” April 2002 Issue Article “Wildlife Art” March/April 2003 Issue Feature Article “Loveland Reporter-Herald” November, 2005 Article “Savannah Morning News” May 14, 2009 Article “Loveland Reporter-Herald” August 5, 2009 Article “The Johnstown Breeze” – “Our Towns” September 2009 Book “Sculpture of the Rockies” 2009 Profile “Southwest Art” July 2010 Article “Colorado Homes and Lifestyles” June/July 2010 Article “Loveland Reporter Herald” August 2010 Article “Denver Magazine” Four Seasons Hotel Collection August 2010 Article “Southwest Art” November 2012 Article “Arkansas Democrat-Gazette” April 2014 Article “Fine Art Connoisseur” August 2014 PROFESSIONAL MEMBERSHIP: National Sculpture Society, Elected New York, NY National Sculptors’ Guild, Fellow Loveland, CO PROFESSIONAL EXPERIENCE: Television art director Army illustrator Advertising agency art director Freelance graphic designer and illustrator Painter (oils and acrylics) Sculptor (stone and bronze) REFERENCES: -- Dean Kumpuris “Cecil”, Vogel/Schwartz Sculpture Garden 500 W Markham, Room 338 “Sierra”, Downtown Pocket Park Little Rock, AR 72201 “Sizzling Sisters”, Vogel/Schwartz Sculpture Garden 501-601-2253 Little Rock, AR dkumpuris@me.com -- Nancy B. Kramer “Antonio” P.O. Box 772778 Steamboat Springs, CO Steamboat Springs, CO 80477 970-879-2739 nbkramer@springs.com -- Fran Shields, Community Services Director “Crab Louis” 13230 Penn Street Whittier, CA Whittier, CA 90602 562-464-3360 fshields@cityofwhittier.org • WAYNE SALGE • THE NATIONAL SCULPTORS’ GUILD • • 2683 N TAFT AVENUE • LOVELAND, COLORADO 80538 • 970.667.2015 • • WAYNE@NATIONALSCULPTORSGUILD.COM • 3B - 244 WAYNE SALGE IMAGE ANNOTATION 1 Cecil 14ft Bronze ©2013 $75,000 Public Collection of Little Rock, AR Represents the weighty aspects of strength and balance; necessities for living a healthy life. 2 Cecil (in clay w/artist) 14ft Bronze ©2013 $75,000 Public Collection of Little Rock, AR Shown with artist for a sense of scale 3 Sierra 9ft Bronze ©2007 $40,000 Public Collection of Little Rock, AR Represents an ode to hospitality…service with a generous helping of attitude. 4 Sierra [detail] 9ft Bronze ©2007 $40,000 Public Collection of Little Rock, AR Represents an ode to hospitality…service with a generous helping of attitude. 5 Cimarron 7ft Bronze ©2000 $32,000 Public Collection of Loveland, CO 6 Antonio 8.5ft Bronze ©1999 $32,000 Public Collections of Steamboat Springs, CO & Summerville, SC 7 Crab Louis 26” Bronze ©2007 $12,000 Public Collection of Whittier, CA First version was carved in stone. Strong design elements which can mask the totality of the piece; even shows a robotic side. 8 Sizzling Sisters 24” Bronze ©2006 $7,500 Public Collection of Little Rock, AR - Vogel Schwartz Sculpture Garden Three female figures emphasizing movement with complex vertical lines created by legs, arms and heads of fire; Ballerinas set free. 9 Alphonse 4ft Bronze ©1999 $35,000 10 Sparrow 39” study for enlargement Bronze ©2000 $10,000 All maquettes shown should be considered studies for enlargements. Commissions welcomed • T H E N A T I O N A L S C U L P T O RS’ G U I L D • W A Y N E S A L G E • • 2683 N T A F T A V E N U E • L O V E L A N D , C O L O R A D O 80538 • 9 7 0 . 6 6 7 . 2 0 1 5 • • W A Y N E @ N A T I O N A L S C U L P T O R S G U I LD.C O M • 3B - 245 WAYNE SALGE & THE NATIONAL SCULPTORS’ GUILD 2683 North Taft Avenue Loveland, CO 80538 wayne@nationalsculptorsguild.com 970-667-2015 3B - 246 01. CECIL 3B - 247 02. CECIL (shown in clay w/the artist) 3B - 248 03. SIERRA 3B - 249 04. SIERRA (detail) 3B - 250 05. CIMARRON 3B - 251 06. ANTONIO 3B - 252 07. CRAB LOUIS 3B - 253 08. SIZZLING SISTERS 3B - 254 09. ALPHONSE 3B - 255 10. SPARROW (study for enlargement) 3B - 256 1 Leslie Bartlett a 100%0.75 2016 75% 2 Merlene Ingraham r 0%0 3 Jesika Cook a 100%0.75 4 Terri Messing a 100%0.75 5 Devika Seth r 0%0 6 Miriam Murray a 100%0.75 7 Tamara McMillan a 100%0.75 Alt 1 Kelly Trager a 100%0.75 75%a In attendance Total Hrs Per Month 0.75 0.75 r Not in attendance, no substitute m Substitute in attendance n Vacant position 0 Meeting Canceled *Meeting Canceled due to no quorum Change in Representative Southlake Arts Council Attendance Report Place Name 1/8/16 2/9/16 4/25/16 5/23/16 6/27/16 7/25/16 8/22/163/28/16 Hrs To Date Average Monthly Attendance Rate Meeting Attendance Rate (includes substitutions) Christina Esparza resigned 5/2015. 9/26/16 10/24/16 11/28/16 12/26/16 Individual Attendance Rate Southlake Arts Council Attendance Report